What are the three elements of Chinese calligraphy

The three elements of Chinese Calligraphy: the beauty of the overall form, the beauty of the structure of the dots and paintings, and the beauty of the combination of ink and color.

I. The beauty of overall form

The basic form of Chinese characters is square, but through the expansion and contraction of dots and paintings and the twisting of axes and lines, a variety of different moving forms can be formed, which can be combined to form a beautiful piece of calligraphy. The conjunctive form is mainly affected by two factors, one is the need for the expression of calligraphic interest; the other is the formal factor of calligraphic expression. As far as the latter is concerned, it is mainly reflected in three aspects: one is the influence of the calligraphic style, such as the vertical rectangular shape of the seal script; the second is the influence of the character shape, some characters are flat and some are rectangular; and the third is the influence of the chapter style. Therefore, only under the domination of the above two types of factors, positive form creation, in order to create a beautiful knot form.

Second, the beauty of the dot painting structure

There are two main ways to build the beauty of the dot painting structure, one refers to a variety of dots and paintings according to a certain combination of direct combination into a variety of beautiful monograms and radicals. The second is to combine various radicals into various character shapes in a certain way. The combinations of radicals in Chinese characters are left-right, left-center-right, top-down, top-middle-bottom, encircling, semi-encircling and so on. These principles are mainly the principle of proportion, the principle of balance, the principle of rhyme, the principle of rhythm, the principle of simplicity, and so on. Here is a special mention of the principle of proportion, in which the golden ratio is a very important ratio, very important to the beauty of the structure of the point painting.

Three, ink and color combination of beauty

The artistry of the combination of ink and color of the body, mainly refers to the order of its combination. As the art of calligraphy, its various colors can no longer be haphazard, but should be very orderly. Here are also some **** the same aesthetic principles, require the book to be observed. Such as the principle of focus, gradient principle, principle of balance, and so on.

Calligraphy of the ink color combination, mainly involves two aspects: one is the background color of the split combination. People often say "white when black", is the content of this aspect. The second is the ink color combination of the dot painting structure. From the point of view of the overall effect of the work, not only to pay attention to the flat structure of the ink color of the dots, but also to pay attention to the layering effect of the ink color of the dots, so as to enhance the depth of expression of calligraphy.

Expanded Information

The connotation of calligraphy includes the following aspects:

1. Calligraphy is the art of expressing one's feelings by using the four treasures of the literary room as tools. The specificity of the tools is an important aspect of the art of calligraphy. The use of the four treasures as tools and the full realization of the performance of the tools are an important part of the technique of calligraphy. Without the four treasures, the art of calligraphy can not be discussed.

2. The art of calligraphy uses Chinese characters as its carrier. The specificity of Chinese characters is another important aspect of the specificity of calligraphy. Chinese calligraphy cannot be separated from Chinese characters, and the shape of their dots and drawings, as well as the combinations of their radicals, are of great concern to the writers. Unlike other pinyin characters, Chinese characters are a combination of form, sound and meaning, with strong formal implications.

The so-called "Six Books" of the ancients refers to the six methods of creating and using Chinese characters, namely, pictograms, referents, huiyi, xingyin, transcription, and pseudo-borrowing, which are of great significance in analyzing the morphological structure of Chinese characters.

3. The background of the art of calligraphy is traditional Chinese culture. Calligraphy is rooted in the soil of traditional Chinese culture, and traditional culture is the background on which calligraphy survives and develops. The theories of calligraphy since the Han Dynasty that we can see today have their own systematic, complete and organized nature. Like other theories of literature and art, the theory of calligraphy includes not only the theory of the technique of calligraphy itself, but also the theory of its aesthetics, in which the light of the wisdom of the ancient Chinese literati shines through. For example, on how to express the calligraphy of "God, gas, bone, flesh, blood" and other categories of theory, on the brushwork, word, chapter and other techniques of theory, as well as the creation of the theory, product reviews, etc., are with their own system.

4. The ontology of the art of calligraphy includes brushwork, characterization, composition, chapter, ink and brushwork. Calligraphy brushwork is the core of its techniques. Calligraphy, also known as "brushwork", refers to the method of applying the brush with a sharp edge. Calligraphy, also known as "junction" and "structure", refers to the relationship between dots and drawings within the word, interspersed, echoing, avoiding and so on. Chapter method, also known as "Bubai", refers to the overall layout of a character, including the relationship between characters and lines. The ink method is the method of using ink, which refers to the handling of ink thickness, lightness, dryness, dryness and wetness.

Baidu Encyclopedia - Calligraphy (Art form of writing expression)