The Music Development of China Music after Qing Dynasty?

@ The development of music in ancient China during the Qing Dynasty:

1 Folk songs

A folk song ditty:

(1) A suite of classical songs has been popular among Uighurs in Xinjiang, and 12 sets of canal-repairing songs have been collected

(2) Tibetan writer Cang Yang Jia Cuo has an anti-feudal and anti-religious tendency. Left behind the famous

B chords of Cangyang Jiacuo Love Songs:

(1) The Legend of Taikoo by Thomas and Gu Junde

(2) The Chords of the North West Chamber composed by Shen Yuan

2 rap music

A tanci

(1) Gan Long. Specially suitable for the vocals of the old students and Lao Dan

(3) The tune of Yu and Ma (Rufei) has a great influence on the later development of Tanci

B Drum Ci:

(1) The disciple book produced by Manchu nobles is a tributary of northern drum Ci

(2) Jingyun Drum: it is a timid drum and disciple, which is popular in Beijing and Tianjin. The content mainly includes two kinds of stories: heroic chivalry, talented people and beautiful women, as well as works describing the scenery

3 song and dance music

A lyrics in Qianlong period, and music score

B folk song ditty creation is prosperous

4 the development of traditional opera

A North and South music

(1) Yao Xie divides drama into zaju and courtyard-based, which are called This is a relatively individual

(2) legendary script

a Li Yu: Kite Mistakes, The Edge of Meaning, The Flying Tower

b Kong Shangren's Peach Blossom Fan

c Hong Sheng's Palace of Eternal Life

Zhu Suchen's Fifteen Passes

Chen Jiayan's father and daughter. It has already begun to

B the four major vocal chords:

(1) Nankun, Beiyi, Dongliu (Liuzi Opera in Shandong) and Xibang (Shaanxi Qinqiang Opera)

(2) Kunshan and Yiyang are in a dominant position, with the former dominating and the latter developing among the people. The new accents of Yiyang are West Qinqiang Opera and Shaanxi Qinqiang Opera. Bangzi Opera and Pi Huangqiang are typical local operas

(4) During the Qianlong period, four Hui classes came to Beijing, mainly with Erhuang tunes, and Hubei artists who were good at singing Chinese tunes came to Beijing, where Hui and Han merged, which strengthened the combination of Xipi and Erhuang, absorbed various achievements such as Kunshan Opera and Bangzi Opera, and Peking Opera rose. The earliest Peking Opera was called Pihuang Opera

(5) Thirteen Unique Tongguang: the distinction of three tones in Cheng Changgeng, Lu Shengkui, Yang Yuelou and Tan Xinpei

C Peking Opera:

(1) Erhuang

(2) Anti-Erhuang: produced by Erhuang, basically from the south

(3) Xipi: basically transferred to the north. For example, Huagu

5 Palace Music

A is set for sacrificial ceremonies, court meetings, banquets, and expeditions.

B Zhonghe Shaole has the highest status, which embodies retro ideas and takes the longest time for sacrificial ceremonies, while others do not include songs and dances.

C compiled the score of the Book of Songs.

D The rulers intervened in folk opera activities from political standards and called folk opera troupes. In addition,

E, such as script writing

Moon Order Acceptance

Fa Gong Ya Zou

etc., was launched among bureaucrats to tamper with folk music. The purpose of tampering

6 instrumental music in Heqing Hai Yan

A Guangling School: Xu Changyou fingering the piano score, and Qin Weihan fiddling score

B Chuanpai. There are Chen Mufu in the south school and Wang Xijun in the north school

(2) Hua Qiuping's Pipa Score appeared in the middle

7 Music Theory

A Kangxi's Law of Justice of Law and Lv: adhere to the law of three points of gain and loss, adhere to the law of managing the same diameter, and break the twelve-law system, thus becoming the fourteen-law system

B Zhang Jutian's Music Score of Zhang Jutian < p

1 music enlightenment

A new music was produced, western music was introduced, and school music songs were born

B students studying in Japan studied western music: Shen Xingong and Li Shutong held music workshops to introduce western music, and Shen Xingong wrote The Yellow River. Li Shutong composed songs such as "Spring Tour"

C Establishment of music education institutions: Cai Yuanpei proposed that music education in ordinary schools with singing and teaching basic music theories should establish

2 traditional music

A two types of development:

(1) absorbing the elements of new culture and music to improve

(2) sticking to old habits and gradually declining

B Peking Opera still has influence. In the south, Zhou Xinfang

(1) is one of the four famous scholars of Lin School: Mei Lanfang, Cheng Yanqiu, Shang Xiaoyun and Xun Huisheng

(2) Yu Shuyan, Yan Jupeng, Gao Qingkui and Ma Lianliang

(3) Mei Lanfang reformed Cosmic Front and edited Mulan Joining the Army, thus forming Mei School singing < After the reform in Li Jinshun and Bai Yushuang, it became a national major drama

D rap music

(1) Xihe Drum-Ma Pai: Ma Liandeng and his daughter

(2) Jingyun Drum-Liu Baoquan, Tan Xinpei and Shuanghouping are the three best in the art world

(3) Shandong Drum: Xie Dayu and other four jade as representatives

(3) Shanghai Guole Research Association and other institutions

(2) Adapted the ancient pipa song "The Sunset Flute and Drum" into "Flowers and Moonlight on the Spring River"

(3) A Bing, a folk artist, created "Two Springs Reflecting the Moon", "Listening to the Pine", "Big Waves Taosha" and "Dragon Boat"

3 Music culture

A Xiao Youmei took the lead in setting up a number of professional music education institutions in Beijing. Yi weizhai's ci and Xiao Youmei's songs

(2) taught me how to miss him: solo songs, Liu Bannong's ci and Zhao Yuanren's songs, and the music was based on five syllables, especially the sentence "Teach me how to miss him" used the tone of Xipi in Peking Opera, which made the national style more distinct. Zhao Yuanren published China's first piano work "March for Peace"

(3) Zhao Yuanren: "Selling Cloth Ballads" and "weiyun"

(4) Qing Zhu: "I live at the head of the Yangtze River"

(5) Huang Zi: "Flowers are not flowers" and "Nanxiangzi". Song of Eternal Sorrow is the first oratorio in China

(6) Li Jinhui: Poor Chou-heung, Little Painter and Angel of the Vineyard

(7) There are also many excellent musical works in the film and drama: Nie Er's Children of the Storm, Mei Niang Song, Ren Guang's Fishing Light Song, Xian Xinghai's midnight song, and. He Lvting's songs for Crossroads and street angel

C The pioneers of the reform of Chinese music are Liu Tianhua's Bright Walk, Yin in the Disease, Birds in the Empty Mountain, Good Night, Song and Dance Introduction

D Instrumental Ensemble: Nie Er's Dancing with the Golden Snake, Spring Dawn on the Green Lake, Ren Guang's Chasing the Moon with Colorful Clouds, Yan Laolie. Synchronize with western music

B Liu Tianhua: study Chinese music with the help of western music

C Huang Zi: learn western methods to study folk songs, and study music aesthetics with young masters

D Music history becomes an independent discipline

E Wang Guangqi: After introducing western works

5 revolutionary music

A September 18th, music creation was combined with the anti-Japanese national salvation singing movement. Left-wing musicians Nie Er March of the Volunteers and Huang Zi's "The Flag is Fluttering" are the representatives

B Anti-Japanese ethnic base: The Yellow River Cantata, Xian Xinghai

C Luyi revolutionary artist: "White-haired Girl"

D March of the Volunteers: Tian Han's ci, Nie Er's song, which was designated as the national anthem in 1982

E "Singing Girl under the Iron Shoe": Xu Xingzhi's ci, Nie Er's song, is. The author saw that the Northeast Army in exile in Shanhaiguan after September 18th was touched

G "March of the Sword": Mai Xin's lyrics were infected by the July 7th Incident

H "On Taihang Mountain": Guitao's lyrics, Xian Xinghai's lyrics

I "Nanniwan": He Jingzhi's lyrics and Kyle's lyrics, the first half was beautiful and lyrical, and the second half was relatively active

J "Yellow River Chorus".