Who else do you like besides the comedian of Deyun Society?

As a traditional art, crosstalk has experienced glory and ups and downs. Looking at today's comic dialogue world, apart from the talented Deyun Society, there are not many actors who can carry the banner of comic dialogue, and there are only a handful of outstanding young comic dialogue actors. Although Deyun Society is Degang Guo's strong point, are the younger generation of crosstalk performers not well-known, but are they still capable?

Lu Xin Yu Hao, a new crosstalk force, made his debut in the third season of the legendary swordsman. On that season's stage, their works such as Rock and Roll Shaanxi Opera, New Theory and Teasing, Talking about Learning and Teasing are still impressive.

Your creative style is also very novel, and you will integrate the materials of many film and television works. Your ability has always been recognized and recognized by everyone. It is said that a few seconds on stage, ten years off stage. Lu Xin Yu Hao can shine on the stage without solid basic skills.

Lu Xin began to enter the stage at the age of 65,438+00, and later became an apprentice to Zheng Hongwei. In many music programs, he also taught himself many talents, such as hip hop, pop singing, sketch performance and so on.

Yu Hao, a disciple of post-Wei Yuancheng, was fascinated by Peking Opera and crosstalk since childhood. He was admitted to the Broadcasting Department of Xi Institute of Physical Education, and still regards crosstalk as a major event in his life.

They are all their own bosses now, and they have opened their own crosstalk troupe in Xi 'an. Judging from the pictures and videos, the atmosphere at the scene is also very warm. But the two also asked Mr. Guo to write an inscription for their drama club, entitled "The New Force of Crosstalk". Now I have my own world in the music industry.

Gao Xiaopan, a hip-hop steamed stuffed bun shop, is a post-80s self-proclaimed "one of the most beautiful women in comics". She studied crosstalk with crosstalk performer Feng Baohua since childhood and later became a crosstalk performer.

20 12 years, with the cross talk work "redemption, no redemption? He won the gold medal of the best professional group in the 6th CCTV TV Crosstalk Competition. From then on, 20 15 took to the stage of CCTV Spring Festival Evening, and performed the sketch "Little Cotton Jacket" with Feng Gong, You Xianchao and Zhang.

Unlike Lu Xin Yu Hao, Gao Xiaopan pays more attention to the inheritance of cross talk. He loved crosstalk since he was a child, and even when crosstalk was calm, he insisted on not giving up. In order to be able to speak cross talk, he often shuttles to various small theaters and small theaters like a cross talk wanderer. In serious cases, he can perform in several places a year.

It wasn't until the "Hip-hop Steamed Bun Shop" caught fire that Gao Xiaopan was able to hold his ground. Because it is not easy to persist, Gao Xiaopan not only pays tribute to his crosstalk predecessors in the program, but also often invites them to perform in his own theater.

As we all know, the current crosstalk market is mixed, and even fewer people are serious about crosstalk. It is very rare for Gao Xiaopan to stick to the traditional cross talk instead of going with the flow.

Chen, Chen and Chen Dou from the hip-hop steamed stuffed bun shop are good crosstalk performers. They are very capable, their programs are novel, and most of them are hot topics at the moment, and there are few traditional cross talks. Errenzhuan is also a different style and has a lot of fun.

One of them studied with Li and the other with Kang Guisheng, a crosstalk master. These two people have participated in many competitions and programs before, but they have been neither too hot nor too cold. Until 20 18 Oriental TV's New Crosstalk, they won the recognition and love of the audience with their unique performance style and solid foundation. However, I always feel that both of them are very capable, but they are unlucky and have no particularly good opportunities. I always think they can be better.

There is a newcomer who often fights in cross talk. Compared with the above two pairs of actors, this pair of actors is slightly weak in experience and ability. But this will not hinder their bright future.

At first, I also met new people on the stage of cross talk. They are also veritable PK kings. Both competitions were eliminated, but both of them stayed because of their excellent performance and audience affinity, which was really even more difficult.

The two are experienced, and although the performance time is not long, they have a tacit understanding. From the content of cross talk, they also really talk about cross talk and are steady. Coupled with their audience affinity, the prospect is absolutely great.

Of course, everything should be optimistic. Think about the decline of cross talk in those days. Who would have thought there would be Degang Guo? There are not many young and middle-aged actors who can carry the banner of cross talk industry. Obviously, as a representative of phonology, Lao Guo's concern is unreasonable.

Similarly, even if the current phonology is illusory and prosperous, it will be inherited and carried forward with the unremitting efforts of these excellent crosstalk actors.