What are the intangible cultural heritages in Guangxi?

There are many intangible cultures with historical significance and research value in Guangxi culture, and these intangible cultural heritages are the cultural essence condensed in the historical development of Guangxi culture. With the development of society, more and more intangible cultural heritages have disappeared in our sight. We should protect these cultures with our own practical actions and prevent them from being lost in the long river of history again.

Zhuang gewei

Zhuang folk songs, Zhuang folk customs. "Xu Ge" is a festival gathering and singing activity held by the Zhuang people at a specific time and place. Sacrificial singing and dancing activities originated from clan and tribe times. It is mainly held in spring and autumn. Haruka will be the most prosperous in March and April, and it will be held most frequently on the third day of the third lunar month. Qiu Ge will focus on August and September of the lunar calendar, especially the Mid-Autumn Festival. It takes the friendship between young men and women as the core content, that is, relying on songs to choose songs and enjoy songs. At the same time, there are also cultural and recreational activities such as drama, folk art and sports. In 2006, it was included in the first batch of national intangible cultural heritage list.

Tonggu custom of Zhuang nationality

The bronze drum is a percussion instrument created by ordinary people and Yue people in southern China. Up to now, it has a history of more than 2700 years, with the largest number and the widest distribution in Guangxi. Hongshui River Basin, which borders on the northwest of Guangxi and the south of Guizhou, is the region with the richest bronze drum culture. The ethnic groups that still use bronze drums today mainly include Zhuang, Buyi, Dai, Dong, Shui, Miao, Yao, etc., belonging to Miao and Yao languages, and Yi belongs to Tibeto-Burman languages. These ethnic minorities always beat bronze drums at festivals, funerals and sacrifices to express their celebration or mourning.

Liu Sanjie's ballads

Liu Sanjie is a folk "singing fairy" in Guangxi, and Yizhou, Liu Sanjie's hometown, is the most representative area of Liu Sanjie's song dissemination. Liu Sanjie's ballads are rich and colorful, including life songs, production songs, love songs, ritual songs, riddle songs, story songs, ancient creation songs and so on. It is endorsed by songs, which has poetic characteristics and distinctive nationality. The inheritance is complete and widely spread. Liu Sanjie's ballads show the living cultural charm of China's traditional folk art, which has not only the research value of witnessing national history and emotional expression, but also the research value of aesthetics.

Buluotuo

Buluotuo is a mythical figure in the oral literature of Zhuang ancestors. He is the god of creation, ancestor and morality. His achievements mainly include creating heaven and earth, creating everything, arranging order and formulating ethics. Buluotuo is a transliteration of Zhuang language, and Buluotuo's "cloth" is a respectful name for an old man with great prestige. Luo means to know, Tuo means to be creative, and Buluotuo means to be a leader in the mountain, an old man in the mountain or an old man who knows everything.

Liao songs of Zhuang nationality

Song Liao is a famous ancient Long song of Zhuang nationality. After a long period of oral recitation, it was processed and edited by Zhuang literati, recorded in ancient Zhuang language, and the format was properly standardized. Different from other oral folk songs, its content is relatively fixed, and it is copied and popular with ancient and Zhuang characters. It is a traditional folk song that reflects the labor, production, life, love, marriage and history of the Zhuang people.

Zhuang folk story "Hundred Birds Clothing"

"Hundred Birds Clothing" is a folk story circulating in Zhuang area. It tells the story that Ai Yi, the wife of poor farmer Guka, was robbed by the toast. According to her instructions, Guka made bows and arrows, killed hundreds of birds, and made holy garments out of feathers. They met in the state capital for a hundred days. Guka went through all kinds of hardships, made a bird coat and arrived at the state capital on time. Guka made a toast by offering clothes, and both husband and wife returned to their hometown. The story profoundly reflects the strong will of the Zhuang people to resist violence and fight for freedom. In 2007, the folk story "Hundred Birds Clothing" was included in the first batch of intangible cultural heritage list in Guangxi.

Zhuang drama

Zhuang Opera, also known as "Zhuang Opera", is popular in the western part of Guangxi Zhuang Autonomous Region and parts of Wenshan Zhuang and Miao Autonomous Prefecture in Yunnan. It is developed on the basis of Zhuang folk literature, singing and dancing, and rap skills. There have been performances during Tongzhi and Guangxu periods in Qing Dynasty, and there are two Zhuang operas because of different languages, Le Qiang and popular areas. Hokuriku Zhuang Opera is popular in the north of Baise in northwest Guangxi and Funing in southeast Yunnan. It is developed on the basis of folk rap "Bench Play". Its main vocals are "Zhengdiao" and "Pingdiao", and its main musical instruments are Maguhu, Huluhu and Yueqin.

Traditional plays include Xiao Ni and Gao Yue. On May 20th, 2006, Zhuang Opera was approved to be included in the first batch of national intangible cultural heritage list.

Cai Diao

Caidiao is a local opera in Guangxi Zhuang Autonomous Region. Popular in most areas of Guangxi Zhuang Autonomous Region. Originally, the names of different places were different. The original place was called Cai Daliao, Liuzhou, Hechi and parts of Wuzhou were called Tiaoliao, the south of Yangshuo was called Tea-picking Opera and Lantern, and the left and right rivers were called Big Tea-picking Opera and Hehe Opera. 1955 is collectively referred to as "hue". Music aria belongs to couplets, which are divided into three categories: board, cavity and tune. The same tune can be modified in the board and cavity according to the needs of the content. The theatrical performances are full of local characteristics, especially dancing fans, towels and ribbons. In 2006, it was included in the first batch of national intangible cultural heritage list.

Long drum dance of Yao nationality

Yao nationality's long encouragement to Yao nationality in southern Hunan. Every year in the 65438+ 10 and 65438+June of the Chinese lunar calendar, they dance with the accompaniment of Lu Sheng to pay tribute to Wang Pan. Legend has it that Pan Hu, the ancestor of Yao nationality, went hunting in the mountains and fell off a cliff while fighting with a wild sheep, and died on the right side of a tree. People hollowed out the heart of the tree, peeled off the sheepskin, covered it with drums, and beat it day and night to sacrifice to the king of food. The dance action is to show the diligence and courage of Wang Pan and his descendants in opening thousands of holes; The deep and sad Lusheng music reproduces Wang Pan's painful groans before his death. Beat the sheepskin drum to express revenge for King Pan and punish the goat; Singing the king's songs shows the memory and nostalgia for Pan Huanghou's ancestors.