Discuss the relationship between design and traditional culture.

Traditional aesthetics is the objective existence and accumulation in the historical process, which has accumulated strength and provided nutrition for the historical progress of mankind. Therefore, it will inevitably have an undeniable impact on modern and future art design. In the field of art design, China culture has also had a great influence on the world. Modern art design needs constant innovation and development, but we can't completely deny traditional culture just because we want to innovate. Innovation, for traditional culture and art, is sublation. If the connection between traditional culture and modern art design is cut off, then modern art design will be eclipsed or even extinct. Any vigorous and lasting culture, whether it is foreign aggression or natural continuation, is a positive inheritance of the original history and culture.

The reason why our China culture has stood among the world cultures for thousands of years is that we have always lived in a world constructed by traditional culture. As a fertile ground for modern art design, traditional culture will become an inexhaustible source of nutrition for China's characteristic art design. Any traditional culture will inevitably have a very profound impact on the development of art and technology, and directly or indirectly have a huge impact on modern design through art and technology.

The development of modern design is quite rapid, and various forms of national elements have appeared in the early stage of the development of modern design in China. It is true that modern design is a phenomenon of economic activity with distinctive commercial characteristics. However, in the process of communication, it faces and targets a wide range of social masses, thus producing a unique ideological education function. In other words, because of this, modern design has become a cultural phenomenon.

As a cultural phenomenon, it will inevitably bring its corresponding cultural charm and aesthetic habits. In other words, if modern design wants to be recognized by the audience, it must first conform to the national cultural traditions and aesthetic habits.