Traditional Culture Encyclopedia - Traditional stories - What are the techniques for painting with a brush?
What are the techniques for painting with a brush?
1. Separate dyeing: the most important dyeing technique in brush painting. One brush is dipped in color, another brush is dipped in water, and the color is dragged and dyed to form a gradation of color from thick to light.
2, unified dyeing: in the process of painting brushstrokes, according to the needs of the picture light and dark treatment, often need a few leaves, a few petals unified rendering, emphasizing the overall light and dark and color system, known as unified dyeing.
3, cover dye: in the already colored picture to re-cover a layer of color and local rendering.
4, dyeing: dyeing near completion with a certain color small area, local brighten or deepen the picture is called dyeing.
5, baking and dyeing: in the portrayal of the object around the light rendering of the base color used to set off or mask the object.
6, point and dye: close to the writing brushwork, a dip in different shades of color in the picture with dye, take the meaning of the spirit. Commonly used when dealing with the background or small flowers.
7, good offices dyeing: a piece of color to the surrounding dye. This method is used when painting the blush of ladies' cheeks, and it is also used in the painting of peonies.
8, wake up dyeing: in the cover color after the color is slightly boring on the screen with a light dark color re-dyeing, in order to draw out the bottom part of the color, to make the picture awake again.
9, repeat: after the completion of the color, ink or color line along the edge of the object to outline again.
10, waterline: one of the common techniques of brush painting. When encountering the edge of the object or line in the color of the brush, it is often used to leave a bright edge of the technique to distinguish the local color or used to retain the line or used to reflect the thickness of the object, this bright edge is called the water line. At the same time, the retention of the waterline can also better reflect the unique decorative interest of Chinese brush painting.
11, standing powder method: one of the important techniques for pointing stamens. Long strokes dipped in powder yellow (Garcinia + white), can also be slightly adjusted to a little glue into it, the concentration of color to be very large, while the vertical pen in the middle, slowly point out the shape of the stamen, wet when the color will be higher than the surface of the paper about 1 millimeter, wait for drying will form the two sides of the high middle of the concave visual effect, very three-dimensional sense.
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