Modern Classical China New Style

1. What are the styles of classical Chinese? Classical Chinese includes strategies, poems, words, songs, stereotyped writing and parallel prose.

Classical Chinese is relative to the vernacular Chinese after the New Culture Movement, and there was no such thing as classical Chinese in ancient times. Its characteristics are paying attention to allusions, parallelism and antithesis, and neat melody.

After the modification of literati in past dynasties, it became more and more flashy. Han Yu, a great writer in the Tang Dynasty, initiated the "ancient prose movement" and advocated returning to popular ancient prose. The classical Chinese in modern books are generally marked with punctuation marks in order to facilitate reading and understanding.

Extended data:

The characteristics of classical Chinese are: separation of speech and writing, concise writing. Compared with vernacular Chinese (including spoken and written language), the characteristics of classical Chinese are mainly manifested in grammar and vocabulary.

There are two kinds of sentence patterns in classical Chinese: fixed sentence patterns and special sentence patterns. Its special sentence patterns can be divided into four categories: inverted sentence, passive sentence, ellipsis sentence and judgment sentence, and inverted sentence can be divided into four categories: prepositional object sentence, adverbial postposition sentence (prepositional phrase), attributive postposition sentence and subject-predicate inversion sentence (prepositional sentence).

1, the so-called judgment sentence is a sentence that uses a noun, pronoun or noun phrase as the predicate to judge the subject. 2. passive sentences in classical Chinese, the subject of some sentences is the receiver of the action, which is a passive sentence.

3. Inverted sentences in ancient Chinese are relative to the sentence order in modern Chinese. Based on this, we divide inversion sentences in classical Chinese into prepositional object, attributive postposition, adverbial postposition and verb inversion. 4. Elliptic sentences in classical Chinese are generally omitted. Grasping the ellipsis helps to fully understand the meaning of the sentence.

Baidu encyclopedia-classical Chinese.

2. What are the main styles of modern articles? Argumentative writing is a kind of style with argumentation as the main expression. By listing factual materials and using logical reasoning, we can show our views and attitudes towards problems and expound our understanding and knowledge of things. People from all walks of life need to read and write frequently in order to accept and express their ideas. The textbook selected 15 argumentative essays, including 10 modern essays and 5 classical essays. For these argumentative essays, candidates should be able to summarize the central arguments and sub-arguments; It should be able to divide the levels of important paragraphs and summarize the general idea of the levels; Should be able to identify the types of arguments used in the article; We should be able to identify all kinds of argumentation methods or refutation methods used in this paper; We should be able to identify the rhetorical devices used in this paper, such as metaphor, analogy (personification or imitation), parallelism, duality, rhetorical questions, irony and sense of hierarchy, and briefly explain the functions of these rhetorical devices.

Explanatory writing is a common style. It has a wide range of applications, especially in the modern society with the rapid development of science and technology. Explanatory writing has become an important genre for people to spread and master scientific and cultural knowledge, exchange and introduce experiences and methods in work, study and daily life. Eight treatises were selected from the textbook. By reading these discourses, we can have a more comprehensive understanding of their styles. For these eight expositions, candidates should be able to summarize the center and main points expounded in the article; It should be able to divide the levels of important paragraphs and summarize the general idea of the levels; Should be able to understand the overall structure and interpretation order of the article; Should be able to briefly explain the various interpretation methods used in the article and their functions; We should be able to identify the rhetorical devices used in this article, such as metaphor, analogy, parallelism, antithesis, rhetorical questions, rhetorical questions, and hierarchy, and briefly explain their functions.

Narrative is a style that records and narrates the origin of events and describes things and people. News, communication, reportage, biography, travel notes, novels, fairy tales, fables and narrative prose all belong to the category of narrative. The textbook selected 13 narrative essays, including 8 modern essays and 5 classical essays. For these narratives, candidates should be able to summarize the central idea of the article; It should be able to divide the levels of important paragraphs and summarize the general idea of the levels; You should be able to recognize the narrative style of the article; You should be able to identify the description methods of the characters in the text and briefly explain the functions of these description methods; You should be able to recognize the types of environmental descriptions in the text and briefly explain the functions of these environmental descriptions; You should be able to identify the expressions and rhetorical devices used in the article, such as comparison, bedding, side comparison, overall comparison, narrative discussion, semantic pun, symbol, suggestion, metaphor, comparison, parallelism, duality, rhetorical questions, and briefly explain the functions of these expressions and rhetorical devices. Welcome to join the team of "Mosquitoes Riding on the Wind". The group number is 3500 14.

Very elementary, but we can work together.

3. What are the styles of classical Chinese? Classical Chinese includes strategies, poems, words, songs, stereotyped writing and parallel prose.

Classical Chinese is relative to the vernacular Chinese after the New Culture Movement, and there was no such thing as classical Chinese in ancient times. Its characteristics are paying attention to allusions, parallelism and antithesis, and neat melody.

After the modification of literati in past dynasties, it became more and more flashy. Han Yu, a great writer in the Tang Dynasty, initiated the "ancient prose movement" and advocated returning to popular ancient prose. The classical Chinese in modern books are generally marked with punctuation marks in order to facilitate reading and understanding.

Extended data:

Classical Chinese is characterized by:

Language is separated from writing, and writing is concise. Compared with vernacular Chinese (including spoken and written language), the characteristics of classical Chinese are mainly manifested in grammar and vocabulary.

There are two main types of sentence patterns in classical Chinese: fixed sentence patterns and special sentence patterns. Its special sentence patterns can be divided into four categories: inverted sentence, passive sentence, ellipsis sentence and judgment sentence, and inverted sentence can be divided into four categories: prepositional object sentence, adverbial postposition sentence (prepositional phrase), attributive postposition sentence and subject-predicate inversion sentence (prepositional sentence).

1, sentence

The so-called judgment sentence is a sentence pattern that uses nouns, pronouns or noun phrases as predicates to judge the subject.

2. Passive sentences

In classical Chinese, the subject of some sentences is the receiver of action, which is a passive sentence.

3. Inverted sentences

Inverted sentences in classical Chinese are relative to the sentence order in modern Chinese. Based on this, we divide inversion sentences in classical Chinese into prepositional object, attributive postposition, adverbial postposition, verb inversion and so on.

4. Elliptic sentences

In classical Chinese, it is common to omit components. Grasping the ellipsis helps to fully understand the meaning of the sentence.

Sogou encyclopedia-classical Chinese

4. A brand-new style in the history of modern prose: poetry from May 4th to before the founding of the People's Republic of China. The main body of China's modern poetry, New Poetry, was born in the May 4th New Culture Movement (see the May 4th Literary Revolution). It adapts to the requirements of the times, reflects real life with the vernacular close to the masses, and shows the revolutionary content of science and democracy. New poetry characterized by breaking the shackles of old poetry forms. Advocacy and initial creation of new poetry. By the end of Qing Dynasty, China's classical poems could not meet the requirements of social progress. At the end of 2009 and the beginning of the 20th century, Liang Qichao, Tan Sitong, Xia Cengyou and others called for "poetry revolution", and Huang Zunxian advocated "new poetry", all of which played a leading role in the subsequent May 4th movement of new poetry. The magazine that first tried and advocated new poetry was New Youth. After the publication of Hu Shi's My Humble Opinion on Literary Improvement, in February 20071965438+Volume 2 No.6, eight vernacular poems of Hu Shi were published, which were the first batch of vernacular poems in China poetry movement. In the issue of 1, nine vernacular poems by Hu Shi, Liu Bannong and Shen were published. Liu Bannong's Separated by a Layer of Paper is the earliest work in new poetry that sympathizes with the life of the bottom people and reveals the humanitarian theme. He began to express his life in new languages and ways, and paid attention to the beauty and harmony of phonology. Similar to Liu Bannong, Liu Dabai wrote old dreams and kisses by email, which mostly expressed people's sufferings, while Red New Year and Labor Day Song expressed their yearning for the new world. He pays great attention to drawing lessons from folk songs. 1920 March, Hu Shi's "Trial Collection" This is the first vernacular new poetry collection during the May 4th New Culture Movement. Hu Shi believes that the revolutionary movement of ancient and modern literature always begins with the great liberation of style, so he puts forward: "To have new content and new spirit, we must first break the shackles of the spirit" (On New Poetry). As the first person who advocated writing poems in vernacular, he advocated that the style of new poetry was free and informal, which was of positive significance to the creation of new poetry. It directly led to the formation of the original free poetry school of May 4th New Poetry. At that time, in addition to Hu Shi, Liu Bannong, Shen, Chen Duxiu, Lu Xun, Zhou Zuoren and Li Dazhao, the first batch of testers of new poetry mainly focused on New Youth. Their commitment to the creation of free-style vernacular poems marks that they have completely got rid of the influence of old poems, stood on their own feet in the world and carried forward Zhou Zuoren's rivers and lakes. It implies the tragic conflict caused by violating the laws of nature and expresses the thoughts and demands of individual liberation. After New Youth, trendy, Weekly Review and other publications also united a group of pioneers of new poetry, such as Yu Pingbo who wrote Winter Night, Kang who wrote Weeds, Zhu Ziqing who wrote Traces, and those who wrote Childlike Heart. Snowflake Dynasty is a collection of works by Zheng Zhenduo, Zhou Zuoren, Yu Pingbo, Xu Yunuo, Ye, Zhu Ziqing and others, which shows their creative strength. With the aim of "art for life", they pursue "nature" and "frankness", so that the actual scenes of hooligans are poured into simple and fresh poems, thus strengthening the realistic power in freestyle vernacular poems. As far as literary research is concerned, it is a realistic tendency to face life directly, expose darkness and intervene in life by means of new poetry. Zhu Ziqing is one of the outstanding poets. His "Destruction" is a long lyrical way, describing the ambivalence of young people "struggling for temptation and desperately seeking destruction" after the ebb tide of the May 4th Movement, leaving a "distinct step". His poem Trace shows the poet's spirit of facing reality actively. Wang Tongzhao is also epochal, and the poems in his poetry collection convey the bitterness of the world through hazy images. Bing Xin is also one of the authors who started writing activities earlier in the literary research society. In addition to novels and essays, she is also good at writing sudden philosophical thinking fragments in the form of small poems. Her masterpieces "Stars" and "Springs" are deeply influenced by Tagore, crystal clear and beautiful. These short poems of life experience, which are saturated with maternal love and childlike innocence under the theme of human nature and composed of pearls of wisdom and emotion, are free and lively in content and eclectic in form, and convey the free atmosphere of open mind in the May 4th era from the side. This is also related to the fact that after the new poetry became independent from the old poetry, it abandoned the modeled lyricism and turned to the pursuit of rational interpretation. Many writers scattered culture at one time, forming a small poem movement in the history of new poetry. Among them, Zong Baihua's essay "Flowing Poetry" is a literary genre, which is called poetry, novel and drama. Refers to blank prose, including essays, essays, travel notes, etc. Is the freest style, without rhyme and parallelism, without any constraints and restrictions. It is also the earliest style of writing in China. Usually, an article has one or more central ideas and is expressed by lyric, narrative and logical methods. The article is written casually, but between the lines, every sentence is related to the theme. It is short, beautiful, vivid and interesting. The history of China's traditional prose can be traced back to Oracle Bone Inscriptions. It is all essays except poetry, drama, novels and ci fu, including political essays, historical reviews, biographies, travel notes, letters, diaries, plays, essays, tables, prefaces and other essays. Because of this,

5. What is the concept of classical Chinese style? 1. When it comes to an ancient style, you can describe it or comment on it, all to illustrate a truth.

There is not much difference between it and On, so later reasoning, analysis and other articles are collectively called argumentative essays. To some extent, it is similar to modern prose or miscellaneous feelings, with changes and inconsistent writing.

Such as Ma Shuo, Shi Shuo, Ailian Shuo, Snake Catcher Shuo, Six Kingdoms Lun and Guo Qin Lun. 2. Table is the style of ancient courtiers writing letters or stating some opinions to the emperor.

In addition, there is a special style of discussing state affairs, called "sparse"; It was used by courtiers to answer the emperor's inquiries about political affairs, which was called "right". For example, Liezi, Chen Qingbiao on Storing and Sparing, Longzhong Dui, etc.

3. I remember an ancient narrative style, which contains many narratives, scenes and objects, and can describe the beauty and strangeness of famous mountains and rivers. You can also write down national events and express the author's thoughts and feelings.

Such as Yueyang Tower, Xiaoshitang, Travel Notes of West Lake, Shi Zhongshan, Zuiweng Pavilion and Peach Blossom Garden. In addition, there is a "nuclear ship" based on interpretation.

4. Inscription is a kind of writing carved on objects in ancient times, which is used to record a person's life and career, to warn himself or praise his achievements, and later became a style. Commonly used writing methods, such as "humble room inscription".

There are also inscriptions on stone tablets that describe the life of the deceased and praise the memory, which are called "epitaphs", such as Han Yu's "Liu Zihou Epitaph". Fu was born in the Warring States and prevailed in the Han Dynasty. It pays attention to rhetoric, antithesis, rhyme and layout narration. It is often to borrow things to write feelings and express their feelings.

Such as "Red Cliff Fu" and "Epang Palace Fu". 6. Biography is an article used to record someone's deeds (main activities and life). "Biography" is generally narrated by others, and there are also "autobiographies" that describe their lives.

Such as Biography of Mr. May 6th, Biography of Children's Areas, Biography of Lian Po and Lin Xiangru, etc. 7. Books are in the form of letters. Today's letter format evolved from the ancient "book" form.

Such as Zhang Shu, Li Ling's Answering Su and Zhu's Si Yuan Shu. 8. Foreword is also called "preface" or "introduction", just like modern "introduction" and "preface".

If it is to explain the purpose of writing and introduce the content, it belongs to explanatory text, such as "litchi map preface"; If it is a comment on the author and works, it is an argumentative paper, such as the preface of the biography of the actor; There are also articles that give people words about a specific thing, such as Preface to Send Dong Shaonan to Hebei and Preface to Send Ma Sheng to Dongyang. Wang Xizhi's Preface to Lanting has a strong expressive color. 9. Irony: The ancient style of euphemistically persuading others to accept the opinions of subordinates by means of metaphor and suggestion.

Ruheng is planning to ban Er Du as Er Du Fu because of its satirical admonition. -"Used to be? 6? 1 Zhang Hengchuan "; In the Warring States Policy, Zou Ji satirizes the minister, and Zou Ji satirizes the minister.

Style refers to an independent text style (or style and system), which is the norm and mode of text composition, a unique cultural phenomenon and the product of long-term accumulation of certain historical content. It reflects the overall characteristics of the text from content to form and belongs to the category of form.

The composition of style includes superficial textual factors, such as expression techniques, theme nature, structural type, language style, morphological format, and deep social factors, such as the spirit of the times, national tradition, class imprint, writer style, communication context, reader experience, etc. The characteristics and division of style often depend on the strengthening, prominence or variation of some factors in its hierarchical structure.

Style usually refers to the text structure and overall speech style gradually stabilized by different communication environments and communication purposes. As a concrete program, it can not only become an important object of concern in the theoretical system of disciplines, but also provide the most practical example of rules for people's application.

Because of this, related disciplines, such as writing, literature and art, philology, grammar, rhetoric, article study and so on. , mostly to discuss this content. (See Misunderstandings in Style Classification and Applied Writing, No.9, 2003) The objective existence of style is a social and cultural demand, but more importantly, it depends on its own unique function.

Hans Robert Jauss, a German, thinks in "Towards Reception Aesthetics": "The formal type of literature is neither a writer's subjective creation nor a concept reflecting order, but mainly a social phenomenon. The existence of types and forms depends on their functions in the real world. "

Each style has functions and aesthetic effects that cannot be replaced by other styles. As Lessing said in Hamburg Drama Review: "Poetry of various genres can't improve everything, and at least two genres can't produce exactly the same perfect effect; But each school can do its best to improve itself within its own scope and do better than other schools-this is its specific purpose.

In a sense, style can also be said to be expression, choice, style and even an emphasis. Every style has a certain function of expressing real social content, which is the essential feature of style and the premise of its emergence and existence.

When expressing the same ideological content, it can choose among various reciprocal ways, that is, choose the most appropriate formal coat to reproduce the ideological content. In the process of conception and creation, writers always choose the genre structure and its provisions that best meet their creative intentions and goals.

Because some people regard style as the selectivity of artistic creation. It is often based on the possible richness of genres that have always been presented to writers.

It can represent a writer, a certain period, a certain ... anywhere, only in the text character of the text, or in the words of D.H. Lawrence, in his' struggle for language consciousness'. "From the perspective of reception aesthetics, style is a focus of readers.

Dacre Rifatelle said in the Standard of Stylistic Analysis: "Stylistic style is regarded as an emphasis (expressive, emotional or aesthetic) attached to the information conveyed by the language structure without changing the meaning. In other words, language expression and style emphasis. "

The meaning of style does not mainly come from its own attributes, but fundamentally depends on the characteristics of a non-verbal individual or culture, and can also be said to depend on the deep structure of a national culture, such as thinking mode and psychological mechanism. And the latter is ultimately to be controlled.

6. What is the concept of classical Chinese style? 1. When it comes to an ancient style, you can describe it or comment on it, all to illustrate a truth.

There is not much difference between it and On, so later reasoning, analysis and other articles are collectively called argumentative essays. To some extent, it is similar to modern prose or miscellaneous feelings, with changes and inconsistent writing.

Such as Ma Shuo, Shi Shuo, Ailian Shuo, Snake Catcher Shuo, Six Kingdoms Lun and Guo Qin Lun. 2. Table is the style of ancient courtiers writing letters or stating some opinions to the emperor.

In addition, there is a special style of discussing state affairs, called "sparse"; It was used by courtiers to answer the emperor's inquiries about political affairs, which was called "right". For example, Liezi, Chen Qingbiao on Storing and Sparing, Longzhong Dui, etc.

3. I remember an ancient narrative style, which contains many narratives, scenes and objects, and can describe the beauty and strangeness of famous mountains and rivers. You can also write down national events and express the author's thoughts and feelings.

Such as Yueyang Tower, Xiaoshitang, Travel Notes of West Lake, Shi Zhongshan, Zuiweng Pavilion and Peach Blossom Garden. In addition, there is a "nuclear ship" based on interpretation.

4. Inscription is a kind of writing carved on objects in ancient times, which is used to record a person's life and career, to warn himself or praise his achievements, and later became a style. Commonly used writing methods, such as "humble room inscription".

There are also inscriptions on stone tablets that describe the life of the deceased and praise the memory, which are called "epitaphs", such as Han Yu's "Liu Zihou Epitaph". Fu was born in the Warring States and prevailed in the Han Dynasty. It pays attention to rhetoric, antithesis, rhyme and layout narration. It is often to borrow things to write feelings and express their feelings.

Such as "Red Cliff Fu" and "Epang Palace Fu". 6. Biography is an article used to record someone's deeds (main activities and life). "Biography" is generally narrated by others, and there are also "autobiographies" that describe their lives.

Such as Biography of Mr. May 6th, Biography of Children's Areas, Biography of Lian Po and Lin Xiangru, etc. 7. Books are in the form of letters. Today's letter format evolved from the ancient "book" form.

Such as Zhang Shu, Li Ling's Answering Su and Zhu's Si Yuan Shu. 8. Foreword is also called "preface" or "introduction", just like modern "introduction" and "preface".

If it is to explain the purpose of writing and introduce the content, it belongs to explanatory text, such as "litchi map preface"; If it is a comment on the author and works, it is an argumentative paper, such as the preface of the biography of the actor; There are also articles that give people words about a specific thing, such as Preface to Send Dong Shaonan to Hebei and Preface to Send Ma Sheng to Dongyang. Wang Xizhi's Preface to Lanting has a strong expressive color. 9. Irony: The ancient style of euphemistically persuading others to accept the opinions of subordinates by means of metaphor and suggestion.

Ruheng is planning to ban Er Du as Er Du Fu because of its satirical admonition. -"Used to be? 6? 1 Zhang Hengchuan "; In the Warring States Policy, Zou Ji satirizes the minister, and Zou Ji satirizes the minister.

Style refers to an independent text style (or style and system), which is the norm and mode of text composition, a unique cultural phenomenon and the product of long-term accumulation of certain historical content. It reflects the overall characteristics of the text from content to form and belongs to the category of form.

The composition of style includes superficial textual factors, such as expression techniques, theme nature, structural type, language style, morphological format, and deep social factors, such as the spirit of the times, national tradition, class imprint, writer style, communication context, reader experience, etc. The characteristics and division of style often depend on the strengthening, prominence or variation of some factors in its hierarchical structure.

Style usually refers to the text structure and overall speech style gradually stabilized by different communication environments and communication purposes. As a concrete program, it can not only become an important object of concern in the theoretical system of disciplines, but also provide the most practical example of rules for people's application.

Because of this, related disciplines, such as writing, literature and art, philology, grammar, rhetoric, article study and so on. , mostly to discuss this content. (See Misunderstandings in Style Classification and Applied Writing, No.9, 2003) The objective existence of style is a social and cultural demand, but more importantly, it depends on its own unique function.

Hans Robert Jauss, a German, thinks in "Towards Reception Aesthetics": "The formal type of literature is neither a writer's subjective creation nor a concept reflecting order, but mainly a social phenomenon. The existence of types and forms depends on their functions in the real world. "

Each style has functions and aesthetic effects that cannot be replaced by other styles. As Lessing said in Hamburg Drama Review: "Poetry of various genres can't improve everything, and at least two genres can't produce exactly the same perfect effect; But each school can do its best to improve itself within its own scope and do better than other schools-this is its specific purpose.

In a sense, style can also be said to be expression, choice, style and even an emphasis. Every style has a certain function of expressing real social content, which is the essential feature of style and the premise of its emergence and existence.

When expressing the same ideological content, it can choose among various reciprocal ways, that is, choose the most appropriate formal coat to reproduce the ideological content. In the process of conception and creation, writers always choose the genre structure and its provisions that best meet their creative intentions and goals.

Because some people regard style as the selectivity of artistic creation. It is often based on the possible richness of genres that have always been presented to writers.

It can represent a writer, a certain period, a certain ... anywhere, only in the text character of the text, or in the words of D.H. Lawrence, in his' struggle for language consciousness'. "From the perspective of reception aesthetics, style is a focus of readers.

Dacre Rifatelle said in the Standard of Stylistic Analysis: "Stylistic style is regarded as an emphasis (expressive, emotional or aesthetic) attached to the information conveyed by the language structure without changing the meaning. In other words, language expression and style emphasis. "

The meaning of style does not mainly come from its own attributes, but fundamentally depends on the characteristics of a non-verbal individual or culture, and can also be said to depend on the deep structure of a national culture, such as thinking mode and psychological mechanism. And the latter, after all, is influenced by-

7. What are the styles of classical Chinese? 1. Proverbs are a genre of ancient Chinese. From the content point of view, style can describe things, explain things and make comments; Most of them are about one thing and a discussion, which requires the author's profound views on a certain problem. This kind of "theory", its narration and discussion are all to show the author's views on a certain problem or phenomenon in social life. Essentially, it belongs to a style of argumentative writing, which is similar to modern essays or essays. In junior high school, I learned Ma Shuo, speaking and borrowing books.

Table is a special style in ancient China. In ancient times, courtiers wrote letters to the monarch with various names. The Warring States period was collectively referred to as "book", and "book" was the general name of letters and opinions. In the Han dynasty, this writing method was divided into four subcategories: chapter, performance, speech and discussion. Liu Xie wrote in Wen Xin Diao Long. The chapter table reads: "Zhang Xie-en, with scattered play, expression, discussion of differences." It can be seen that the main function of table is to express the loyalty and hope of courtiers to the monarch, and "moving with emotion" is a basic feature of this style. In addition, this style also has its own special format, such as saying "what did I say" at the beginning, and often saying "I'm afraid, I nod my head and die" at the end. Our junior high school textbooks choose examples from Zhuge Liang's "Teacher's Watch", that is, "Table".

3. Preface, also called "preface", "preface" and "introduction", is an article placed before a book or text. In ancient times, another kind of preface was farewell speech, which was called "the preface of giving words", and its content was mostly words of praise, emphasis or encouragement to the relatives and friends given. For example, Song Lian's Preface to Send Ma Sheng to Dongyang is a gift preface written by the author to his hometown. There is also a preface written in front of a poem, called "preface to a poem", which tells more about the content of the story or the source of the poem, such as Su Shi's Mink Head. "When is the bright moon?" was ordered: "Chen Bing Mid-Autumn Festival, drunk, drunk, writing this article, pregnant." This preface explains the origin and process of lyrics.

4. It became a style to engrave ancient words on articles to warn yourself or state achievements. Generally, rhyme is used, the form is short, the text is concise, and the content contains praise and warning. What we have learned is Liu Yuxi's Humble Room Inscription.

5. Documentary is an ancient prose genre. "Remember" in classical Chinese is equivalent to the form of "remember" in modern Chinese. For example, Little Stone Pond is Little Stone Pond, which describes the whereabouts and scenery of Little Stone Pond. Most of these articles are travel notes, which are prose genres used to describe travel experiences, political life, social features, customs, mountains and rivers, and places of interest. Followed by some ordinary narrative prose or "miscellaneous notes" (including such as "Peach"

Preface to Hua Yuan Ji). In addition to the above two articles, we also studied Yueyang Tower, Zuiweng Pavilion, Man Jing's Travels and Nuclear Ship.

6. Pass an article about your life. Generally speaking, most of them describe the life stories of people who are more influential and outstanding in history. Narration, description and other methods are often used to express the life style of characters. This style is used in history books. Generally written by others, such as Zhang Hengchuan. , but also write their own biographies, such as Tao Yuanming's biography of Mr.

7. Books are letters, and letters of the ancients were also called "books" or "letters". They are an applied style. They record many things and express their feelings. The literary functions of Yi Yu are varied: it can express feelings, such as Sima Qian's Letter from Renan and Lin Juemin's Letter from His Wife; You can also write landscapes, such as Wu Jun's "With Zhu Yishu"; You can write personal events and feelings, such as Ji Kang's Breaking Up with Shan Juyuan. You can also pay homage to dignitaries, encourage later learning, and form a unique tradition of calligraphy and prose. These letters are beautifully laid out and of high quality.