Traditional Culture Encyclopedia - Traditional stories - The formula of landscape painting
The formula of landscape painting
Landscape painting
One hook: the pen is slightly bent on the wrist, and the combination of the middle edges must be natural. Start and close the pen decisively, and the ink will be slightly dry. Walk slowly and send it to the right place, and there will be a disconnect between real and virtual. Need to tick the line according to the structure, and the front and rear dimensions are layered.
Second, the painting method of landscape painting is the key, which is divided into three types: point, line and surface. The position of the skull is very important, and the concave texture is behind the stone surface. Don't repeat the decisiveness of using the pen, and keep the strokes in disorder. The depth of description is thick, not several times at a time.
Three rubs: the lines are not enough to wipe the pen, which increases the thick and rough feeling. Dry the pen, touch the paper lightly, and don't damage the lines. From light to heavy, don't overdo it. One time is not enough The texture of rocks is different, and the friction can be increased or decreased.
Four dyes: in order to increase the sense of color, ink dyeing and color dyeing can be used. After inking the concave stone surface, it should be natural from shallow to deep. When the ink is dry, it should be colored. In general, ink lines should not be damaged. Color dyeing must have a main color, and cold and warm should be separated appropriately.
Five o'clock: finally, point the moss with ink, like mountains and rivers with long eyebrows. It is not slow to touch the paper with a pen. According to the mountain shape, the brushwork conforms to convergence and divergence. There is truth and falsehood before and after, and the whole is deeper because of breaking.
Expand knowledge:
Landscape painting
Fringing and rubbing are the techniques of Chinese painting. When studying mountains and rocks, you will often hear the edge sounds of horses, axes and broken belts. Maybe some of them have not been touched. They are all named after their own shapes, which are represented by the depth of ink and the edge of the center.
1, pimaba:
The representative painters of this method are Dong Yuan and Ju Ran. There are big leather horses and small leather horses, and the center uses a pen in one go. It should be uneven and arranged irregularly. Little Pima is often used on more slopes. 2. Axe chopping:
The representative painters of this method are Li Tang and Ma Yuan. Shaped like handfuls of axes, there are big axes and small axes, which are mostly displayed on hard and angular rocks. The pen is written on the side, combining light and shade, showing the dark side of the rock.
3. Lotus leaf:
The representative painter of this method is Zhao Mengfu. Its texture structure is very similar to the Ye Jin of lotus leaf, which can be used to show the appearance of cracks in hard rocks. Every grain is solid on the top and empty on the bottom. That pen must have been collected for nothing.
4. Folding strap:
The representative painters of this method are Ni Zan and Hong Ren. Just look at the picture, like a folded belt, use the pen in the middle, and then turn the edge down. The center pen is thinner horizontally and the side pen is thicker.
5. Jie Suocun:
Also known as Niu Maocun, like an untied rope, this twisting method evolved from Pima, and the pen is better than Pima. The center can be made with a pen, so it has a sense of rubbings.
6. Raindrops:
The representative painter of this method is Fan Kuan. You can use the pen of the center to show the grandeur and strength of the mountain.
7. Midian Group:
The representative painters of this method are Miffy and Mi Youren. There are rice points and millet points. Use the pen in the front. It is necessary to combine shades to enrich the level of the mountain.
8. Cirrus:
The representative painter of this method is Guo. It can also be called a skull, written with a pen, with the center slightly to the side. The feeling of pen and ink is like a cloud. When you make a mistake in drawing this picture, you make a mistake. You can find out for yourself.
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