What clothes do western lords wear?

/kloc-around 0/370, a kind of women's dress decorated with various kinds of leather was popular in the west, which was accused of "the gate of hell" because of its wide armholes and excessive skin exposure. 14 ~ 15 century popular Anne hat and double-horned high hat, called "the creation of the devil" by the church. Although these hats imitate Gothic church buildings, they must be discarded because their shapes are very similar to genitals. In this long and dark age, on the one hand, asceticism makes both men and women wear generous and conservative clothes that can closely cover their bodies. Christians generally wear dim homespun linen; Once upon a time, women wore shoulder-length masks or veils hanging from their heads to cover their whole bodies. On the other hand, under the banner of "glory belongs to the Lord", there are all kinds of exaggerated and gorgeous costumes.

Byzantine aristocrats wore a loose formal dress called dalmatica, which was made of brocade, decorated with gorgeous and complicated embroidery and decorated with colorful jewels or precious metals. During the Gothic period in Western Europe (12-15th century), aristocratic men wore cotardir embroidered with their family badges or knighthood. This is a colorful color separation suit. The colors of clothes, sleeves and pantyhose are often asymmetrical. For example, sometimes the left leg is red and the right leg is green. This kind of dress "can't help but remind people of the stained glass windows with strong color contrast and gorgeous style in the church."

The influence of Christian asceticism on western clothing. It is also reflected in the direct regulation of clothing modeling. The first is the clothing directly stipulated in the Bible. Like the New Testament? 1 Corinthians says that women must wear headscarves when they go to church. "Whoever prays or preaches with his head covered will humiliate his head", "A man should not cover his head because he is the image and glory of God" and "Whoever prays or preaches without his head covered will humiliate his head" because "women are made for men. Therefore, for the sake of angels, a woman should have an authoritative symbol on her head. " Secondly, it is the influence of Christian teachings on clothing styles. The ancient Greek "Jitong" mentioned above evolved into a sleeve-like garment called a tunic in ancient Rome. By the end of the Roman Empire, "Junica" had been further developed. Instead of making a very wide cloth into a tube and putting it on your body, it cuts a piece of cloth into a cross shape, makes a hole in the middle of the cross as the neckline, sews it under and on the side of the sleeve, and then decorates it with two purple stripes from shoulder to hem.

This cross-shaped pullover is deeply loved by Christians. The reason lies not only in its simplicity and practicality, but also in the fact that the cross is a symbol of Christian belief. This kind of dress is also called "Dalmatia" of bishop's vestment, and later became a special sacrificial dress of Christianity. Another example is a kind of women's burqa called "Surcot" popular in the Middle Ages, which tucks an extra-long skirt into a belt in front of the abdomen. "The front fold bulges the abdomen like a pregnant woman. It is said that this is a popular style caused by the worship of the virgin Mary. Because Mary was pregnant from the Holy Spirit before she got married and conceived Christ, her image when she was pregnant was also considered holy and beautiful. " 1 In addition, Christian regulations on various colors have also had an impact on clothing.

In addition, the influence of religious ideas on western ancient costumes is often indirectly realized through the influence of religious buildings.

For example, "Jitong" in ancient Greece was also divided into "Dolique style" and "Ionian style" like the pillars of the temple. The former has longitudinal grooves, while the latter has hypertrophy folds. The former is similar to Doric order, while the latter is similar to Ionian order. Gothic costumes like to deliberately lengthen the shape of the human body in order to pursue slim, straight and upward visual effects. Pointed leather shoes and tall hats are extremely exaggerated, and they are in harmony with churches and bell towers that pierce the sky. After entering the Renaissance, "the long pointed shoes in the past no longer exist, and the shape of the shoes has been fundamentally changed. Toes become fat squares wider than heels, especially in Spain. There are also shoes that are thinner and narrower according to the foot shape, but the toe is round or square. " This is related to the popularity of the Dome Church in the Renaissance. In the era when baroque architecture prevailed, costumes became gorgeous and carved, and their tortuous lines were quite like the whirlpool decoration in the church.

As the extreme development of baroque art, Rococo-style clothing is more complicated. Women's dresses are decorated with layers of lace, ribbons and bows from the corset to the skirt, and the skirt is decorated with ribbons and flowers, just like decorations in the church.

From ancient Greece to the Middle Ages, clothing shaped the human body into a unified style. From ancient Greece, architecture praised the proportion of human body (such as setting the thickness of columns according to the proportion of human body), and clothing set off the natural beauty of human body; After the Middle Ages, clothing ignored the natural beauty of the human body, but took architecture as a model and insisted on transforming the natural body shape. Among them, the relationship between clothing and body has gone through a process from affirmation to negation. The essence of this process is to pursue a metaphysical religious idea that transcends the use function of clothing itself.

Edit this paragraph | Back to the Top History of Western Costume-Western Classical Costume

From14th century to the beginning of17th century, a magnificent Renaissance was launched in Europe. Italy is the origin and center of European Renaissance, and its handicraft industry, especially wool textile production, is very prosperous. The emergence and development of new productive forces and emerging capitalist relations of production have promoted the prosperity of social economy and urban life. On this economic basis, the new trend of thought of the Renaissance is active in all fields of society, preaching the value of life and the free liberation of human nature, advocating secular enjoyment and realistic happiness, and pursuing beautiful and luxurious wealth is becoming more and more prosperous. With the requirements of the times, Italian patterned velvet, with its elegant texture and high price, is regarded as a symbol of wealth and luxury, and is warmly favored by the society, especially the nobility and the rich, and has become the clothing of many important people. There are even many famous painters who participated in the design and popularization of velvet clothing, and their works have been confirmed on velvet clothing worn by many important people.

The symbolic value of clothing reached its peak during the Renaissance. A person's clothing can show his special social class and determine his position, role and rights in that class. For example, people can easily recognize members of the royal family from their clothes. Women's mopping dresses show their special significance through color and material. Clothing can also leave a deep impression on the audience when entering the palace corridor. The official court costumes of this period are of course the most luxurious part in the history of western culture.

Edit this paragraph | Back to the Top Western Fashion History-Functionalism

Clothing is a way of dressing, which not only represents the different characteristics of a nation, an era and social fashion at that time, but also reflects the development and changes of human civilization. From the classical style emphasizing the beauty of nature to the changeable modernist clothing, each style of clothing can always bring more inspiration to future generations. In the development of western clothing, there is a kind of clothing pattern that has been affecting the design of modern clothing, that is, functional clothing.

Speaking of functionalism, we have to mention Bauhaus (19 19- 1933), the alma mater of modern design, which was founded by the architect walter gropius (1883- 1969). Bauhaus's theoretical principle is to abandon the traditional form of history and the additional decoration of products, advocate that the form should follow the function, respect the logic of the structure, emphasize the simplicity and pleasure of geometric modeling, make the products have a simple outline and a simple appearance, attach importance to mechanical technology, advocate standardization and consider commercial factors. These principles are called functionalist design theory, which requires the maximum use of products and advocates that the aesthetic characteristics of products should be in the form of technology, so as to be practical, economical and beautiful. The practice of functionalism design theory plays an important role in the theoretical construction of modern design.

Functionalism, though a theory originally expressed in architectural design, has already been reflected in the history of western clothing development. Although there was no clear theoretical guidance at that time, functional clothing coincided with functionalism in modern design, that is, it paid full attention to the comfort and convenience of the wearer. Since then, functionalism has been running through the whole process of western clothing development.

17th century knight dress

garments in Western style

/kloc-in the 0/7th century, wars were frequent in Europe. The Dutch war of national independence and the struggle between old and new sects in European countries lasted for half a century, which made most men go to war. Therefore, knight clothes became popular and became the daily clothes of men in this era. This knight's costume named justaucorpo is a soft pleated costume, made of velvet and satin, with exquisite lace collar and cuffs, and a big pleated hat with ostrich hair. Knight clothing is convenient and practical because it can meet the needs of people's activities. Men's clothing is often more modern than women's clothing.

/kloc-the emergence of functional women's wear in the 0 th and 9 th centuries

/kloc-there are two noteworthy changes in the clothing industry in the 0/9th century: the progress of industry and the development of cutting technology make the fabrics and styles of clothing more diversified. Special fabrics have been used since the end of 18, and the design is simple, trendy and bold, from which we can see the shadow of modern clothing. Technological progress provides material support for the development of functional clothing, and lifestyle change is the driving force for the development of functional clothing. In high society, it is a fashion for young women to participate in sports activities. Although women at that time always carried pills and covered their faces with handkerchiefs in order to emphasize the so-called upbringing, they were also keen on sports, riding horses in the morning and playing tennis or golf in the afternoon. Followed by the emergence of light and practical clothing styles to adapt to various sports activities, such as travel coats, riding clothes, hunting clothes, yacht clothes, suits and so on. 65438+In 1930s, women began to ride like men, and cycling clothes began to appear. The lady wore tight breeches and cotton boots, a hat and deerskin gloves, and a long skirt. With the change of social atmosphere, women's status has been improved, and feminists have also started activities. They advocate that women should wear pants like men. Mrs. Jencks brummer, the pioneer of American feminist movement, introduced the loose bloomers of Oriental Arabia into women's wear for the first time and made a bold attempt. Although she was criticized in America, she was recognized in Britain. 1887, viscount Smith of England put on bloomers, and a beer hall in London also put on bloomers. The appearance of trousers, jackets and shorts became a bold innovation at that time, which further reflected women's freedom from bondage and pursuit of function.

The Development of Functional Clothing in the 20th Century

In the 20th century, with the development of economy and the progress of science and technology, great changes have taken place in people's lifestyles. With the change of lifestyle, functional clothing has been further developed.

Women's Wear in the 1920s: Functionalization and Masculinity of Women's Wear

The outbreak of the First World War has brought about new changes in people's lifestyles and attitudes towards life. Women directly participated in production and war, gained economic freedom and democratic rights, and played an important role in social life. Clothing in the 1920s adapted to all aspects of new life. Women's life is more free. Besides work, they are also keen on sports and dancing, so the functionalization of clothing has become the primary factor in design. Abandoned the traditional corset, shortened the coat and began to use the belt to make women more comfortable and casual in life. This is a direct impact on traditional clothing, and the concept, form, cutting, production and fabric of clothing are very different from those of the previous 10 year.

garments in Western style

Meanwhile, due to the improvement of women's social status, young women actively advocate gender equality. In order to resist the patriarchal society, women wear pants all day. The comfort and convenience of trousers make trousers popular all the time, and women's trousers become a formal part of clothing for the first time. Paul. Women's trousers for formal occasions designed by paul poiret (1879- 1944) have a more lasting influence on fashion design. French female designer Coco? Coco chanel (1883- 197 1) suggested that men's appreciation of women's sexiness should not be the center of women's clothing design. She directly applied the clothing materials of men's clothing to women's clothing, which made a beneficial exploration for the functionalization and masculinity of women's clothing. And designed and produced their own sportswear, evolved from the basic structure of loose underwear, loose and simple, using soft cotton fabrics. In fact, this loose fashion design method was originally used as women's underwear, and Chanel turned it into a coat, which is a major breakthrough.

This period is called the "girl-boy" period in fashion history, and the skirt has been rising from the ankle to the knee, becoming a veritable short skirt. 1922 The novel "Girls and Boys" describes the image of girls at that time-cutting short hair, wearing men's clothes and dieting to lose weight, which is a portrayal of this period.

Military uniforms and cowboy trends in the 1940s.

The second world war made people have no time to care about clothes for a period of time, but it promoted the consideration of practicality. Many women put on military uniforms and made women's clothes more practical. Two British designers who succeeded in Paris returned to Britain during the war to design uniforms for female officers and men in the British army. Under the background of war, military uniforms have become fashionable, and skirts are short and tight. These tight-fitting, serious and disciplined wartime uniforms are not only eligible.

Western clothes are expensive to wear and people are eager for them. Jeans became popular during this period because they are durable and wear-resistant. At first, they were just work clothes, and later they developed into durable everyday clothes. Military uniforms and cowboys become the representatives of functional clothing.

Functionalism, Pragmatism and Minimalism after 1950s.

After World War II, with the process of globalization and the change of people's lifestyle, functional clothing has achieved unprecedented development. At that time, people attached great importance to the function of products, so the slogan "Only function is beautiful" came into being. Although it sounds a bit biased, it shows that people have clearly injected functionality into their aesthetic concepts. During this period, the fashion design master Yves? Saint? Laurent explores the new possibilities of women's clothing from all aspects, and thinks that new clothing must be comfortable and functional. In the 1960s, he designed a series of functional dresses, including trousers, jackets with British style during his African expedition, and women's trousers dresses, among which the most revolutionary one was women's trousers dresses inspired by tuxedo suits, which all reflected his exploration of the functionality and comfort of new clothes in this era. After 90' s, people's perspective changed from paying attention to material to paying attention to themselves, and paying attention to the practicality and comfort of clothing became a new trend. Brightly colored jackets, jumpsuits and pullovers have become popular and popular clothes.

With the advent of the digital age and the acceleration of the pace of life, paying attention to comfort and functionality has become the primary factor in fashion design. The era of "function follows shape" has become a thing of the past. Nowadays, under the "people-oriented" design concept, functional clothing has always followed a diversified social life, and clothing has become increasingly refined according to its different functions. In recent years, functional clothing represented by tooling and military uniform has been a popular hot spot. It is not difficult to see that people's desire for freedom, self-affirmation and self-recognition further promote the popularity of functional clothing.

Edit this paragraph | Back to the peak of western clothing history-the characteristics of modern western clothing, the high-profile and elegant French clothing brand Beatty

The birthplace and center of western modern clothing culture is France. 1672, Paris published the world's first periodical introducing clothing styles, History of Beautiful Makeup Letters. 1900, the first World Fashion Expo was held in Paris. At the beginning of the 20th century, paul poiret, a French fashion master, boldly abolished the "corset" and began to let women's wear go to the modern road. Therefore, the development of French clothing culture is a typical example of the development of western modern clothing culture. The analysis of French costume culture is helpful to understand the structure and essence of western modern costume culture.

The biggest feature of French clothing is nationality, which shows the historical tradition and spiritual connotation of the French nation, maintains the aristocratic atmosphere of the French court and blends into the simplicity and generosity of modern life, so French clothing embodies the combination of tradition and reality. France has maintained and developed its past traditions in all aspects, including French architecture, French town features, and even French language and literature. Clothing is just a manifestation of this habit. French people's thoughts are not very meticulous, but they have a strong sense of art. Although there are famous thinkers such as Voltaire, Diderot and Rousseau, except Montesquieu, others' thoughts are more infectious and inspiring, but they all lack systematicness. Although France has masters of classicism, romanticism and realism, such as Moliere, Hugo and Balzac, the French have romanticism in their bones. Even Balzac, the peak of realism, shows romantic impulse, not realistic rationality. Under this cultural background, French costume culture is also careless but very infectious.

French fashion show

French costume culture comes from the aristocratic costume culture with hundreds of years of history. In the history, the aristocratic costume culture produced famous tailors such as R. Bedan, as well as so-called fashion workshops and boutiques. However, at that time, both the production and design of clothing were basically individual-centered, and they only served specific individuals, and did not form a real clothing industry. The so-called fashion workshops and shops are just the basic prototypes of workshops and shops, which are not similar to the current fashion workshops and shops. All these make the aristocratic costume culture confined to a narrow world and do not have extensive influence.

French clothing has become the birthplace and center of modern clothing since the 1920s and 1930s, and its symbol is that French clothing has started the transformation of popularization and modernization. And through practice, the trinity clothing culture system has been gradually established. The so-called trinity is clothing designer, clothing design release and clothing media. Fashion designer is the center of the whole fashion culture, fashion design release is the extension of fashion culture, and fashion media is the booster of fashion culture.

French clothing can be divided into two categories: high fashion and ordinary fashion. There are no more than 20 high fashion companies, which are concentrated in several streets in the center of Paris, including Yves Saint-Laurent, Pierre Cardin, Chanel and Dior. Others are ordinary fashion designers and manufacturers. Both high fashion and ordinary fashion adopt a trinity clothing system. High fashion has played the role of creating fashion and keeping ahead, while ordinary fashion has played the role of industrialization and popularization. French clothes are updated quickly, and a fashion is popular for a short time. Once a fashion is out of fashion, its value will drop rapidly. In France, there is a special clothing supermarket, where the fashions that have just passed the season are sold at a 20% discount or even a 10% discount.

Designer Valentino Valentino French Fashion Show

France regards innovation and change as the main theme of clothing development. The soul of creating new concepts and new clothes is a group of famous French fashion designers. In fact, the concept of French fashion designers is not limited to a few specific individuals, but a complete operating system of training, protection, selection and packaging. It is this operating system that ensures that France can produce world-class designers and show the beauty of French national costumes through them.

The main form of western fashion design release is T-stage. T-shaped platform is generally built temporarily, which is a "T" channel. T-stage is a typical means to show the beauty of clothing with physical beauty, which combines physical beauty with clothing beauty. Attracting people's eyes with physical beauty and expressing personal style with clothing beauty. This expression of clothing beauty is the consistent thought of western aesthetics. Since ancient Greece, western culture has emphasized physical beauty and external beauty, while modern clothing release with models as the core also emphasizes physical beauty and external beauty. Therefore, judging from the core connotation of modern dress culture in France and even the whole West, they have always maintained and inherited the unique understanding of beauty in the West, understood the relationship between man and nature and people from the perspective of the West, and expressed the Western outlook on life, world and art through clothing. Therefore, the French often say that what is really valuable on the stage of international clothing culture is not the latest trend, but something that can represent the essence of its national culture. The essence of national culture is a unique perspective and rules of culture. The French maintained and promoted the perspective and rules of western society, and he became the center of modern western clothing.

Edit this paragraph | Back to the top history of western clothing-the characteristics of the development process of western clothing

Western clothing culture pursues the laws of nature. The west emphasizes the separation of the subjective world and the objective world, and clearly puts forward that the subjective is for me and the objective is for things. It makes westerners rationally observe the world and explore laws, forming a tradition of pursuing natural laws to obtain truth, thus showing a rational or scientific attitude towards clothing, emphasizing the coordination with nature and attaching importance to the understanding of natural science in the unity of clothing and environment. The development process of clothing is full of grasping the truth, studying the objective laws of clothing and understanding the essential characteristics of clothing.

1, western clothing culture highlights the human body. The development of clothing in the west shows that it serves to advocate the beauty of human body, and its function is to fully display the beauty of human body and make up for its defects. The core of clothing concept is the pursuit of human beauty. The dress form based on emphasizing one's own human body shows the characteristics of extroversion, extroversion, extroversion and external demand. It is the combination of clothing and human body to improve the aesthetic feeling of human body and pay attention to the study of the characteristics of human natural materials. Also pay attention to the size data of various parts of the human body. Its most striking feature is to highlight and show personality with clothing, and to express affirmation and attention to self-worth with clothing.

Western body culture has a long history. In European civilization, the human body is the best art in nature, which has a lofty position and has made great achievements in the study of human physiological laws. This scientific and artistic human consciousness has brought another style feature to people's second skin clothing.

2. In the sense of clothing modeling, the western clothing modeling concept has brought about the variability, richness, complexity and innovation of clothing, and the styles of clothing have also changed according to different times. With the development of society, this change shows the characteristics of gradually shortening the cycle and gradually accelerating the frequency. This will inevitably lead to the pursuit of fashion and trends and the emergence of designers, and the fashion phenomenon will further promote the changes of clothing in hotels. This constant change makes the design behavior bring about the creation of clothing diversity.

3. As far as the composition rules of clothing are concerned, the western clothing modeling consciousness is to make clothing pursue the visual comfort of external modeling with abstract formal beauty; It is clothing designers who have special creative sensitivity to pure formal factors such as modeling, color and texture. In the process of its development, western clothing shows asymmetric and uncoordinated clothing modeling methods, which often adopt freedom, imitation, conflict with habits and harmonious force.

4. On the aesthetic characteristics of clothing, the aesthetic characteristics of western clothing are manifested as a material aesthetic realization. Its cultural form and style are similar. The aesthetic pursuit of clothing is real, pays attention to form and has simple aesthetic significance. Therefore, the components of clothing are less affected by external forces. When comparing the clothing of different cultural backgrounds, we deeply feel the complexity and richness of human clothing behavior. The dress behavior of a ceremony is no more correct than that of other ceremonies. From an objective point of view, the clothing culture of a nation or region has gone beyond its own limitations, making the clothing behavior develop to a more rational mode.

Today's western clothing culture has become an advanced clothing system, which has been imitated and concerned by people. When modern society endows western clothing with broader and freer development space, and when many countries in the world gradually break away from the distant clothing situation and enter the ranks of modern clothing, the course of western clothing will have a far-reaching impact on human clothing behavior.

Edit this paragraph | Back to the top of western clothing history-A comparison of eastern and western clothing aesthetic culture

The following mainly explains the comparison of aesthetic culture between eastern and western clothing from the following aspects. Let's talk about the comparison of aesthetic culture between eastern and western clothing. Oriental aesthetics, which is mainly based on traditional classics, is mainly based on overall modeling. As far as various historical periods in China are concerned, the level of socio-economic development and scientific and technological development plays a decisive role. The more the economy develops, the more prosperous the clothing development is and the aesthetic is relatively high. China's clothing has experienced several years of history, and it has experienced different development trajectories in different environments. Every historical period records the evolution of the years. Under such a social structure and environment, the costumes of 4,000 slaves and feudal society have long-term continuity and relative stability, forming their own unique style and system. In such a system, from pre-Qin to Qin and Han Dynasties to Sui and Tang Dynasties, until modern times, the overall aesthetics showed the maturity and perfection of the Chinese nation from its traditional point of view, while clothing changed and developed between its use function and aesthetic function. Practical work is a material function, which can meet people's physiological needs. If clothing can protect the body, it can keep out the cold and prevent heatstroke. Aesthetic function is the spiritual function of clothing, which beautifies oneself and life and meets the needs of people's spiritual world. Clothing aesthetics is a combination of practicality to meet people's material needs and aesthetics to meet people's spiritual needs. The combination of aesthetics and practicality, and the integration of practicality and aesthetics are interdependent. Judging from the aesthetic function of clothing, China's clothing is flat and two-dimensional, and all kinds of clothing in various dynasties and periods in China have developed according to these two basic forms, and the clothing structure has remained relatively stable for a long time. It was not until modern China's clothing changed intensively that those factors that were not suitable for social development were gradually eliminated. However, with the development of the times, the progress of science and technology, and the change of lifestyle, rich clothing forms are accompanied by changes in the connotation of clothing value and aesthetic characteristics, which makes the aesthetics of clothing occupy an important position.

Western aesthetics focuses on aesthetic laws. Influenced by natural sciences, especially physiology, psychology and anthropology, western aesthetics has formed an aesthetic view different from that of the East. On the whole, it has achieved the western clothing aesthetics. Therefore, clothing is constantly changing in the development and living state of western history, which makes clothing constantly changing in form and content. The Greek and Roman period more than 2000 years ago was the most active stage of clothing, and the flat clothing system became a major source. Entering the feudal dynasty in the fifth century, the development of clothing was at a low point. It was not until the Renaissance in the15th century that the style of clothing was changed. At this time, the early three-dimensional cutting also appeared, which fundamentally changed the western clothing. Clothing modeling has also got rid of the loose plane form and entered the fit structure form. Men and women develop separately. After World War II, under the impetus of commodity economy and urbanization, clothing changed again, and aesthetics occupied an important position, which made clothing move towards ready-made, branded and diversified.

Due to the different thinking modes between the East and the West, different aesthetic concepts are brought. China's clothing culture pays attention to social coordination, while western culture pursues natural laws. In the traditional social and family education in China, the dress code of conduct is regarded as an important content of self-cultivation and has long influenced the dress life of China people. People pay attention to ethical content in dress, cover up the human body with clothes, and try their best to go beyond the limitations of the human body to meet the moral requirements of Confucianism. The beauty of clothing pays attention to the beauty of human spirit, temperament and charm, but does not emphasize the body. Therefore, it has the characteristics of inner, introversion, connotation and introversion. China pays attention to the two-dimensional space effect in clothing modeling, but does not emphasize the consistency between clothing and various parts of the human body, and does not pay attention to the curve between human body and clothing. In the clothing structure, he adopted the method of plane cutting to make the gap between human body and clothing materials bigger and looser. On the law of clothing modeling form, China's clothing embodies harmonious, symmetrical and unified expression techniques, and the clothing tends to be dignified and balanced, with exquisite and delicate patterns. The clothes are simple and plain. The aesthetic characteristics of China's clothing reflect the aesthetic psychology and cultural characteristics of the Chinese nation.

Western culture belongs to the category of pluralism, among which the most striking feature is that clothing highlights and displays individuality, and clothing is used to express affirmation and attention to self-worth. The aesthetic characteristics of western clothing are a kind of material aesthetic realization, and their cultural forms and styles are not very different. Pay attention to the aesthetic value of form. Pay attention to the objective aesthetic feeling of modeling, lines, patterns and colors in modeling.

Through the comparison of eastern and western clothing aesthetic culture, it reflects the significant differences brought by different natural and human environments, especially the differences of clothing aesthetic culture, which is of great significance to the study of clothing design and human clothing behavior.