Three expressive techniques of Chinese painting

The performance of Chinese painting in techniques mainly includes the following categories:

First, freehand brushwork

The highest aesthetic standard of Chinese painting, whether it is figures, landscapes, flowers and birds, does not care about the appearance of objects, but pays attention to the inner beauty of objects.

It is precisely because of this aesthetic way of Chinese painting that there is a way of expressing feelings in Chinese painting. People with excellent Chinese painting skills only need a pen and a little ink to describe the author's view of the world, his own values and the most profound and thorough understanding of painting and calligraphy art.

Second, simplicity.

Chinese painting pays more attention to painting than writing. Chinese painting advocates nine times out of ten and nine times out of ten in describing the appearance of objects, which requires the perfect combination and application of pen and ink. It is under this condition that tens of thousands of painters in the past dynasties have followed the traditional methods of expression, making Chinese painting, a painting with a distinctive China form, handed down from generation to generation in the long history of China for 5,000 years.

Third, inclusiveness.

In the overall technical performance of Chinese painting, with extremely concise generalization and jumping lines, it is combined and reset in an orderly way, so that plain and interesting elements are presented to the viewer in various forms. Let viewers know the author's mentality and the social atmosphere and political environment at that time.