Patterned steel Loulan Treasure Knife

Loulan Treasure Knife secret

Loulan Treasure Knife secret: This is the heart and soul of several generations, pure traditional Chinese sword craft culture treasure knife. Through the ancestral recipe for a long time a lot of research, the ancient treasure knife is by no means a fine edge, will be sharp, the performance of the real mystery lies in the edge of the fine serrations, without opening too fine, the bite is very large. Recorded in ancient books, the treasure knife can be sharp and incomparable, and can cut hard objects, and is not artistic exaggeration. The bite of the sword is large, the edge does not have to open too fine, and cut also can cut. If the material is right, such as the choice of wootz (Uzi), iron Ying, Mao iron, meteorite iron, and the use of 500 years of history of the ancestral secret recipe "Loulan treasure knife secret", its blowing hair, air cutting silk scarf, such as performance, and so on, is by no means an exaggeration.

Yingisha small knife Khan-Loulan treasure knife! This process is called rotary welding, 500 years of generation to generation, there is no history of generation, only in the (dream back to Loulan) family internal secret circulation, for many years secret, its process is unique. In order to promote the Chinese traditional craft culture, at the same time in order to carry forward the traditional craft of Yingjisha knife, deliberately undertake to present the family heirloom stunts, in order to show that the Chinese traditional sword craft culture is not weak!

Spin welding its process is characterized by:

(1) rigid and flexible, sharp and incomparable, due to the use of secret heat treatment, the internal role of the formation of steel crystals, the edge of its hidden tiny serrations. This process is never patterned for the sake of pattern, and the performance is extremely outstanding!

(2) knife is not too fine open edge, you can do the knife to dump dry towels, dump dry clothes. In addition, although the edge is sharp, the hardness is not low, at the same time you can cut the steel pipe does not hurt the edge, but also can dump the towel, cut hard things do not hurt the edge, only equivalent to polishing the edge, the more you cut hard things the sharper.

Good edge retention, durable, not disposable. Durable. Unlike other swords and knives, steel fire is not good, the beginning of the performance of super strong, can not withstand a long time, the edge is damaged, and then grinding will be fried edge, off the steel.

(3) at the same time can cut hard objects, such as steel pipe and other things

cut steel pipe, the edge is not hurt, can still throw the towel. Because of the metallurgical structure is good, the edge of the hidden tiny serrations, fine open edge after cutting hard objects, only phase

When polishing the edge, the more cutting hard things, the sharper! Unlike the ordinary clip steel, steel, so-called patterned steel and other processes, in order to pursue the sharpness

degree, and beautiful appearance, the edge is too thin, the hardness is too low, can only cut soft things, can not cut hard things.

The political iron sword and sword is extremely sharp, have "blowing hair through the wind" reputation, its performance is by no means empty talk! The sharpness of the steel sword, far better than ordinary steel, clad steel. Spin welding process is not a kind, many kinds, endless changes, just has all extinct generation, even if the use of high-tech means, no one can decipher its mystery. Loulan sword

Anka (ANKA): the legendary immortal bird

Arabian legend of Anka (Anka) and other immortal birds will be the same in the life of the end of the **** and get a new life, their life expectancy of about 1700 years. Enormous enough to carry an elephant, the Anka was initially thought to be a perfect creation of the gods, but in later legends became an evil creature that preyed on all life, sometimes even preying on children, and so the Jews went on a hunting spree to kill the Anka, leading to the eventual extinction of the giant bird.

The Roman poet Ovid's description of the undead: "Most monsters are derived from other creatures, with the exception of one, which can be regenerated, and which the Assyrians called the undead (Phoenix). The Phoenix does not live on flowers or fruits, but feeds on frankincense. Five hundred years after its birth, it lands on an oak branch at the top of a palm tree and builds a nest for itself, then goes out to gather spices such as cinnamon, licorice, and myrrh, which it carries into the nest and cushions underneath it, and then when it exhales its last breath, it dies silently, and out of its body flies a new Phoenix, which will also have a five hundred year lifespan. When this undead bird is old enough to be strong enough, it will raise the nest of its parents from the tree and carry it to the city of Heliopolis in Egypt, where it will be placed in the Temple of the Sun. This nest is its cradle and at the same time the grave of its parents."

As Ovid says, the account of the immortal bird originated with the Assyrians, though similar myths are found around the world, such as the Chinese phoenix, the Japanese Ho-oo, the Russian Firebird, the Egyptian Sunbird (Benu), the American Yel, and the Arabian Anka, all of which are known to have risen from the dead ( life spans varying from 500, 540, 1,000, 1,461, 1,700 and 12,994 years respectively) and have a close relationship with the sun. The earliest person to mention the immortal bird was Hesiod, a Greek poet and author of the Genealogy of the Gods in the eighth century B.C. The earliest person to describe the immortal bird in detail was the Greek historian Heroditus, who said, "I have not seen it with my own eyes, but only in paintings, and its plumage is partly of a golden yellow color, partly of a bright red color, and its shape resembles that of a giant eagle " and has a beautiful singing voice.

To the fourth century A.D., the image of the immortal bird has changed, the legend is that the life of the adult immortal bird will be in the nest ****, three days after the resurrection will rise again, Christ-like resurrection, at this time, the "immortal bird" already has "eternal life" and "death". This time, the "immortal bird" already has the symbolic meaning of "eternal life" and "resurrection from the dead". The Roman scientist Pliny wrote to the Roman Senator Manilias in a material once mentioned the regeneration of the immortal bird, he said that the bones of the dead immortal bird will give birth to a small worm, this worm will eventually grow into a new immortal bird.

It has been suggested that the undead are actually giant clean-loving birds that smoke their wings over the smoke of a fire in order to kill the parasites on their bodies, and that those who see them mistakenly believe that they are born from the fire.

The highest mystery of the Loulan Sword, also known as the legend of the immortal bird． According to legend, the Loulan sword to the highest level, the knife does not need to sharpen the edge, the more cutting the sharper. If the blade is completely damaged, it can be reborn in the fire, just like the bird of immortality. This is the highest meaning of the Loulan Sword. Legends certainly have exaggerated elements, but "the highest level of the Loulan sword" can cut silk scarves in the air is not an empty claim. The mixture of tough carbonized iron and flexible steel materials creates its flexibility and sharpness. Due to the age, this craft has been lost, and every effort is being made to restore the skill. Chinese traditional sword technology and world-class sword comparison, according to the records, the original is not inferior, but the sad thing is also in this - the light of the traditional sword is now only seen in the books. Why is the craft of Chinese sword gradually lost? Due to the recent closed-door policy of a feudal dynasty, which emphasized only the eight stocks but not the technology, coupled with the recent frequent wars for many years, so that the handmade crafts can not be developed and even suffered great damage. All Chinese inventions were carried forward in foreign countries, and finally China's national gate was blown open by foreigners' artillery. Chinese people's sword technology of its own sword technology, but gradually lost, no matter how the level of technology, often not recognized by the world, only to fall into ware hidden in the home results.

At present, due to the influence of modern industrialization development, along with the change of people's ideological values, handmade workshop production is y to the market impact of the commercial model, the pursuit of large output of the industrialized market so that the survival of the traditional craft environment is even worse - did not get any technical, financial support, a generation of The survival environment of traditional crafts is even worse - without any technical and financial support, one generation is not as good as another. The status of the craftsmen themselves is low, and they do not get the recognition and support they deserve. The Japanese sword smiths can feed and clothe themselves, and cast world-class swords, and those of us who are engaged in traditional crafts, but every day, we have to be busy with their livelihoods, can only do business in their spare time, limited energy, and unable to carry out scientific research on the process and improve.

Traditional craft sword products, low yield, long duration, high price, not recognized by the market for low yield sword products is almost a struggle; coupled with the traditional craft in the past to pay attention to the selection of the heir, before and even now there are still very few people are willing to spend a great deal of time to learn to develop the traditional craft. The inheritors are basically in the traditional craft, ware hidden in the home, waiting for its extinction of the state of broken generations, do not get any financial, material and technical support. By now, there is a lack of successors, the general decline of national skills, many crafts have been completely extinct, in urgent need of discovery and protection!

It is hoped that the community attaches great importance to the recognition of the retention of traditional culture, in order to retain the roots of the Chinese nation ah! Don't wait for these traditional crafts, all into a factory mass-produced spot, grinding wheel half handmade goods synonymous with, we only know to cherish! This is a crime against traditional Chinese culture!