The eight main dyeing methods of work brush painting explained

The eight main dyeing methods of Chinese brush painting

Introduction: Chinese brush painting is generally referred to as "Gongbi" (工笔), which is also known as "fine brush painting". Work-brush painting, also known as "fine brush painting", is one of the categories of Chinese painting techniques. The main dyeing methods of the painting include: dyeing, dyeing, cover dyeing, dyeing, dyeing, dyeing, dyeing, dyeing, dyeing and dyeing, the following is a brief introduction to the eight main dyeing methods of the painting!

The eight main dyeing methods of brush painting explained:

Dyeing method 1: dyeing

In the painting of brush painting, dyeing is the most important dyeing techniques, a pen dipped in color, another pen dipped in water, color pen on the paper coloring, and then use the water pen to wash and dye away, the formation of color gradient effect from thick to light.

Dyeing method 2: unified dye

In the process of painting brushwork, according to the picture of the light and dark to deal with, generally need a few leaves, a few petals to unify the rendering to emphasize the overall light and dark and color relationships.

Dyeing method 3: overdyeing

Overdyeing is to re-cover a layer of color on the already colored picture, and partial rendering.

Dyeing method 4: Dyeing

Dyeing close to completion, and then use a certain color small area, local brighten or deepen the picture, known as Dyeing.

Dyeing method 5: baking and dyeing

In the depiction of the object around the light rendering of the base color, to be used to set off or mask the object.

Dyeing method 6: Dyeing

With a brush close to the writing style, a dip in different shades of color, and then dotted with dye on the screen, to take the meaning of the spirit of the dyeing, dyeing method is generally commonly used when dealing with the background or small flowers.

Dyeing method 7: good offices

The water brush rotates around the color block, dyeing a piece of color in all directions, which is called good offices dyeing, for example: painting the redness of the cheeks of the ladies and the coloring of the roots of the antipetals of peonies, are all used in this way.

Dyeing method 8: Wake up dyeing

On the picture that is slightly dull after the color overlay, use a light dark color to re-dye to bring out the bottom part of the color, and make the picture eye-catching again.

Interpretation:

Brushwork painting, ancient painting, advocating realism, seeking to look like, it is more neat and tidy; to the Tang Wang Wei created the ink painting method, but also the light form, the subject matter from life into the portrayal of nature, roughly divided into the figure of the landscape flowers and birds, etc.; and thus the painting method has a brushwork and the writing of the points.

Figure painting has the longest history, below the Jin Dynasty, Gu Lu Zhan Zhang are great masters, Tang Yan Liben wrote the emperors and kings of the past dynasties, the painting method is exquisite, heavy color, in addition to the character's clothing and accessories, but also to show their character temperament, is to lay the Tang Dynasty figure painting of the perfect maturity of the situation. So far, Wu Daozi, Han Gan, Zhou Fang have very high attainments; to the Song Li Gonglin with white painting method, brushwork cotton dense and meticulous; still for the brush painting; Ming Qiu Ying copy ancient but not mud ancient, with a unique style of elegant and gorgeous. The painting method first positioning, outline, fill in the colors, respectively, the powder and dye with each other, green, green, cinnabar and other heavy colors, to be laid to five or six layers, to be able to even, and then to juice green, red, etc. Dyeing yin and yang to the back, and then hooked out the outline of the line. Even gold and silver are applied to achieve a magnificent and solemn look. Junyouhui Wang Aijun art literature records of ancient Chinese brushwork landscape painting first push the size of the Tang Li General, and then there are masters of successive generations, the painting style of gold and blue, is still the outline of the method of coloring; only the same as the figure of the painting, for the very full of rich and beautiful results. However, it is easy to flow in the carving ear.

Bird and flower painting, the fifth generation of Huang Tsuen, hook flower coloring, painting method is slightly the same as the landscape figures, are rich and exquisite; Xu Xi, the same generation, original bone painting method, without hook outline, directly to the color of the image of the form and charm, expression of exquisite, fresh and vulgar, people said that the bones of the wind and spirit of the crown of the ancient and modern. Because of the simpler painting method, the influence of its influence on later generations of realistic painting methods was immense. In the past, the artist has been able to create a new style of painting, which has been recognized as the best in the world, and has become the most popular in the world.

Characteristics:

Work-brush painting in the long-term historical development of a set of rigorous technical system, thus forming the unique style of this painting, its characteristics are summarized as follows:

line modeling is a characteristic of Chinese painting techniques, but also the foundation and backbone of work-brush painting. The requirements of the line of Gongbi painting are neat, delicate and rigorous. Generally, it is used more often with a center brush.

Inherent color is the main, generally colorful, calm, bright, elegant, have a unified tone, with a strong Chinese national color aesthetic interest.

Tools:

Brush and ink

Brushwork brush painting mostly with a medium stroke to outline the fine and even lines. Generally use the wolf hair class fine and pointed pen. Commonly used brushes are clothes brush, leaf tendon brush, large red hair, small red hair, crab claw, wolf kui, purple kui and so on.

Dyeing pen commonly used dyeing pen: large white clouds, medium white clouds, small white clouds and other soft hair pen. Pure sheep's hair brush is too soft, generally not very good, part-hair brush is better, because it is the outer layer of sheep's hair, the middle part of the hard and stiff hair, so it can contain both moisture and elasticity.

Board brush type brush painting often need to paint the base color, or do a large area. Flat paint and rendering, so need to have a variety of widths of wool board brush, rows of brushes, joint brush.

Paper

brush painting with ripe Xuan or ripe silk, is raw Xuan or raw silk after a certain proportion of gum alum water brush. Its property is that it does not seep water.

Cooked Xuan paper currently has a number of varieties, such as water calligraphy and painting Xuan, ice and snow Xuan, calligraphy and painting paper, cicada wing paper, mica paper and so on. The above cooked rice paper has a thin and thick, glue alum water has a thick and light. Generally speaking, the thin one is suitable for painting light color, thick one is suitable for painting heavy color. Cicada wing paper is the thinnest, the thickest ice and snow Xuan, another gold paper and a variety of dyed paper can be used to paint brush. Silk for pure silk products, divided into round silk, flat silk two kinds. Round silk, also known as "original silk", commonly used in ancient paintings. Commonly used is the flat silk silk, is woven in the silk after the pounding, so that the silk is flat, in order to reduce the gap between the silk, so that the silk is not easy to brush on the gum alum water after the leakage of alum. This kind of silk has white and antique color and so on several kinds.

Because the cooked paper or silk is not easy to change, so the painting brushwork is usually drawn on the drawing paper sketch, and then copied to the cooked rice paper or silk painting.

Expanded reading: commonly used brush painting techniques

Chinese painting commonly used brush painting techniques : light color and "boneless", in this incidental introduction to the work of the "boneless" concept. "

Working Brush Painting Working Brush Painting is a technique that involves using color or ink to render a painting without using a brush to outline the ink lines.

Working Brush Painting Light Color Technique

Working Brush Painting Light Color Technique refers to the painting method of using transparent art pigments, or ink colors. The technique emphasizes the beauty of lightness, simplicity, simplicity, and purity, so it basically uses ink as the main color and transparent art pigments to depict an illusory, hazy mood.

The "boneless" technique of brush painting

The concept of the "boneless" technique was introduced at the beginning of this article, and brush painting is usually based on the line as the backbone, so the technique of brush painting is mostly to sketch the ink line first, and then to draw the line. Most of them are first hook ink line and then dyeing, and the name "boneless" originates from its special technique, that is, not hook ink line, directly rendered with color or ink. Sometimes the picture still has a "line" feeling, this "line" is the effect of rendering or "empty" out of the effect, not out of the hook.

Expanded reading

Notes on landscape painting appreciation

To become a good painter, you must learn to appreciate. Or rather, a good painter should have been a good connoisseur. Only learn to appreciate the works, you can find the advantages of others, make up for the shortcomings; can also find their own shortcomings, to avoid the shortcomings. Landscape painting appreciation generally focus on the following four aspects.

First, the shape

No matter what kind of art, its shape can not be ignored. Art itself is the art of modeling, works if the basic shape is not good, no matter how hard the later work is in vain. Whether it is rocks, trees, rivers, clouds, the shape of each scene should be beautiful. And the whole picture should be properly laid out, sparse and dense, harmonious and coordinated, rigorous unity, no clutter, no loose feeling, and can not be too busy mattress, dense airtight feeling.

The second is the charm

Gas refers to the momentum and style, rhyme refers to the poetic flavor, as the performance of the mountains and mountains of mountain paintings to have momentum, the atmosphere is majestic, as the performance of the Jiangnan style of water paintings focus on the flavor, elegant and elegant. In addition, the rhyme is also expressed in the whole picture vivid and lively, not dull and not harsh, look at the eyes. The ancients said that the breath from the pen from the rhyme from the ink, the view of the rhyme is to see the use of ink and brush work to construct the mountain of the momentum of the rhythm of the water skills.

Third is the mood

The painting has a far-reaching and far-reaching panoramic panoramic and other techniques, respectively, reflecting the painter's different realms of thought, far-reaching is the effect of upward vision, there is a will to bear the lofty mood, far-reaching is the effect of downward vision, there is a condescending, small mountains in a glance of the mood, far-reaching is the effect of the panorama, there is a bland, modest and cautious, but the vision of a great vision, the panorama is a far-reaching effect. The panoramic composition also belongs to the category of far-reaching, but there is a broad-minded, broad-minded mood, these can be appropriate to take.

Fourth, ink and brush

The pen is natural and smooth, casual and free, avoid hesitation and stagnation, deliberately carved, these can be seen from the picture of the dots and lines of the composition, the ink to pay attention to the completion of a stroke, do not paint, rendering of the right amount of thickness, the transition is natural, avoid repeated changes, the thickness of the loss of the appropriate, these are the measure of the basic skills of the painter. These are all measures of the painter's basic skills.

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