Traditional Culture Encyclopedia - Traditional stories - How to mount calligraphy and painting
How to mount calligraphy and painting
1, spread the back of the work on the table.
2. Brush the back of the work with a brush, not too hard or too dry, just brush the work flat.
3. Spread the newspaper on the job and suck the water away.
4. Dilute the paste with water, neither too thick nor too thin.
5. Another brush will evenly spread the diluted slurry on the back of the work, and it must be evenly spread. Then clean up the excess paste on the table around the work.
6. Take a piece of rice paper about 2 cm from Zhang Kuan around the work, put the rice paper in the left hand from-side, and brush it back and forth with the brush (to be dried) in the right hand, then slowly put the rice paper in and continue to brush until the rice paper is completely attached to the work. {For example, when we put rice paper, our left hand slowly puts it down, so our right hand brushes up and down and keeps moving to the left. After brushing, we can cover with a layer of newspaper and continue to brush until there are no bubbles.
7. At this time, brush the paste on the extra 2 cm, and then prepare two pieces of rice paper with a width of about 5 cm and a length of 10 cm, and cover it at 1/3 on one side of the work. This is the so-called "chimney" to keep the back of the work breathable. Finally, pick up a corner of the rice paper with a knife or something and lift it slowly. Pay attention to the works to be posted on rice paper.
8. After that, pick up the framed work, with the work facing you, walk to a smooth wall (board), get as close as possible, take a breath and stick it on the wall. Brush the work vertically with a dry brush and horizontally with a pen to draw a rice shape. Finally, brush 2 cm around the outside work. So-the subgraph is basically flat.
9. When the painting is dry in a few days, cut off the painting on the wall with a knife. After cutting, the painting is over.
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