Peking Opera and Yueju Opera

The origin of Yueju Opera: Yueju Opera was formed more than 100 years ago through the gradual development of a popular form of rap called "floor singing" in Sheng County, Zhejiang Province

Representative repertoire: A Dream of Red Mansions, Liang Shanbo and Zhuyingtai, The Jasper Hairpin, The Five Daughters Bow Down to Their Birthdays, Meng Lijun, Playing for the Golden Boughs, and The Prints of the Bloody Hands, among many other repertoires

The origin of Peking Opera is as follows Peking Opera: Peking Opera was synthesized by the evolution of the Hui and Han tunes, which were introduced to Beijing in the middle of the Qing Dynasty.

Characteristics: Its performing art tends to be a combination of real and imaginary expression, and maximizes the limitations of stage space and time, in order to achieve the artistic realm of "conveying the divine in form, and the divine in form". The performance requires delicate and delicate, everywhere into the drama; singing requires melodious and gentle, voice and emotion; martial arts theater is not to win the fiery and fierce, but to "martial arts theater singing" see good.

Representative repertoire: "Drunken Princess", "Dingjunshan", "Four Langs Visiting Mother", "Red Mane Horse", "Lost Air Chopper", "Lock Lin Pouch", "Drumming and Cursing Cao", and so on.