Traditional Culture Encyclopedia - Traditional stories - There is great beauty in the painting, and there is Qiankun under the brush--appreciate three popular Chinese paintings
There is great beauty in the painting, and there is Qiankun under the brush--appreciate three popular Chinese paintings
"A Thousand Miles of Rivers and Mountains"
Color on silk, 51.5 centimeters longitudinally, 1,188 centimeters horizontally
It is currently housed in the Palace Museum in Beijing.
The Thousand Miles of Rivers and Mountains is in the form of a long scroll, depicting the rolling hills and the vastness of the rivers and lakes, with fishing villages and markets, water pavilions and pavilions, thatched huts, long bridges, fishing boats and yachts, etc., and interspersed with the activities of people who are engaged in fishing, traveling, playing and so on. Although the characters are as small as beans, but the attitude is lifelike. The whole volume of scenery, detailed painting, composition, magnificent, magnificent, with a "thousand miles at hand" interest in the performance of the natural landscape of the magnificent beauty of the show.
We can't bring home the "Thousand Miles of Rivers and Mountains", but we can bring home the hand-painted works of contemporary artists. For example, the next Shangde Tang Feimo's "Thousand Miles of Rivers and Mountains", the brush, the rocks with ink brush with a combination of pima and axe chops chapped, miscellaneous trees to draw the trunk of the boneless method, color pen or ink brush hook point leaves, the water hooked full of peaks and lines, without a slack. Color, in the simple unified lime green tone in the search for change, or thick, or light, and between the ochre as a foil, so that the green in contrast to the more bright and eye-catching. Although the whole volume is not like the Jinbi landscape as the outline of the gold line, but still gorgeous.
Hanging this kind of painting in your home will add richness and beauty to your home and add a unique elegance to your home.
The second painting, "Qingming Riverside Drawing"
Qingming Riverside Drawing
Zhang Zeduan, color on silk, 24.8 x 529cm, Song Dynasty
Original copy in the Palace Museum, Beijing
The Qingming Riverside Drawing is not only a masterpiece of customary paintings that has carried on the history of ancient Chinese paintings but also a powerful graphic evidence for the study of the life of the marketplace and the history of culture in the mid- and late Ming Dynasty. 684 figures, 95 livestock, 122 houses, 29 boats, more than 20 stores, 15 cars, 8 sedan chairs ...... Song Dynasty, the scene of the prosperity of the people, the life of the people, is included in this 5.29 meters long, 24.8 cm wide silk painting.
The tall gate building, named Dongjiaozimen, is located in the southeast of the inner city of Bianjing.
The whole volume is rich in vivid content, which summarizes the life of Bianjing during the heyday of the Northern Song Dynasty in the 12th century.
Although there is only one authentic Qingming Riverside Scroll, it is enough to reflect its value as it has been sketched by many masters in later generations. Contemporary also has many famous artists also copy "Qingming Shanghe Tu". For example, Mr. Yu Mo's copy of "Riverside at Qingming Festival", he emphasized on the skills of ink and brushwork, color and ink combined with color to help ink, ink to show the color of the art style, but also blended with his own understanding of the soundness of ink and brushwork flavor. Some of his works boldly incorporate the color laws of Western painting techniques, in order to harmonize the overall color and add rhythm to the picture, which can be said to be a blend of the strengths of various schools of thought.
The third painting, Dwelling in the Fuchun Mountains
Dwelling in the Fuchun Mountains is an ink painting on paper created by Huang Gongwang of the Yuan Dynasty in 1350, one of the top ten most famous paintings in China, and known as the "Lanting of Paintings," which has an outstanding reputation.
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Dwelling in the Fuchun Mountains took about seven years to complete from conception to painting. In order to paint this picture, he worked tirelessly all day long, running on both sides of the Fuchun River, observing the strange change of smoke and clouds, and enjoying the victory of the river and mountain fishing beach, and carrying a pen and paper, encountering a good scene, at any time sketching, many villages along the Fuchun River have left his footprints. In-depth observation, genuine experience, rich materials, so that the creation of the "Dwelling in the Fuchun Mountains" has a solid foundation of life, coupled with his later years of pure ink and brush technique, so the pen from a relaxed.
The ink color of the picture is thick and light, wet and dry, and extremely varied, full of hermits wandering in the woods and springs, the poetic sense of dispassionate and indifferent, exuding a rich Jiangnan literati atmosphere.
And then look at the contemporary painting and calligraphy masters pen "Dwelling in the Fuchun Mountains", the hooks of the rocks, chapped, the pen staccato twists and turns, casual and heavenly. Long pima chapped withered and wet muddy, deep strength, free and quite aura. Painting ink is light and elegant, only a layer of nearly transparent ink on the rocks, and a little darker ink coloring the distant mountains and riverside sand stains, wave shadow, with thick ink point moss, point leaves, eye-catching and natural. The whole picture is full of forests and mountains, grass and trees, full of the poetical meaning of the hermit who wanders in the forest and springs, and exudes a rich flavor of the literati in Jiangnan.
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