Some painters like to appreciate traditional oil paintings, but they don't paint them. What's the point?

It is not uncommon to appreciate traditional oil painting without painting. Picasso, the originator of abstract cubist oil painting, is a typical example.

Picasso studied traditional oil painting in his early years, that is, classical oil painting. He likes classical oil painting very much, which laid a solid foundation for classical realistic painting. However, he later changed his course and founded a new school of abstract cubism oil painting, which was completely different from traditional oil painting, and made the oil painting art move from tradition to modernity, forming a new development pattern. With the development of Cain's era, art is also developing, and art cannot stay in the traditional cycle forever.

Many painters like to appreciate traditional oil paintings, not only because most of them are vivid, "clear at a glance", beautiful and easy to satisfy people's visual senses, but also because they have profound historical background and rich ideological and cultural connotations and are quite skilled in painting techniques and expression techniques. They can not only feast their eyes on the appreciation, but also enjoy the spiritual beauty of art. As painters and painting lovers, they can also learn a lot from it.

For example, Renoir, the master of impressionist oil painting, borrowed some techniques and techniques from traditional oil painting figures' realism, and applied them to his own impressionist painting creation, so that the picture not only has the rich and colorful colors of impressionist painting, but also has the characteristics of traditional oil painting figures' realism, so it is loved by more people.

As the saying goes, review the past and learn the new. Appreciating traditional oil painting can give us a more vivid understanding of the development history of oil painting and a clearer understanding of modern oil painting. Many times, liking is one thing, and doing it is another. There are reasons for appreciating traditional oil paintings, and there are also reasons for not painting traditional oil paintings. Cain likes to be completely independent, but it is not always completely independent in practice, which is influenced and restricted by many factors and conditions.