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Methods of counterfeiting paintings and calligraphy

The progress of the times, the way of counterfeiting is also progressing, what are the methods of counterfeiting? Then the following take a look at I carefully recommended for you the calligraphy and painting counterfeiting methods, I hope to be able to help you.

Calligraphy and painting counterfeiting ways and means

Calligraphy and painting counterfeiting traditional ways and means roughly not outside? The method is to make a copy of the painting and calligraphy, and the method is to make a copy of the painting and calligraphy. The method is to copy, copy, copy, copy, copy, copy, copy, copy, copy, copy, copy. The way to do so is to copy, copy, copy, copy, copy, copy, copy, copy, copy. The first is to make a copy of the painting, the second is to make an imitation of the painting. Imitation? What's your name? Make? Four categories, and which copy and Pro, Pro and imitation, imitation and manufacture, but also have a relationship with each other. In addition, there is still a category of writing, slightly close to the imitation, but the nature is not exactly the same. Facsimile is the most easy to get the similarity: ① first hook after filling; ② do not hook straight from the shadow of the writing; ③ hooks and writing, and modification of the writing. Most of the hook fill used to copy the book, the ancient method of the first coated iron yellow wax transparent paper (known as hard yellow) masked in the original above, with a light ink as a fine line, according to the penmanship outline to outline, and then removed, to the intensity of the wet and dry ink to fill in the empty into the word, so it is also known as the double hook outline to fill in. The second type of paper masked in the original, the path with thick and light ink in accordance with the sample copying, generally used for facsimile brush strokes painting. The third type is also mostly used for copying books, first hook light ink outline, and then with a stroke in the outline of copying (as opposed to not see the brushwork to fill in the ink), encountered the virtual manic stroke only slightly fill in the work. Pure Pro, is inevitably slightly away from the original appearance. The method is to put the original work in front of the case and look at it while practicing. Some of the cursive and ideographic paintings are mostly used in this way, can avoid the drawbacks of easy to look at the hook draft lethal. Imitation is generally no blueprint. The forger based on their own imagination, imitating the structure of someone's penmanship, free writing and become, there is also easy to deceive the side. Some of them also have the original and the forger slightly take the general idea, can also be called imitation. There is a kind of no matter how someone's work is, randomly forged out of thin air, write a name on the count. See more such as the Song Dynasty Yue Fei, Wen Tianxiang, Ming Dynasty Hai Rui's general calligraphy, specific to the Yuan Dynasty Tai Buhua's painting stone, Sadu Prick's birds and flowers, Yang Weizhen's chicken, the Ming Dynasty Fang Xiaoru's tiger, pine and other shafts. Such as Tai Bu Hua (that is, Da Bu Hua) the following four people, not at all heard that they are going to paintings, this is clearly impossible, a little bit of art history of the appraisal of workers, is heard and know that it must be false, so it is also the easiest to identify. Fake paintings and calligraphy have some regional problems, such as the so-called? Suzhou piece? Yangzhou piece? and the so-called "Suzhou piece", "Yangzhou piece", and "Shaoxing piece". Shaoxing Pieces? And? Guangdong goods? The "Guangdong"? Henan? Hunan? Hunan? Hunan? Jiangxi goods? And so on. Most of the Suzhou piece imitation Zhao Boju, Qiu Ying all the way brushwork green landscape scroll. Yangzhou, shaoxing more imitation of local celebrities, such as the Ming dynasty shaoxing xu wei, chen hongshou, the Qing dynasty yangzhou monk original ji, Zheng Xie and other people's works. Shandong Weixian also made Zheng Xie fake paintings. Guangzhou has a fabricated Song dynasty Buddha painting, most of the colorful. Henan goods for Su Shi, Yue Fei and other celebrities fake books, there will be powdered paper crushed into ice cracks, extremely inferior. Hunan goods with damask for the Ming and Qing dynasty pseudo-painting, painting method is also bad, damask color is often burnt.

High-tech methods of painting and calligraphy counterfeiting

Computer scanning so that masterpieces into hundreds of billions of computer scanning both time and effort, and does not run. As long as a calligrapher's work into the computer, the combination of the various elements of the picture out, and then re-combined, it will become a new picture. There will be a calligraphy master's calligraphy works into the computer, by re-combining, it can be? create? Many different kinds of banners and couplets can be created. Like Qi Baishi's work, recognized as the survival of the real works of more than 30,000 more than 40,000, and most of the collection in the Central Academy of Fine Arts, the Chinese Academy of Painting, Liaoning Provincial Museum, Hunan Provincial Museum (microblogging) and other places, but the works of Baishi on the market has more than 400,000 pieces.

High-tech prints are difficult to recognize The earliest machine-printed calligraphy and painting is the late Qing Dynasty, the early Republic of China's Coroplast, when this method came out, deceived a lot of people, and now it is better to distinguish. There is a watermarked woodblock, this printing method has a long history, people have accumulated a lot of experience. Some printers break down the original work into multiple plates, layer by layer to cover the printing. Printing does not use ink, but the use of ink and Chinese painting pigments, printed out the effect of the painting is very realistic. At present, Rongbaozhai's woodblock watermarking is the best, it can break down the original work into more than 100 plates for printing, complex workmanship, the painting of the layers are clear, delicate, and the general public is difficult to recognize. The current price of good watermark prints can reach tens of thousands of dollars. Some of the simulation of the printing technology, such as some years ago, Japan's emulation of the two basics of printing, as well as now more advanced technology in Europe, can be printed directly on rice paper, the degree of simulation is very high, the production of fake paintings without a certain degree of experience in identification is difficult to recognize. More some counterfeiters, the watermark prints bought with a pen to add color, or make a water blotch marks, a look as if it is not printed. However, careful analysis, watermarks can also be seen. For example, flying white place, calligraphy and painting is directional, there is a direction, but not on the engraved version, a closer look at these places are rigid points, the lack of directionality. In addition, the cross of the strokes should be two inking, ink color heavier, but the print does not, and after the color, it is floating on the top, but also be able to see.

Computer laser seal Previously, it is too difficult to imitate the seal of the famous artist, generally is the use of the method of paste samples to do. Now the direct use of modern technology to turn it on the line, some counterfeiters home a large number of seals, want to which famous artists have. In addition, like some other change paragraph, dig paragraph, move paragraph and cut paragraph, is ancient. It is understood that at present, painting and calligraphy forgery in the fake seal universal there are two methods: one is the computer laser engraved seal; one is photographic plate engraved seal. Computer laser engraving is the first original seal spectrum scanning to the computer, and then through computer processing, the information will be transmitted to the laser engraving machine, and finally in the Plexiglas material on the chapter blank carved out of the original seal, referred to as the computer chapter. Photographic plate engraving refers to the use of the principle of printing plate, will be the original spectrum photographed, and then through a special chemical agent, in the copper or zinc plate corrosion made, referred to as plate chapter. These two ways to make the seal than the previous more can be fake. However, these seals also have broken, some plastic, resin seal will shrink; and metal seal is too rigid. Then these seals are molded out, not natural, knife marks are gone, the lack of gold and stone gas. Carefully experience, able to see the breakage.

New painting identification is more difficult

Different times of painting and calligraphy works have the difference between the times, while the same era of painting and calligraphy does not have this difference. Previously, some people fake paintings are to make a living, fake professional level is not high. And modern science and technology developed, the cultural level of counterfeiters is also high, coupled with the development of modern information technology, the convenience of transportation, so that the level of counterfeiting is higher, the circulation of fakes faster, identification and identification of forgery is also more difficult. Therefore, some works, especially new paintings, are now more difficult to identify. No matter how thorough the counterfeiters, can always leave some traces, which requires continuous learning, careful observation in order to improve the level of identification, to find the flaws. Industry experts warned that the painting and calligraphy lovers must maintain a good mindset, do not have a fluke leakage, get rich overnight mentality, so as to avoid being cheated.

Paintings and calligraphy identification methods

The first look at the paper, calligraphy and painting used in the silk and paper for calligraphy and painting of the break plays a role. The identification of silk and paper is one of the ways to identify paintings and calligraphy.

The second look at the decoration, each era of painting and calligraphy decoration has its own characteristics, can be used as an auxiliary basis for identification of the generation.

The third look at the seal, the seal of the era of characteristics and breath is also the identification of painting and calligraphy. Seal of the times can be identified from its shape, seal text, engraving, texture, color and other aspects of the seal.

The fourth look at the inscription, the inscription can be divided into three categories: the author's inscription, the contemporaries of the inscription, the inscription of the descendants.

The fifth look at the personal style, calligraphy and painters in the long-term art practice, due to each person's state of mind, artistic cultivation, teachers, aesthetic point of view, as well as the process of creation of the pen, ink, color and chapter structure are different.

The 6th look at the brush and ink, from the form or color of the painting can be divided into: ink, green, gold and blue, light red and so on.