Artistic characteristics and ideological content of folk songs in Han Yuefu

The biggest and most basic artistic feature of folk songs in Han Yuefu is narrative. The following are the artistic features of Han Yuefu folk songs. I hope you like them.

The artistry of Han Yuefu folk songs The biggest and most basic artistic feature of Han Yuefu folk songs is its narration. Does it do this function? Because of what? Determined by the content. Although we can already see some works with narrative elements in the Book of Songs, such as Meng and Meng. But it is still expressed through the protagonist's talk, and it is still in the form of lyricism, lacking complete characters and plots, and lacking a centralized description of a central event. However, in the folk songs of Han Yuefu, there are works whose stories are told by a third party, and there are characters with certain characters and complete plots, such as Sang Shang and Walking East, especially Peacock Flying Southeast, which we will describe in the next section. The story and drama of poetry are greatly enhanced than the works in The Book of Songs. Therefore, in the history of China literature, the folk songs of Han Yuefu marked a new and more mature stage of narrative poetry development. Its high artistry is mainly manifested in:

The artistry of folk songs in Han Yuefu (1): to express the character through the language and action of the character.

Some adopt the form of dialogue, such as the dialogue between Luo Fu and the emissary in Mo Shang Sang, and the dialogue between the wife and her husband in East Gate, all of which can show different characters such as wit, courage and kindness. The dialogue between "Going Up the Mountain to Collect Wu" and "Traveling" was also very successful. Compared with the "national style" in the Book of Songs, it is easier to see this new feature of the folk songs of Han Yuefu. In addition to dialogue, some people also use monologues, often using the first person, so that the characters can talk to the readers directly, such as A Walk of Orphans, Poems with Bald Heads and Evil. Han Yuefu folk songs can also pay attention to the characterization of characters' movements and details. For example, Ge Yanxing? Northwest Xie Ke? Write that? Husband? Doubt; For "gynecological diseases"? I don't know how to cry. Write about the maternal love of dying sick women; For "Shang Mo Sang"? Smooth your beard? 、? Hold your head? Write about the different expressions of old people and teenagers when they see Luo Fu; The Orphan's Journey uses a series of life details, such as? How many lice are there on your head? 、? Pull out thistles? 、? The melon car overturned? Highlight the suffering of orphans. Because of the vivid characters, people can hear their voices and meet their people.

The artistry of folk songs in Han Yuefu (2): the language is simple, natural and full of emotion.

The language of folk songs in Han Yuefu is generally colloquial, but it is also full of feelings and people's love and hate. Even narrative poetry is a combination of narrative and lyric, so it has a strong appeal. So, Yinglin said: The songs of Han Yuefu are pure, not polished; However, the quality is good, shallow and deep, near and far, and the world is invincible! ? The first volume of poetry illustrates the characteristics of this language. On the one hand, the folk songs of Han Yuefu are mostly about the people themselves, and the author of the poem is often the hero in the poem; On the other hand, because the author and the characters he describes have the same fate and life experience, narrative and lyricism naturally blend together, don't they? Shallow and deep? . An orphan's journey is a good example:

Orphans are born, orphans are born, and life is bitter! When parents are away, take a hard car and drive a horse. My parents have left, and my brother and sister-in-law ordered me to go. Jiujiang in the south and Qi and Lu in the east. When the twelfth lunar month comes, I dare not say anything. What do you say, big brother? Cooking? ! Sister-in-law depends on horses? ! When I went to the high school to fetch your royal highness's hall, the orphan cried like rain, which made me go to the hall to fetch water at dusk. If the hand is wrong, there is no fi in the first step. There are many thorns in the cream. Pull out the tribulus, in the intestines, want to be sad. Tears are falling, and the tears are heavy. There is no recovery in winter, and there is no light clothing in summer. Life is not satisfactory, it is better to go underground before it is too late! Spring is pneumatic, and the grass has sprouted. Raise silkworms in March and plant melons in June. It will be a melon car, and it will go home. When the melon car overturned, few people helped me, and many people vomited melon. ? I'm willing to pay back my brother's sister-in-law's money. I'll hurry back alone so that I can make plans for the school. ? Luan Yue: I don't want to send a ruler book, so I stay with my underground parents: elder brother and sister-in-law can't last long!

Song Changbai's Liu Hua says:? Although the lines of A Sick Woman and An Orphan are wrongly written, they are rich in feelings and situations, and their verbal scheming is also very clear. Every time I look at them, I feel very stinging. Later sages encountered this kind of topic, although they tried their best to describe it and read it like chewing wax, they could not shed tears or mourn for it. ? This is true, is there anything wrong with it? Hou Xian? But he hasn't pointed out that this is a question of life experience. Walking for Orphans doesn't make an empty cry about orphans' pain, but pays attention to concrete description, which is also a noteworthy feature.

The artistry of folk songs in Han Yuefu (III): Freedom and diversity of forms.

Yuefu folk songs in Han dynasty have no fixed rules and syntax, and their length is arbitrary, which is scattered among the people. Because the Han Dynasty followed the pre-Qin period, although a few still used the ancient four fonts of The Book of Songs, such as crossing the river with Wu Gong and doing good deeds, most of them appeared in a new genre. From now on, it can be called new style poetry. There are two main types of this new style: one is miscellaneous style. Miscellaneous words, although there have been articles such as "Decline" in the Book of Songs, the number is small and the change is not great. Only when the folk songs of Han Yuefu developed greatly can there be one or two to 89 or even overlapping sentences in an article, such as Orphan? Why not go to the subway earlier? This is a cross sentence. And "Eighteen cymbals" are all miscellaneous words, and they are unique. The other is five fonts. This is a new creation of Han Yuefu folk songs. Before that, there was no complete five-character poem, but Han Yuefu created a perfect five-character poem as Shang Mo sang. Judging from the two existing works "Autumn Dew" and "Hao Li", there should be a complete seven-character style in Han Yuefu folk songs, but it is a pity that it can't be seen now. There is no doubt that rich and diverse forms help to express complex ideological content.

The artistry of folk songs in Han Yuefu (IV): Romantic color.

Most of the folk songs in Han Yuefu are accurate descriptions of realism, but some works are romanticized to varying degrees and use romanticism. Such as the lyric poem "Regret for the Past", the passion like flash floods and high exaggeration are all manifestations of romanticism. In the folk songs of Han Yuefu, the author not only makes the dead appear, such as Battle of the South of the City, but also makes the crow's soul attractive to people, such as Wusheng, and even makes rotten fish cry and write letters, such as Dead Fish Crossing the River and Crying;

When will you regret when a dead fish cries across the river? Be careful when writing books and learning from each other.

All these rich and peculiar fantasies show the romantic features of the works. Chen's comments on eighteen cymbals in A Comprehensive Note of Chinese Poetry say that the exquisite language creation and the strange intention are not from the people of Chu and Sao. Curiosity is whimsical, and ingenuity is ingenious. ? Actually, it's not just the song of cymbals.

Especially noteworthy is "Shang Mo Sang". There is an obvious combination of realism and romanticism from spirit to performance. Qin Luofu, the hero of the poem, is not only a realistic figure from life, but also an ideal image with the democratic spirit of despising power and resisting violence. She embodies the people's good wishes and noble qualities. Obviously, without the organic combination of realism and romanticism, without the mutual penetration of realistic accurate description and romantic exaggeration and fiction, it is impossible to create the outstanding image of Luo Fu. Although this combination is spontaneous and natural, it is still worth learning as a creative experience.

The ideological content of folk songs in Han Yuefu inherits and develops the realistic tradition of folk songs in The Book of Songs. It? Feeling sad and happy, what is the reason? It conveys the aspirations of the people in the Han Dynasty, reflects the broad social reality and is a mirror of social life in the Han Dynasty.

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An important content of folk songs in Han Yuefu is to express people's bitterness, resentment and resistance. During the hundreds of years in the Han Dynasty, the richer the rich, the poorer the common people, and the increasingly acute social contradictions. A Woman's Sick Journey is a typical work that reflects this content. The poem describes the scenes of sick women supporting orphans, husbands begging and orphans crying for their mothers to hold them, which is very terrible and has strong practical significance. A Journey to the Orphan reflects the tragedy caused by moral decay under private ownership. The orphan was born in a rich family. When his parents are here, he? Driving a horse in a hard car? . After his parents died, he became the private slave of his brother and sister-in-law and was abused. He was driven out to do business for many years. When he came back, he was ordered to cook, watch horses, fetch water, raise silkworms and collect melons. Hard, but? No recovery in winter, no light clothing in summer? . He's in pain. If you are unhappy, why don't you go underground earlier? . This is not only a family tragedy, but also a serious social tragedy. Travels of the East Gate shows the resistance of the people after they are unbearable. The poem describes an urban poor who is forced to take risks in the face of desperate life. The hero in the poem made a great determination to walk out of the East Gate, but he turned back. Seeing that the family was surrounded by no food and no clothes, it was difficult to survive, and he made up his mind. Draw the sword east gate? . His wife dissuaded him with justice and human feelings, but she completely ignored him and resolutely embarked on the road of resistance. This spontaneous resistance to exploitation and oppression is the Han Dynasty? When thieves rise in groups, the country will die? Omen. Is this kind of folk song far superior to pre-Qin folk songs? Blame? The boundaries reflect the characteristics of the new era.

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