Who is the best flower girl of the Wang School of Vietnamese Opera?

The term "flower girl of the Wang School of Vietnamese Opera" refers to the flower girl school founded by Mr. Wang Wenjuan.

Mr. Wang Wenjuan's life and artistic experience, not much to repeat here, interested friends can go to wikipedia, information is very complete.

Just the ones I'm familiar with:

Shangyue: Shan Yangping, Wang Zhiping, Meng Liying, Xu Yuping

Fujian Fanghua: Li Min

Zhebai: Yu Jianhua, Qian Aiyu, Hong Ying

Hangyue: Wu Jie, Yao Jianping, Qian Shie'e, Chen Xiaohong

Who are the disciples of "Wang Pai Flower Girl"? Who is the best?

My favorites are Shan Yangping and Wang Zhiping.

Shan Yangping is a "non-hereditary inheritor" and the chief flower girl of the "Wang School" in my mind. Don't ask why, I just like her and think she has inherited the most from the Wang School.

Shan Yangping

Wang Zhiping

There is no first place in literature, and there is no second place in martial arts. Who is the best opera singer? This question itself is problematic. Because, whoever you like is the best!

What is the Wang School of Vietnamese Opera?

The Wang School is a genre of Yueju opera Danjiao founded by Wang Wenjuan. In 1948, Wang Wenjuan joined the Yulan Theater Troupe and was partnered with Xu Yulan, and since then they have been working together for half a century. 1955, she joined the Shanghai Yueju Theater with the troupe. Wang Wenjuan's singing style was influenced by Zhilanfang, Xiaobai Yumei, and Wang Xinghua in her early years, and then in the long term artistic practice, she learned from the best and integrated them to form her own style of singing, which is recognized as the "Wang School".

The Wang School of singing pays great attention to the combination of pitch and rhythm with the emotion of speech. For example, in "Chasing Fish", the section "All the way up to see the lanterns" is sung in a "male tone", while singing and dancing, depicting the joyful feelings of the couple marching in the sea of lanterns and drums in the streets and alleys, with a bright and fast tempo and jumping intonation. The "Love Song" of "Chunxiang Chuan" moves from the "loose board" and "middle board" of the [Zhengtong accent] to the "middle board" of the [Shaktong accent], with a spacious melody. ", the melody stretches, and the singing lines are often dragged, so that the feelings of mutual adoration are expressed more intensely; later from the "longevity bells" behind the [clear plate], the singing style is similar to the narration, "playing a night when dangdang ding, playing a second night dingdang dong "This is an easy and natural way to sing, and it's very interesting.

Wang Wenjuan's Artistic Charm

Wang Wenjuan's singing is simple and plain, natural and smooth, with a rich flavor. In her performance, Wang Wenjuan is known as a "character actor", and her singing voice is sincere, with a gentle and gentle delivery and a deep inner strength. Wang Wenjuan's middle and lower registers are rich and soft, and in the key phrases of the cantata, she uses her high notes to highlight the climax of the cantata, thus forming a strong color contrast. When she sings, she sings with a true voice, and her diction is elegant and colorful. She is good at clarity, does not pursue fancy, in the simplicity of the colorful, in the light of the different tunes, a variety of plate organization into a set of singing, detailed and layered to reveal the inner feelings of the characters of the subtle changes. In Dream of Red Mansions - The Burning of the Manuscripts, "A Cold Moon Illuminates the Soul of Poetry" is also a typical singing section that focuses on the characteristics of the Wang School. With the changes and twists of the characters' feelings, the melodic rise and fall and rhythmic staccato are used to give the characters a distinctive musical image. The character's mood takes a sharp turn when he stops singing the word "absolute" in the phrase "now that I have lost my soulmate", and the character's mood takes a sharp turn when he moves from the phrase "how can I save the manuscripts of my poem" to "running water in the right key", which is a typical melody of Shaoju Opera. As a result of absorbing the high-pitched and exuberant tone of Shao Opera, the distinctive rhythm of the singing voice appears to be pathos and indignation.

Wang Wenjuan's fluttering accent is very distinctive, with long sentences, euphemisms and twists, and a long and deep meaning. Meng Lijun - Touring the Upper Forest" is a famous Wang Pai piece, in which the emperor senses that Meng Lijun may be a woman and invites her to tour the Upper Forest with him to force him to do so. Meng Lijun, who was dressed as a man, was careful to maneuver with her. In order to disguise the female identity and enhance the masculinity, Wang Wenjuan absorbed some of the melodies of Wu Xiaolou, a famous veteran of Yueju Opera, and paid special attention to the chest **** sounding, powerful mouth, spitting solid, so that the timbre of the coarse, thicker tone, so that it is very consistent with the specific situation and identity of the characters. Meng Lijun singing specializes in compact size, clean and sharp [fast] performance of impassioned emotions. The national level actor, Shanghai Yueju Theater, the big Qingyi Shan Yangping is today's Yueju Opera industry with a considerable popularity of the Dan actor. 1972 into the Zhejiang Tonglu County art training class to learn the art, the work of the Dan actor, and then for the Tonglu Yueju Troupe, the main actor. 1984 July, with the Tonglu Yueju Troupe to Shanghai for the first time, starring in the "Moon on the Spring River," in November 1985, with the Hangzhou City, Yueju Opera Troupe 2 to Shanghai, starring in the "Rain on the Tong River," which are popular and well received. In November 1985, he went to Shanghai again with Hangzhou Yueju Opera Troupe No.2 and starred in Tongjiang Rain. The two dramas were later filmed as opera art movies (titled "Legend of the Embroidered Woman" and "Tongjiang Rain"), and she still starred in them. She is a member of the Wang (Wenjuan) school of acting, and was a member of the Honglou Troupe of the Shanghai Yueju Theater from 1988 to 1993, and again in 1998, where she has remained ever since." This is the famous playwright Wu Zhaofen's description of Shan Yangping. As a first-class actress of Shanghai Yueju Theatre and a Dan of the Wang School of the Honglou Troupe, Shan Yangping is loved by the audience for her delicate and touching costume, elegant temperament, and gentle and lingering singing voice.

Wang Zhiping

Wang Zhiping of Yueju Opera is a woman born on November 30, 1968 in Zhoushan, Zhejiang Province. National level actor, in 1980 into the Zhejiang Dinghai County Yueju Opera Troupe to learn, the work of flower Dan, and work Qingyi. 1981 into the Zhejiang Provincial Art School training, the initiation of the play for the "Sisters easy to marry", playing the role of Su Hua. In the same year, she played the role of Ye Xiang in "Ye Xiang Stealing the Seal", and won the Little Hundred Flowers Award for excellence in Zhoushan City Yueju Opera Festival. At the end of the year, she was transferred to Zhoushan Yueju Opera Troupe. 1983, she participated in Zhejiang Yueju Opera Festival and won the first prize for her role of Guanzhu in "Beat Guanzhu". She also played Liu Old Woman in "Long Xiang Si" and Yan Lanzhen in "Panfu Suofu". 1984, she studied the opera "Daiyu Burning Scripts", and in 1985, she was formally appointed by Wang Wenjuan as her teacher. In the same year, she played the role of Hai Nui in the mythological drama "The Pearl of the Sea", won the first prize for young actors in Zhejiang Province, and was awarded as one of the top ten young actors in the province.In 1986, she participated in the TV Grand Prix for young actors of Yueju Opera in Jiangsu, Zhejiang and Shanghai, and won the first prize for her performances in "Legend of Chunxiang", "A Dream of the Red Chamber - Burial of a Flower" and "A Dream of the Red Chamber - Burial of a Flower".

In addition to the above two whose singing inherited the characteristics of the Wang school, other disciples include Qian Aiyu, Hong Ying, Wu Jie, Yao Jianping, Chen Xiaohong and Shu Jinxia.

None of them is as good as Ms. Wang Wenjuan's

Personally, I think it counts Shuan Yangping.

Reason #1: The dress is so elegant and unadorned that it's a natural harmony between the knitted brows and the smile, and it's never pretentious. An actor is suitable to play the green coat is to look to decide, I do not know if you have found, opera stage on the famous green coat is basically a clear color of the tiger phase, such as the Huangmei Opera Malan, Yueju Opera, there is also He Ying, etc., because of the tiger's woman was born more natural, do not smile, will not show off, single Yangping is a very good one, and its patriarch, Wang Wenjuan, is also the same type.

Reason two: singing, light and not water, Li and not Hua, with the same dress, natural harmony, complement each other. Originally, Wang Pai's voice did not have that kind of excessive decorative tone, singing is more grounded. Performances are designed in accordance with the singing voice, how much the singing voice, the performance is how fancy, which is why the Zhang (Yunxia) school performance and voice are nine curves and eighteen turns of the reason. Of course, each has its own characteristics, not in the affirmation of the school at the same time to negate that school, each has its own characteristics, Yueju Opera genre can be a hundred flowers. Shan Yangping's singing voice is fresh and simple, like a spring breeze, which immediately calms people down. Although her singing is sung by Wang Pai, but some from Wang Pai, you can go to listen to her singing "a jade hairpin", a lot of new things, but these new creations do not affect her color, and not completely detached from the Wang Pai.

Reason 3: Shan Yangping's characterization is pleasing to the eye, and it's no wonder, because it's a big Qingyi, and big Qingyi is a big sadness, and is born with a gene that pleases people's sympathy. One of the first roles I saw was the main character of the movie "Tong Hua Tears", Tong Hua, who was very young at the time, and it was probably her first time in the movie, but she played a middle-aged woman, a tearful mother, in a very touching way.

Wang Zhiping, Yu Jianhua, Hong Ying.

Learning from the Wang school of learning the most like the original Hongkou Yueju Troupe, Li Hong, is Wang Wenjuan teacher two full-fledged first son of the singing is no match for Li Hong.

Hongkou's several Wangpai are very similar, the best is Xu Hong

The best combination of dress and singing is Li Min of the Fujian Yueju Opera Troupe

A famous Yueju Opera artist who should not be forgotten: Yu Jianhua, the flower girl of the Wangpai school

When it comes to Fujian, the only Yueju Opera troupe that many Yueju fans can think of is perhaps Fanghua. The Yin rhyme is so long that it reverberates here, and the stormy times of a century have made Yueju Opera take a deep root in this place. Unbeknownst to us, there was another Yueju Opera troupe in Fujian Province more than 30 years ago that nurtured two outstanding Wang School flower girls, He Jionghua and Yu Jianhua, for our Yueju Opera scene. He Jionghua and Yu Jianhua are from the Xiamen City Yueju Opera Troupe, both of them have a strong flavor of the Wang School singing voice, quite a bone, one can not help but be surprised at which the master teacher has taught two Wang School students in a row.

Among the many disciples of the Wang school, my favorite is Yu Jianhua's singing. At first, I felt that my favoritism towards her stemmed from the fact that her voice was the closest to Wang's. Several times I closed my eyes and listened to her singing. Several times when I listened to her singing "Dream of the Red Chamber", "The Emperor and the Village Girl", and selections from "The Tale of the Western Garden" with my eyes closed, some of the phrases gave me the illusion that I had heard Wang's original songs. As the saying goes: listen to the sound of the face, listen to the flavor of the opera. Later, as I listened to more and more, I realized that what I was fascinated by was not just the quality of Yu Jianhua's voice, but also the pure flavor of the Wang school in her singing voice.

Listening carefully, I can tell that there is a big difference between the sound quality of Yu Jianhua and that of Wang Lao. Her "coolness" is more from the strength of her bite, and her high degree of emulation of Wang's singing characteristics in her voice. Her Run Cavity is very Wang Lao charm, especially in the middle and lower register, which is also the main sound area of the Wang school, its small cavity processing and Wang Lao is very similar to the gentle and not slippery, well highlighted the Wang school singing in the simple see colorful genre characteristics, so her singing is simple and fresh, mellow flavor, giving a person the Wang school rhyme thick melting feeling.

The creation of new plays by actors is the best litmus test of their genre flavor. We have not seen, some actors in the singing teacher's reserved repertoire, you will feel that he (she) of the genre flavor is very full; but to their own new repertoire creation, he (she) of the genre flavor all run out, and even you have to suspect that he (she) of the genre belongs to. It can be seen that the actors who can learn the existing singing of the genre well and sing the flavor of the genre in the preserved repertoire are still not considered the best inheritors of the genre. The best genre inheritor, must not just follow the gourd to draw a dipper, but will rely on the genre of singing flavor control ability, in their own new repertoire creation to sing a pure genre flavor, so that people can listen to the genre can feel the flavor of the genre is coming and can not help but applaud for it.

Some theatergoers say that Yu's singing and acting are a bit "warm". Indeed, she may not be able to play the role of overly spirited, but look at her portrayal of the characters, many of the roles of singing and acting in fact in the mild are permeated with a force, and this force is used in the performance of the characters she has been enough, and then there will be "for the sake of the name of Bo's acting skills and amplification of the performance of the suspicion of the". In my personal opinion, Hong Sisi's part in "Return of the Soul" and Tian Guixiang's part in "Mandarin Ducks Playing in the Water", both of which tested her acting skills, were well done, with the right amount of fire and good use of her eyes. In addition, the singing voice of the Wang School of Vietnamese Opera is characterized by its simplicity, calmness, and gentleness, and Yu Jianhua's singing style, which is gentle and powerful, fits well with the artistic characteristics of the Wang School, which can be said to be the original Wang School.

Life is a chapter full of regrets, and for opera fans, the biggest regret is that they haven't seen enough of their favorite actor's stage performances, and he or she has faded from the stage. Yu Jianhua joined the Huzhou City Yueju Opera Troupe more than 10 years ago under the impact of the market economy due to the decline and disbandment of her work relationship from then on will be transferred to the Huzhou City Arts Center, she also gradually faded out of the Yueju Opera stage. But the fans still remember her, think of her, read her. The fans call her back to the stage over and over again, and she remembers it in her heart, but she also has a lot of helplessness.

Happily, we can see that she has always remembered the stage. In the "Concert Commemorating the Centennial of Yueju Opera", Yu sang the famous Wang Pai pieces "Dream of the Red Chamber" and "The Loyal Soul" respectively. The Dream of the Red Mansion" and "Advising Dai" and "Loyal Soul Song? In 2016, she sang "Pearl Pagoda" at the "Thousand Miles***Chan Juan" Wang Pai Art Special Performance. Weeping Tower". Even after years of absence from the stage, the flavor of her Wang Pai singing voice is still as mellow as ever. The audience was also very enthusiastic about her, giving her a warm applause again and again. Yes, the audience missed her.

Now, Yu Jianhua has grown older and reached the end of her life, and fans are no longer calling for her to return to the stage as strongly as before, but there is still a voice on the Internet that calls for her to go to art school to engage in the teaching of the Wang School of singing, which is a fan of her singing in the flavor of the Wang School of affirmation and praise. Yu Jianhua has always been indifferent to fame and fortune, and her person, like her accent, is gentle but not slippery.

Wang Wenjuan