Who is the originator of Tibetan opera?

The originator of Tibetan opera is Tang Dongjiebu. The monk Dong Tang Jeb is diligent and studious. He was a famous architect in Jeb, Dong Tang in Ming Dynasty, and the founder of Tibetan opera. Tibetans have always regarded him as the "ancestor" of the opera god who created Tibetan operas and the ironwood craftsman who built bridges, and he is the embodiment of creativity, wisdom and strength in the eyes of Tibetans.

How old is Tibetan opera?

Tibetan opera has a history of 1300 years, which originated from Tibetan religious art in the 8th century. /kloc-in the 0/7th century, it was separated from the religious ceremonies in monasteries, and gradually formed a life-like performance with singing as the main part, combining basic programs such as singing, reading, dancing, table tennis and acrobatics.

The Tibetan name of Tibetan opera is "Ajram", which means "Sister Fairy". It is said that Tibetan Opera was first performed by Seven Sisters, and most of the plays were fairy tales in Buddhist scriptures, hence the name.

What do masks of different colors represent in Tibetan opera?

1, masks of different colors in Tibetan opera represent different characters, for example, white represents the purity and kindness of the characters.

2. Red stands for power, justice or anger.

3, yellow represents a yellow mask, meaning radiant and outstanding.

4, blue represents justice, courage, is a warrior.

5. Green represents virtue, wisdom, beauty and dignity.

6, and half black and half white represent two sides.

What is Tibetan opera called Tibetan culture?

Tibetan opera is called the living fossil of Tibetan culture.

Tibetan opera has a long history and meticulous performances, which play an irreplaceable role in the spiritual life of the Tibetan people. Restricted by strict religious rules, Tibetan opera is less influenced by Chinese culture in its development, and retains its original characteristics in both content and form, so it has high academic value in the field of drama genesis.

At the same time, the script of Tibetan opera is also a peak of Tibetan literature, which emphasizes both temperament and artistic conception, and uses proverbs, proverbs and idioms in a large number, even interspersed with fables in the plot, retaining the essence of Tibetan ancient literary language. Tibetan opera, like mainland opera, is facing a competitive situation with modern art and entertainment forms for audience and performance market in the changes of the times.

Lack of funds, difficulties in the survival of the troupe, lack of artistic talents, loss of traditional performance skills, weak theoretical research and other issues. The crisis faced by the development of Tibetan opera in various places urgently requires the formulation of plans to protect this ancient minority drama.