What are the achievements of painting art in Qing Dynasty?

In the Qing Dynasty, people advocated "borrowing the past to create the present" in painting art, opposed Chen Xiangyin, attached importance to life feelings and emphasized the expression of individuality. They broke through the barriers of antique painting at that time, created a surprisingly bold, open-minded and unique painting style, revitalized the painting at that time and had a far-reaching impact on future generations.

Among them, Shi Tao and Zhu Da made the most remarkable achievements. Shi Tao was the most creative painter in the early Qing Dynasty. He was famous for his unique landscape, novel scenery, bold and novel composition, changeable pen and ink, high-spirited painting style,

Zhu Da is famous for his flower-and-bird paintings, inheriting the traditions of Chen Chun and Xu Wei, and developing the method of splashing ink and freehand brushwork. Works are often lyrical, using symbolic, implied and exaggerated methods to create a strange image to express cynicism and the pain of national destruction. Brush and ink washing, simple and ethereal composition, strange scenes and cold style have reached the artistic realm of concise pen use.

Zhu Da's creation has a great influence on the later Eight Eccentrics in Yangzhou and modern freehand flower-and-bird painting. The landscape has changed from yellow to change, taking the real scene as the powder book, depicting heavy mountains and numerous waters, dense but not crowded, dyed with thirsty pens, thick but not stagnant, and magnificent. He is also called "Second Division" with Shi Tao and "Hill" with Cheng Zhengqi.

Jianjiang became a monk and took Ni Zan as the landscape, drawing many famous mountains and rivers, especially writing the true scenery of Huangshan Mountain. His composition is simple, his mountains and valleys are strange and stubborn, his dry pen is thirsty for ink and steep in order, and his realm is desolate and quiet, which truly shows the quality of famous mountains. Together with Shi Tao and Wang Zhirui, he is called Huangshan School, and together with Cha Shibiao, Sun Yi and Wang Zhirui, he is called Haiyang School, forming Xin 'an School.

From the early Qing Dynasty to the Kangxi period, there were still some painting schools and painters, and their own abilities were still good. Yun's boneless flower paintings, which are similar in shape but not in spirit, are fresh and elegant in style and have a wide influence, and are called Changzhou School or Nantian School.

Yuan Jiang's boundary paintings are exquisite in structure and magnificent. He was a famous frontier painter in Qing Dynasty. His nephew, Yao Yuan, inherited his painting style and was called Yuan School. Other local schools include Jiangxi School in romulo, Meng Lan School and Wulin School in Shen Lan.

There are Yu, Wang Shuming, Shangguan Zhou and other painters who are good at figures and portraits. Zhang Mu is good at drawing dragons and horses. Fu Shan, Pu He, Fa Ruozhen and Huang Xiangjian are all famous for their paintings.

At the end of Kangxi in Qing Dynasty, Yangzhou was famous for its economic prosperity. Rich businessmen from all directions gathered here, especially the salt industry in the southeast. Economic prosperity has also promoted the prosperity of cultural and artistic undertakings. Yangzhou has therefore attracted many celebrities from all over the country to gather here.

In order to meet the needs of their luxurious life, wealthy businessmen have great demand for exquisite handicrafts, precious pearls and jade, fresh clothes, delicious food and other material and spiritual products, and are more keen on collecting calligraphy and painting.

Middle-class families, even those who are a little richer, try to hang calligraphy and painting in their rooms to show their elegant aesthetic taste. There is a folk saying that "there is no calligraphy and painting at home, it is not an old home."