Analysis of Matsugu Prints

Chaomei, 193 1, from Heze, Shandong. Representative of the founder and organizer of the Great Northern Wilderness Printmaking School. Enjoy the special allowance of the State Council. From 65438 to 0949, he joined the China People's Liberation Army while studying in Nanjing, was admitted to the Military and Political University of the Second Field Army, and began to engage in artistic activities. 1952 to Harbin Institute of Military Engineering. 1958 changed jobs to participate in the reclamation of the Great Northern Wilderness and devoted himself to artistic creation. From 65438 to 0962, he was transferred to Heilongjiang Artists Association as a professional painter. From 1977 to 1979, he was seconded to teach at the Central Academy of Fine Arts.

Superbeautiful first-class artist, professor, director of China Artists Association, vice chairman of China Printmakers Association, honorary chairman of Heilongjiang Artists Association, honorary curator of Heilongjiang Art Museum, honorary president of Heilongjiang Printmaking Research Institute, president of Heilongjiang Printmaking Association and librarian of Heilongjiang Literature and History Museum. Heze City, Shandong Province and Harbin City, Heilongjiang Province all have art galleries named after themselves.

Throughout the superb prints, whether it is the realistic style in Early Spring Night in the Wilderness, The First Footprint, Black Grassland, Morning in the North, Prelude of Wheat Harvest, Harvest Season and September in the North, or plain clothes Wrapped in a Red Dress, Northern Border, Newly Reclaimed Land, Long River Trip, etc. The style characteristics and artistic achievements of Korean and American works have been thoroughly and fully discussed and comprehensively evaluated in printmaking and art theory circles. Northern Wilderness printmakers, represented by North Korea and the United States, combined noble ideals and romantic feelings, persisted in persistent exploration and bold innovation, and took color as an important modeling means to explore a brand-new chapter characterized by large area and multi-edition overprint, which summarized unprecedented modeling rules for traditional printmaking and made valuable contributions to the development of contemporary printmaking in China.