China's freehand brushwork landscape painting is characterized by less than 300 words.

The special tradition of China's landscape painting is to create the artistic conception of harmony of form and spirit and harmony between man and nature, that is, not only to express rich and colorful natural scenery, but also to express the understanding of the whole universe from the surface to the inside through limited framing, or to place feelings for home in mountains and rivers, which embodies China people's natural view and social aesthetic consciousness, and can also be said to indirectly reflect social life from the side. In terms of image description, landscape painting is characterized by emphasizing macro and overall grasp, rather than sticking to details. For the organizational structure of the object, a unique stylized expression is created, but it is not a mechanical copy, but a flexible expression through a highly refined structural program. In the treatment of space, the concepts of height, horizontal, far and wide are put forward and skillfully integrated. In composition, it pays more attention to the expression of "potential" and "opening and closing ups and downs" than figure painting and flower-and-bird painting. "potential" is the connection between concrete images, and "opening and closing ups and downs" is the rhythm change in this connection. This shows a touching and comprehensive observation and expression concept of the internal connection of nature in the combination of static pictures and images in landscape painting. The brush and ink techniques of landscape painting are richer and more changeable than figures, flowers and birds, and various painting methods and painting methods are the elements of brushwork; However, there are various ways to regulate ink, such as "dyeing", "wiping", "breaking ink" and "accumulating ink". The combination of pen and ink has effectively affected its lyric and freehand brushwork function.