What is the meaning of "Seven Laws - The Long March"?

1. Meaning

The Red Army is not afraid of all the hardships and difficulties on the road of the Long March, and regards the thousands of mountains and rivers as extremely ordinary. The five mountain ranges that stretch on and on, in the eyes of the Red Army, are nothing more than microwave waves undulating, and the imposing Wumeng Mountain, in the eyes of the Red Army, is nothing more than a mudball.

The Jinsha River is turbid, lapping at the towering cliffs, steaming. The Dadu River is a dangerous bridge, swaying in the air hanging from the root of the iron rope, the chill of the gusts.

More delightful is to set foot on the thousands of miles of snow Minshan, the Red Army over the past after each smiling.

2, the original text

The Red Army is not afraid of the difficult expedition.

The Five Ridges are curving into thin waves, and the Wumeng Pound is going through the mud.

The Jinsha water is warming the cloud cliffs, and the Dadu Bridge is cold across the iron rope.

What's more, Minshan Mountain is covered with a thousand miles of snow, and the three armies have all opened their faces.

3. Author: Mao Zedong

Expanded Information

I. Background of Composition

In October 1934, the Red Army of China's Workers and Peasants, in an effort to crush the encirclement and annihilation of the Nationalist government, save its strength, and also to go north to fight against the Japanese, and to save the nation from perishing, set out from Ruijin in Jiangxi Province, and began the world-famous Long March.

This poem was written shortly before the Long March came to a triumphant end after the Red Army soldiers crossed Minshan Mountain. As the leader of the Red Army, Mao Zedong wrote this magnificent poem with a surging heart and full of pride after he had endured countless trials and tribulations, and now, with the light of dawn and victory in sight, he wrote this magnificent poem with a surging heart and full of pride and enthusiasm. The Long March was written in late September 1935 and finalized in October.

Second, appreciation

"The Red Army is not afraid of a long march, ten thousand waters and thousands of mountains are just waiting." The first line opens the door to praise the Red Army is not afraid of difficulties, brave and tenacious revolutionary spirit, which is the central idea of the whole piece, but also the artistic tone of the poem.

It is the beginning of the spirit of the poem, but also the knot of the whole poem. The word "fearless" is the eye of the poem, "only waiting for leisure" strengthens and reiterates "fearless"; "difficult expedition" "The expedition is difficult" encompasses this extraordinary historical process, and "ten thousand waters and thousands of mountains" summarizes the internal and external connotations of "difficult". This line is like a stone falling from a high mountain, rolling down, pulling the whole piece, but also shrouding the whole poem.

The phrase "only wait for the leisure" is as light as a feather, showing the poet's commanding style of treating the enemies of nature as if they were meters, and playing with the enemies of society in the palm of his hand. "Only" strengthens the firm tone and has a strong emotional color.

It highlights and emphasizes the revolutionary spirit of the Red Army in defiance of difficulties, and shows the Red Army's calmness, ease of dealing with the sword, and invincible style of the Iron Army. The first line is the overall leader of the poem, and the following three lines are closely linked to the first line.

From the beginning of the first line, the whole poem unfolds two lines of thought, constructing two time and space domains, one is objective and realistic: "the expedition is difficult", there are "thousands of water and thousands of mountains" of the many dangers; one is subjective, psychological: One is subjective and psychological: "I'm not afraid" and "I'm just waiting". This constitutes a strong contrasting counterpoint, melting the poem's vast physical space and magnificent psychological space, laying the tone of the poem's majesty and grandeur.

Baidu Encyclopedia - The Long March