Traditional Culture Encyclopedia - Traditional stories - Introduction to the plot of Beijing Opera Cheng Yuniang
Introduction to the plot of Beijing Opera Cheng Yuniang
It's Han Yuniang.
Plot:
Han Yuniang was a woman in the Song Dynasty and was taken into slavery by the Jin people. Its owner gave it to Cheng Sheng, a Song man who was also taken captive, as his wife. On their wedding night, Yu Niang blamed Cheng Sheng for his sense of honor. He shouldn't live here. He should flee to his old country and serve his country. Although Cheng Sheng has this heart, he is afraid that Yu Niang will send a tempter for the Jin people, but he will report it to the main family instead. And the owner was furious, so he sold Yu Niang to others as his concubine.
Cheng Sheng regretted it too late, but Yu Niang still advised him to flee again, so as to be himself. After this Cheng Sheng fled back to the south, he should cite an official. Yu Niang had to go back to the south after many twists and turns. It has been 2 years since they finally met again. Although it was a bitter experience, Yu Niang passed away on the day of seeing Cheng Sheng again, when he was seriously ill.
Extended information:
Han Yuniang, a traditional drama, is adapted from Life and Death Hate, a famous drama of the Mei school. Life and Death Hate tells the story of the joys and sorrows of Jin Bing, Han Yuniang and Cheng Pengju, who were forced to marry by enemy generals at the end of the Northern Song Dynasty. Han Yuniang is the heroine of Life and Death Hate.
Among the colorful representative plays of Mei School, Life and Death Hate is a play with special historical background and profound social influence. In the mid-193s, Japanese imperialism launched a war of aggression against China, and the Chinese nation reached a critical juncture of life and death. Mei Lanfang, who has a strong patriotic thought, merged his art into the tide of resisting Japan and saving the nation out of the artist's ardent feelings of worrying about the country and national responsibility.
In p>1936, Peking Opera "Life and Death Hate" met the audience at the Shanghai Toad Stage, and Mei Lanfang played Han Yuniang. The play caused a strong * * * sound among the audience, which caused great repercussions, and caused panic and anxiety among the Japanese consultants of the Shanghai Social Bureau at that time, and attempted to ban it. However, Mei Lanfang sternly refused on the grounds of the audience's request, and acted as it was. Life and Death Hate became a famous patriotic drama of Mei Lanfang in War of Resistance against Japanese Aggression.
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