Descriptive composition of palaces in Tang Dynasty

1. Description of ancient grand palaces. If you want to describe the interior of the palace in classical Chinese, you can refer to the two capitals of Epang Palace and Tongquetai Palace. Here are some modern ones for you.

A crescent moon crosses the delicate turret, projecting a touch of dim light into the high wall, making the Forbidden City seem mysterious and quiet.

Seen from a distance, the crimson palace looks like it is embedded in the snow.

The palace among the trees presents a glazed tile roof, just like a golden island.

The magnificent pavilions and pavilions of Huaqing Palace are surrounded by Huaqing Lake water, and the ground is covered with duckweeds, green and bright.

The two dragons on the cornice, golden scales and golden armor, are lifelike and seem to want to fly away.

What a palace-like building! The golden glazed tiles are shining in the sun.

Under the blue sky, the golden glazed tile roof of the Forbidden City is particularly brilliant.

2. Introduction to the Palace of the Tang Dynasty In the thirty-seventh year of Sui Dynasty, with the help of the favorable situation after reunification, an unprecedented scale of construction was carried out.

It has created Daxing (Chang 'an) and Du Dong (Luoyang) two well-planned and large-scale capitals. Sui established the East Capital, absorbed the advantages of the Southern Dynasties, introduced the advanced planning and construction technology of the Southern Dynasties into the North, and promoted the development of architecture.

The Tang Dynasty punished the death of the Sui Dynasty. At the beginning of the founding of the People's Republic of China, we were more cautious in the construction of palaces. These palaces followed the old palaces of the Sui Dynasty and built new grass roofs. Sui did not build a tower in Daxing, nor did he build a formal outer wall in Luoyang. These two events were completed in the Tang Dynasty in 654 and 692 respectively, 36 and 74 years later than Tang Guoli.

From the period of Emperor Gaozong and Wuhou to the early period of Xuanzong (650~740), the economy of the Tang Dynasty continued to develop, and its culture and scientific and technological achievements were brilliant. The country entered its heyday and began to carry out large-scale construction activities. In 662 AD, Tang Gaozong built a new palace, Daming Palace, on the highland in the northeast of Chang 'an.

This is the largest palace built in the Tang Dynasty, 44 times larger than the existing Forbidden City in Beijing in the Ming and Qing Dynasties. Since the Han Dynasty, Mingtang has been regarded as a national ceremony in all previous dynasties, but it has not been built in subsequent dynasties since Emperor Wu of the Han Dynasty.

Wu Zetian demolished the main hall of Luoyang Palace and built it despite the opposition of Confucian officials. Tang Ming Square is 300 feet (88 meters) and 294 feet (86 meters) high, which is the largest building built in the Tang Dynasty.

In the Tang Dynasty, in order to control the scale of construction, laws and regulations were formulated, which stipulated which level of officials could build large-scale houses and what kind of decoration to use, showing the relationship of inferiority in living. The large-scale construction in Sui and Tang Dynasties also promoted the standardization and modularization of its buildings.

Luoyang site shows that the planning of the Sui Dynasty has always been based on four squares, each square has a mile, which is very regular. The historical records of the city perimeter in Sui and Tang Dynasties also show that the scale of various cities is graded according to the square.

Luoyang Palace in Sui Dynasty, Daming Palace in Tang Dynasty and the site of Ganling in Tang Dynasty all show that the square of 100 step (50 feet) is used as the control network in the planning. Daming Palace, Luoyang Palace and Beijing Palace in Bohai Sea all built their main halls in the geometric center of the whole site.

The existing buildings in the Tang Dynasty all take the height of materials as the modulus, and the height of a column as the magnification modulus of elevation and section. These conditions show that there was a set of modular design methods from city scale to single building design in the Tang Dynasty.

Sui and Tang Dynasties had extensive contacts with foreign countries. The Western Regions once went to Central Asia to the west of Pamirs, and their commercial activities were as far away as Afghanistan, Persia and grain, and indirectly contacted with East Rome. Foreign cultures, including religion, painting, sculpture, music, dance, utensils and customs, have been introduced, and architecture is inevitable.

But at this time, China's architectural system has developed to a mature stage, closely combined with national etiquette and folk customs, which can fully meet the needs of use and become a stable architectural system, and foreign architectural systems have been unable to shake. Only foreign decorative patterns, carving techniques and colors have greatly enriched China architecture.

Many foreign decorative patterns, expressed by China's technology, have been like China's, for example, the popular grass-rolling pattern, Julian's pattern and eight precious flowers. Sui and Tang Dynasties were based on their own countries and freely absorbed foreign influences, showing the stability and self-confidence of a powerful, progressive and vital architectural system, and absorbing these foreign influences also made Sui and Tang Dynasties' architecture more colorful.

3. I came to the 500-word night of composition in the Tang Dynasty, lying in bed and falling asleep. In my dream, I came to a strange world and looked at the surrounding scenes: pavilions, high walls and deep courtyards. I was surprised to find that I returned to the Tang Dynasty.

Walking in the street, stepping on the path paved with bluestone slabs, surrounded by beautiful scenery. There are mountains, trees, flowers and grass. Looking at the sunset in the distance, it is dusk.

The shops are ready to install, and we can't go home if it's late. The sun sinks a little, and finally, it sets completely. I was the only one walking on that green path, and loneliness suddenly attacked me.

Suddenly, I came to a palace, which was brightly lit and smelled of singing and dancing. I walked in confused, and no one noticed my existence. In the palace, the emperor sat on the throne of the dragon. In front of him, there are a group of maids who dance beautifully. I can't help snickering and smiling for the prosperity of the Tang Dynasty.

I left the palace and walked along the path. Soon, at dawn, I suddenly found myself in another era-the mid-Tang Dynasty. There are still shops on both sides of the road, but it is much more depressed than before; This mountain is still that mountain, only much older than before; The tree is still the same tree, but much bigger than before; This flower is still that flower, but it has withered a lot more than before ... just like the Tang Dynasty now, although it has been brilliant for a hundred years, it still can't get rid of the fate of history. The present Tang Dynasty is a flower facing death, with a beautiful surface and an empty heart.

Along the path, I walked to the palace. It was getting dark, and there was a song and dance in the palace. When I walked in, the dragon throne was already another person. In front of me, it's still the dancers. I heard the same music, but it sounds sadder today. I left the palace and walked along the path. Soon, at dawn, I found myself in another era-the late Tang Dynasty.

Walking on the path, there is no one around, only the smoke of war, and only the war. After hundreds of years, the Tang Dynasty is aging and dying, but the people are still stubbornly resisting. I watched the war and snickered that history cannot be changed. The Tang Dynasty is doomed to perish. Why should we struggle fearlessly? Suddenly, I feel lighter and lighter. Do you want to wake up? No, I can’t . Before I reached the end of the historical road of the Tang Dynasty, I took this step, step by step, and walked very hard towards the end of this historical road.

Along the way, only war and only death accompanied me. This is a war between Tang and Liang. The Tang dynasty, which was already in its advanced years, tried its best to resist, but the Tang flag on the rostrum was replaced by a beam. Don finally perished.

Dreaming back to the Tang Dynasty and walking on that long historical road, I witnessed the whole process of the Tang Dynasty from prosperity to decline until its demise. I seem to understand a lot: a country should not only pursue wealth, but also have a peaceful and stable society, so that people can get more happiness.

4. Description of Palace Architecture in the heyday of the Tang Dynasty The Tang Dynasty was the mature period of ancient architecture in China. On the basis of inheriting the achievements since the Han Dynasty, the buildings in this period absorbed and melted the influence of foreign buildings and formed a complete architectural system.

This system consists of urban architecture, palace architecture and Buddhist architecture. As far as palace architecture in Tang Dynasty is concerned, Daming Palace, Xingqing Palace and Huaqing Palace are the most representative, each with distinct and different cultural characteristics.

Daming Palace in Tang Dynasty is located in front of Longshou Hospital in the northeast of Chang 'an, Tang Dynasty, with high terrain. According to archaeological excavations, the plane of Daming Palace is trapezoidal in the north and rectangular in the south.

In addition to the three main halls in Miyagi-Hanyuan Hall, Zheng Xuan Hall and Chen Zi Hall, there are other buildings where ministers are close-fitting and confidential, such as imperial academy, Yushitai and Mingmu Academy. At the same time, Tang Xuanzong also placed a "left and right teaching workshop" on the edge of Penglai Palace.

Miyagi takes Danfengmen to Chenzitang as the central axis. There are three halls on the central axis, and there are symmetrical attic platforms on both sides of the central axis. There is Taiye Pool in the middle of Miyagi, and the temples around Taiye Pool are the residence of the Emperor and Empress.

Miyagi, on the other hand, has a beautiful garden area, the Inner Garden, which is exclusively for the royal family. This way of building groups makes Daming Palace have obvious architectural divisions-namely, the office area of the emperor's office, the residential area of the royal family and the amusement area.

The palace in the office area is solemn and elegant, the residential area is built along the Taiye pool, and the amusement area is dominated by gardens. This architectural grouping mode, which not only clearly distinguishes regions, but also constitutes a unified overall layout, with clear master-slave relationship and left-right symmetry, embodies the unique design style of the architects in the prosperous Tang Dynasty, and also embodies the cultural characteristics of the palace architecture in the Tang Dynasty, which focuses on the main hall and highlights the characteristics of the palace garden.

The layout of Daming Palace in Tang Dynasty has obvious characteristics: there are three main halls, the Hanyuan Hall is the place where the emperor met foreign envoys and held national celebrations, which was built in front, followed by the Zheng Xuan Hall in Japan and the Chen Zi Hall in Tang Dynasty. This arrangement not only meets the actual needs, but also embodies the feudal hierarchical concept; Linde Hall is the main hall for state banquets and entertainment activities. It is located in a high and open place on the west bank of Taiye Pool, only 90 meters away from Zuoyintaimen and Hanlin Academy. This not only facilitates the entry and exit of civil and military officials and the royal family, but also highlights the authority of the royal family. At the same time, the noise of the banquet does not affect the office and residence, which shows the closed "space" artistic layout of Daming Palace. Hanyuan Palace is the main hall of Daming Palace and the most magnificent building in Chang 'an City in Tang Dynasty.

From the analysis of composition and layout, this hall takes the faucet as the base, which highlights the height of the base. The pavilion base is higher than the temple base, just like the wings of the wind. The setting of the so-called dragon tail road on the ramp of the upper temple adds a sense of volley and grandeur to the temple.

The whole Hanyuan Temple complex faces the open square, just like a giant eagle descending from the sky, showing the grand, majestic and atmospheric style of palace architecture in the heyday of China feudal society. In addition, from archaeological excavations, we can know that the walls of the Han and Yuan Dynasties Hall are white, the roof tiles are black, the roof is green, the pillars are red and the arches are ochre yellow. This kind of TINT makes the building look solemn and simple, and highlights the national cultural tradition that China's architecture is famous for its "massiness".

Linde Hall consists of front, middle and back halls. There are the West Pavilion and adjacent buildings in the west, and the East Pavilion and the first floor in the east. The three halls are connected, with two pavilions on the second floor on both sides, which are closely surrounded and exquisitely conceived.

This combination of pavilions and pavilions against nave reflects the layout of ancient courtyards and buildings in China, which is balanced and symmetrical, and highlights the architectural characteristics of nave. This is also reflected in the Tang Dynasty murals in Dunhuang, Gansu.

At the same time, the construction of Linde Hall has also created an architectural form in which three halls are connected. In a word, Daming Palace has many innovations in architectural art, which embodies the cultural characteristics of China's medieval palace architectural art in pursuit of grandeur, harmony and unity, and can be called a landmark building in the architectural history of China.

Xingqing Palace was built in the prosperous Tang Dynasty, covering an area of 20 16 mu. It is a model of the combination of gardens and palace buildings in Tang Dynasty. The main buildings in the palace, such as diligent office building and Calyx Building, are mostly pavilions. The artistic image displayed by these pavilion-style buildings is a high pedestal and a big roof. The vertical ridge of the big roof is curved, the eaves are slightly tilted, and the whole slope is in the shape of a "wheel line".

The spinning line is the steepest descent line. In case of rainstorm, the accumulated water on the roof can flow away as quickly as possible. At the same time, the "cycloid" shape not only has a beautiful roof image, but also plays an important role in balancing, strengthening the stability of columns and benefiting the building structure.

This is a clever combination of art and science, and a high degree of unity of form and content. The two ends of the roof are decorated with "owl tails", which makes the whole building more spectacular and full of energy.

The building of Xingqing Palace also adopts huge bucket arches, tall and straight columns, colored paintings and high platform bases, which are organically combined into a whole, showing noble, luxurious, rich and elegant architectural cultural characteristics. Huaqing Palace was a palace for emperors' entertainment in the Tang Dynasty, so it was chosen in Lishan Building on the outskirts of the capital Chang 'an.

The palace is surrounded by mountains and waters, with beautiful natural scenery. On the plane layout, many temples and pavilions are distributed in the mountains and under the mountains, hidden among flowers and trees, which highlights the beauty of natural scenery and gives people a relaxed and fresh feeling to meet the needs of the royal family to rest here.

This detached palace was mainly built for the royal family to come here to soak in hot springs. Therefore, there are many Tang Chi baths in the palace, as Lu Guimeng, a poet in the late Tang Dynasty, wrote: "There are dozens of warm baths where the soup flows, and the jade canal smells the fine waves."

In order to highlight the wild interest of the mountains and forests, these baths are exquisite and beautiful in appearance and small in scale, while the exterior decoration of the baths is extremely luxurious. From this, we can see the architectural differences between the imperial palace and the detached palace in the Tang Dynasty: the imperial palace highlights its majestic momentum and solemn style; However, leaving the palace highlights the garden scenery and the buildings are scattered, mostly small and beautiful.

But they all achieved the perfect unity of content and form, which reflected the wisdom and creativity of the working people. Today, we study the cultural characteristics of palace buildings in the Tang Dynasty, hoping that people can learn more about Xi 'an ancient city, and also provide information for Xi 'an buildings today, so as to highlight the style of the ancient city and let Xi 'an ancient city show more history and culture to the world.

The ground paved with fine white jade shines with warm light. In the distance, there seems to be a misty mist over the illusory palace. On the cornice carved by sandalwood, the phoenix spreads its wings, the wallboard carved by blue tiles, and the jade pile of floating windows. At the end of a straight road, a huge square slowly sinks with the jade steps. The vertical column on the huge altar in the middle is carved with lifelike dragon patterns, which is far from the phoenix in that palace. ..

I saw Genting ebony as a beam, crystal jade as a lamp, pearls as a curtain, and Jin Fan as a pillar base in the bedroom. Six-foot-wide broad bed of Daphne family hangs listlessly, embroidered with pearls and silver begonia flowers, like falling on the roots of Yunshan. There is a sapphire pillow on the couch, covered with soft silkworm ice baskets and jade belts stacked together. There is a huge bright moon pearl hanging on the top of the temple, shining like a bright moon. Spread white jade on the ground, inlaid with gold beads, chisel lotus flowers, and blossom into five-stem lotus flowers. The petals are fresh and delicate, even the stamens are delicate and distinguishable. When you step on it barefoot, you only feel warm, but it is carved with the moist jade of Lantian, as straight as Yu Lian and as expensive as Pan Yuer Golden Lotus. This is the first time that Yue Ling has seen such poor workers.

Then Yue Ling pushed open the coral window, out of which was a backyard full of exotic flowers and plants. It's very bright and beautiful, and I know it's a place where I can go at ordinary times. There are sixteen flower trees, tall and handsome. At this time, it was early summer, with thousands of flowers and several floors on the ground. Only * * * is as beautiful as snow. A crescent moon crosses the delicate turret, projecting a touch of dim light into the high wall, making the Forbidden City seem mysterious and quiet. Seen from a distance, the crimson palace looks like it is embedded in the snow. The palace among the trees presents a glazed tile roof, just like a golden island. The magnificent pavilions of Huaqing Palace are surrounded by the water of Huaqing Pool, and the ground is covered with duckweeds, green and bright.

Above the gate hangs a black gold nanmu plaque with the words "Elegant Sword" written on it.

The day and night are as cool as water, the red candle in the window is swaying, the drizzle outside the window is oblique, and the accumulated water drips quietly along the eaves, leaving ripples on the ground, like sighing to retain. I put out the candle, pushed open the creaking window, sat on the edge of the bed with my knees in my arms and stared at the falling rain outside the window.

6. Sentences describing ancient palaces What sentences describe ancient palaces are as follows:

1. Around the main hall, ancient trees are towering, trees are shaded, red walls and yellow tiles are resplendent.

This temple is resplendent and magnificent. Maitreya Buddha, the golden belly Buddha is laughing, and the four heavenly kings on both sides are huge and lifelike.

The golden dome and red gate of the palace, this antique style, makes people feel solemn.

What a big palace-like building, the golden glazed tiles are shining in the sun.

5. Amber wine, jasper, golden foot bottle, jade plate, picturesque food, wine like spring, guqin and bell. The hall is decorated with inverted bell-shaped flowers with white calyx and translucent luster like bone China. At the top of the petals is a circle of lavender with different shades, which seems to be dyed like nature.

6. The inner columns of these halls are supported by many red giant columns, and each column is carved with a coiled and lifelike golden dragon, which is particularly spectacular.

7. The Forbidden City, where the emperors of Ming and Qing Dynasties lived, is the largest and most complete ancient palace complex in China with a history of more than 500 years.

8. The palace among the trees presents a glazed tile roof, just like a golden island.

9. The two dragons on the cornice, golden scales and golden armor, are lifelike and seem to want to fly away.

10. The pillars of the temple are round, and the two pillars are connected by a carved dragon. The faucet extends out of the eaves, and the dragon tail goes straight into the temple, which perfectly combines practicality and decoration, adding to the imperial atmosphere of the temple.

1 1. The main hall is made of 160 nanmu, with golden glazed tiles on the roof, towering panlong golden osmanthus trees on both sides, and finely carved white marble railings and abutments, not to mention carved beams and painted buildings.

12. There is a huge bright moon hanging on the top of the treasure in the temple, shining like a bright moon.

13. The main hall is decorated with inverted bell-shaped flowers. Calyx is white, bone China is translucent, and the top of petals is a circle of lavender with different shades, which seems to be dyed like nature.

14. The magnificent pavilion of Huaqing Palace is surrounded by Huaqing Pool 62616964757A 68696416fe78988e 69d83313336396334. The ground is covered with green and clean duckweeds.

15. It is not only spacious, but also gorgeous. It's really magnificent. The four corners of the temple stand high, as beautiful as four swallows spreading their wings.