Characteristics of Chinese Classical Style in Interior Design

The characteristics of China's traditional interior design style are influenced by the characteristics of classical architecture, such as large roof, wood structure, decorative color and flexible composition, specifically:

(1) Beam Fang, bucket arch and ceiling caisson, which are consistent with wooden structure, are not only a structural form, but also have a strong decorative effect. Interior decoration can be roughly divided into two parts: "frame sill" and "lattice fan" The "frame sill" is a fixed part and a shelf for installing the lattice fan.

In ordinary houses, doors and windows are mostly installed between the middle beam and the lower beam, and a different outfit is installed between the upper beam and the middle beam. Doors, windows and crosspieces are all lattice fans. The difference is that doors and windows can be opened and closed, while crosspieces are fixed. There is a "needle" in the middle, and the pattern is mainly geometric.

Because the building material is mainly wood, it has evolved from protection to color painting decoration. Palace buildings are mostly gold-plated with gold powder, rich in color and luxurious in style. Folk courtyards advocate simplicity, do not apply pastel colors, and are often the integration of plain walls and tiles with heaven and earth. Liang Fang is the main color of painting.

In principle, the layout method is three horizontal sections, the middle section is called Fang Xin, the outer sides of the left and right ends are called hoop heads, and the space between hoop heads and Fang Xin is called algae heads. The small sharp angle between the algae heads and hoop heads is a bifurcation angle, and most of them are decorated with rhombus flowers. Common color paintings are divided into "He Color Painting" and "Su Shi Color Painting": the former mostly adopts stylized symbol patterns such as dragons and phoenixes, which are used by the royal family; The latter is mainly composed of figures, animals and plants and landscape patterns, and is a decorative painting of residential buildings. The colored paintings in China's classical architecture are hierarchical and insurmountable.

(2) Carving beams and painting buildings is another important and remarkable feature of China's classical architectural design and classical interior design. The so-called carved beams and painted buildings are the result of the above decorative color paintings. In fact, varied colors, whether it is glazed tile roofs on houses or paint on wood, are closely combined with the protection of materials. There are many colors of glazed tiles, yellow is used in palaces and temples, green is used in palaces, and the rest are red, blue, purple, black and other colors, which are mostly used in museums such as detached palace. The walls of residential buildings are mostly made of natural materials, while the pillars of palaces are red. As for the paint of the beam arch, in principle, the upper part is mainly green. The lower half and stigma are mostly red or black at intervals.

(3) Frame-type wood structure, its indoor wall becomes a filler wall with less load, which makes the structural layout flexible and the internal space levels rich and diverse. Tall, short, big, small, especially open and closed, thus forming a harmonious combination of indoor and outdoor, which is very conducive to striving for a good orientation and scenery, making full use of doors and windows to contact nature and appreciate nature.

In courtyard design, more "scenery windows" and "scenery caves" are used to borrow scenery and group scenery, and lakes and mountains are introduced to enjoy the beauty of nature at close range. There are many ways to divide the indoor space, from full partition, semi-partition, through-air partition to flexible partition, with various styles, such as window partition, hanging, flying hood, screen, curtain, bead curtain, etc., which are often used in various classical interior designs.

(4) Indoor furnishings and arrangements have finally formed a unique set of techniques under the inheritance of years. For example, the layout of furniture is mostly in the form of sets, with the bright room facing the door as the main exhibition center. Nave's paintings, long tables, couplets, square tables and plush chairs are all symmetrically arranged. At the same time, in order to overcome the rigidity and monotony of stylized layout, handicrafts often change from content to form to achieve different effects.

Among them, antique shelves, bonsai and potted flowers can also play an important role in coordination and embellishment. The banner of "quiet and far-reaching, indifferent to bright aspirations" clearly expresses the pursuit of different hobbies with the banner of "moral generosity, happiness and frugality". Mr. Wang Jianzhu said that China's classical interior design style contains two different qualities: "On the one hand, it shows solemn and elegant bearing and represents the ethical spirit of honesty and integrity; On the other hand, it reveals a chic and elegant charm, symbolizing a profound and detached spiritual realm. Thus, it has formed the characteristics of implication, implication and etiquette in aesthetics.

Therefore, in the classical interior design of our country, the scene of "the picture must be intentional, the meaning must be auspicious, the meaning is endless, and the idea is wonderful" finally appeared.