Traditional Culture Encyclopedia - Traditional customs - Ask for the design description of China Club.
Ask for the design description of China Club.
"Plum, Orchid, Bamboo, Chrysanthemum" and "Three Friends at the Age of Cold" are metaphors, and some ecological characteristics of plants are borrowed to praise the lofty sentiments and conduct of human beings. Bamboo has "knots", which means that people should have "integrity", and plum and pine are cold-resistant, which means that people should not be afraid of violence and difficulties.
Similarly, pomegranate symbolizes many children and grandchildren; Yuanyang symbolizes the love between husband and wife, and Song He represents health and longevity. The application of Chinese style in Chinese restaurants is natural, but without the application of China elements, it will often appear chaotic, rough and lifeless. Only a few Chinese restaurants in Shanghai have successfully used China elements. For example, Qianxiangge in Lujiazui is famous for its elegance. Its design is well-defined, patchwork and tortuous corridors divide the indoor space into several pieces. The ancient palace lanterns above are hidden in the rafters, with simple lines, but the modernity is integrated into the classicism, and the color is simple, giving people a visual coolness. The Tibetan Dragon Workshop on Dongping Road is a unique representative. Su embroidery on the wall, bamboo curtain in front of the window and hanging sheepskin jack-o-lantern all exude the ancient rhyme of deja vu, but its visual presentation is ahead of the world. However, Chinese restaurants in some hotels are usually quite satisfactory, with pure symbols and typical China elements. For example, the Chaozhou Restaurant in Jianing, at 9 o'clock in the Ruiji Hongta, has a traditional ceiling, which uses beams from China. Of course, these are all decorative and ineffective, but they give people a very authentic feeling: the oriental restaurant in Xinya Tomson Hotel and the Chinese restaurant in Xingguo Hotel are not entirely from China.
Chinese bar has always been a favorite place for designers, which can attract a large number of curious foreign consumers and is also welcomed by domestic bar people who know how to enjoy life. Ganmen Bar is one of the outstanding representatives. It is disguised in an English building. Its design concept is to weave classical elements into life from a modern perspective, so that fashion and classics can be in the same room, and new concepts and new horizons can be formed with classical China elements. The ancient meaning of Ganmen goes deep into the bone marrow: the stone archway separating ancient and modern boundaries, the frescoes of Spanish painters, the lights of veiled birdcages, powerful dragon crutches, and the clock of the Year of Homosexuality ... It's amazing to bow down to crookneck. Ganmen gives people a brand-new aesthetic experience, which is the result of seeking answers from the East. It does contain elements from different cultures, and of course, elements from China occupy a large proportion in it.
Teahouses are cafes in China, so China elements in teahouses are the most typical. Many teahouses still retain the Ming and Qing styles, with cornices and arches, red columns and blue tiles, exquisite carvings and antique. The interior of the teahouse is very personalized. For example, the owner of the old teahouse loves to collect antiques, so although the building itself is not an old house, it has been carefully built and is very close to the Ming and Qing styles. The second floor space takes advantage of the transparent landscape of the garden, pays attention to the traditional garden building techniques, and is very quiet and nostalgic. The epitaphs of various tables and chairs in the teahouse are completely different from those of several cases, including rosewood in the Ming Dynasty, old mahogany and beech in the Qing Dynasty, which are in harmony with the painting and calligraphy banners and hanging furnishings on the four walls. The overall structure is quite compact and the classical charm permeates it. Tang Yun Teahouse in hengshan road is characterized by a winding path leading to a secluded place, which is also one of the architectural features in China's traditional aesthetics. The alleys paved with gravel are elegant and elegant, the interior space of the teahouse is cleverly divided, the first floor is simple and elegant, and all kinds of tea sets and pottery crafts are displayed on antique shelves, which complement the surrounding environment. The overall design of the second floor is more exquisite and smooth, and the inner and outer rooms are cleverly separated by wooden railings and hazy bamboo curtains. Generally speaking, it has a rich tradition. Clubhouse is a new public space in recent years, but its aesthetic taste is oriented to the public, usually high-grade and exquisite. Because Chinese style itself has elegant temperament, you can see this style of architecture, decoration and furnishings in many clubs. Shanghai new world is the most obvious place. The slogan of Xintiandi is yesterday, tomorrow and today, and the real situation is indeed true. Entering a new world, the most common sight is; The alley of the grotto gate is still a blue brick tunnel, a red and blue brick wall with clear water, a heavy black painted gate, and a scroll-shaped mountain flower lintel carved with Baroque style, which seems to go back in time and return to that year. But when you step into the cave, it is another world. The original partition wall has been completely opened, showing a spacious space, modern central air conditioning, European fireplace, sofa adjacent to the traditional square table and plush chair in China, bars, cafes, teahouses and Chinese restaurants set each other off, and modern oil paintings and stereo old record player on the wall whisper the cultural taste of the owner. In Xintiandi, Chinese style and western modern design are very harmonious, and the combination of old and new is also very smooth.
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