Chinese dance, i.e., classical Chinese dance, can it be divided into which kinds?

Chinese dance is divided into Chinese classical dance and Chinese folk dance.

Chinese dance refers to traditional Chinese dance. Primitive dances have appeared in China five thousand years ago. Now it is mainly divided into two categories: classical dance and folk dance. It is divided into classical dance and folk dance. Classical dances can be divided into elegant dances and miscellaneous dances, elegant dances are used in national festivals and are ceremonial dances. Miscellaneous dances are used for entertainment.

Chinese classical dance is a characteristic dance of Chinese classical style with certain exemplary significance that has been handed down through the creation, organization, refinement, processing, field research, and long-term artistic practice of professional dancers and scholars of all generations.

The body rhythm training of classical Chinese dance fully reflects the distinctive national characteristics of the Chinese nation. In the basic training, the training system of ballet is borrowed and combined, and the techniques and skills of hand, eye, body, step and other techniques of opera and martial arts are integrated, which still have unique national characteristics, (such as the Han and Tang School of Classical Chinese Dance initiated by Prof. Sun Ying), which is very different from the techniques and styles of other dances when they are performed.

Expanded Information:

p>Characteristics of Chinese dance:

Chinese dance can be said to be the essence of Chinese culture for thousands of years and was born. The main techniques of expression are "hand, eye, body, method", "shape, spirit, strength, rhythm", "round, twist, tilt, curve". Circle is based on the oriental philosophy of 'circle as beauty' as the mainstream, that is, no matter whether it is a standing circle, flat, eight circles, all around the dance; twisting is included in the body twisting; tilting is the tilt of the body; curved from the Chinese archaeological artifacts unearthed in the view of the dances of successive dynasties are quite happy to use the format of the curve of the body, such as the three curves, cocked sleeves, folded waist and so on. The Chinese dances of the past dynasties were quite fond of the format of body curves, such as the three bends, the cocked sleeve, the folded waist, etc.

Chinese dance has the law of "right first, left first, left first, right first, up first, down first, down first", all of which create different rhythms and aesthetics of Chinese dance. Dancers must master the combination of rigidity and flexibility, and the combination of the real and the imaginary in order to show the essence of Chinese dance, which forms the uniqueness of Chinese dance.

It has inherent similarities with other Chinese arts: the expression of contrast or mutual reinforcement; and the worship of gods and Buddhas from the folk. In the dance, there is always a "movement in silence, movement in silence", or "when the rush must rely on, want to the left first right, when the opening must be closed, want to the front successive" and other contrasting techniques, like the Chinese garden art, there is always a "small to see the big, Big in the micro", "winding paths", "a hole in the sky" approach.

Chinese Dance*** has three major elements: "body rhyme", "body method" and "technique". Chinese dance "technique" to jump, flip, turn and many other difficult movements, at first it is martial arts, battlefield combat and other methods extended to the court dance, "martial arts as the main, the text as a supplement", and through various forms of performance and the evolution of the dynasties gradually "The "technique" of Chinese dance is formed by the evolution of various forms of performances and dynasties.

"Body rhythm" refers to the unique national flavor formed by cultural inheritance, emphasizing the connotation of qi, breath, ideas, charm and inner emotions. For example, the movement route based on the "three circles" movement, the waist as the axis of the "lifting, Shen, rushing, leaning, containing, shy, shifting, side lifting" and so on, these basic elements give the Chinese classical dance rich expressive power and plasticity, and can be y portrayed movement and inner emotions. And with the form, strength, God, the rhythm of the elements to express, to achieve "form and spirit, internal and external unity, body and mind and use" "to God to lead the form, the form of God".

"Before the form moves, God leads it first; when the form stops, God does not stop" precisely expresses the "stance" (form, strength, and rhythm) and "charm", so the training of Therefore, the methods of training "body method" and cultivating "charm" are collectively called "body charm", which is the artistic soul of Chinese classical dance. The "charm" is based on the "stance", i.e., the technique outside the body, which expresses the meaning of the whole dance.

After the introduction of Buddhism into China, the Buddhist teachings and the wonders of the celestial maidens' scattering of flowers have been widely spread in the world through stories, sculptures and paintings. Dunhuang Grottoes in the flying sky flying in the air in the mural, the spirit of the gods; Wu Daozi "Tianyi flying" painting, such as God's help. Tianren's posture, Tianren's dance, also became the Chinese dance to the realm.

This expression is very similar to that of Chinese painting. Emphasizing connotation and implication, no matter what kind of painting style, the inner content of expression is fundamental. Therefore, the painter's own inner temperament, moral cultivation, state of mind, etc., the human characteristics themselves, constrains the expressive power of the painting itself. The dancer's own qualities, purity of mind, goodness of heart, and position in the realm directly affect the infectious power of the dance itself.

Many of the repertoire of Chinese dance comes directly from the statues of Buddha in the grottoes, legends on ancient pottery, mythological stories and so on, and the performer's own reverence for the gods and Buddhas directly affects the infectious power of the dance itself.

Baidu Encyclopedia-Chinese Dance