Traditional Culture Encyclopedia - Traditional customs - Landscape painting techniques
Landscape painting techniques
(1) landscape painting sketching techniques - partial modeling method: suitable for beginners, copying is not to the degree of proficiency, the real landscape sketching and not much contact, it is necessary to compare the two, speculate on copying and modeling, this time do not be greedy for the whole.
(2) landscape painting sketching techniques - detailed record method: a more complete "real" record of the picture, suitable for the initial skilled scholars, at this time that is to emphasize the feeling of the real, rather than the surface of the object of the "real".
(3) Landscape painting sketching techniques - remember the different method: only special things to write, suitable for less time or special feelings.
(4) The method of remembering the meaning (simple method) is to record only a simple impression, not to make a detailed portrayal.
(5) Landscape painting sketching techniques - zoom method: select a feeling of local, zoom in and make a more detailed performance, often can have unexpected gains.
(6) Landscape painting sketching techniques - reflection method: for the overall feelings of the scene, more concise painting the general impression, do not seek similarity, but seek to achieve the "meaning".
(7) Landscape painting sketching techniques - image overlapping method: not more than one mountain and one water shorthand, but focus on the whole mountain and water or even thousands of superimposed impression of the mountain and water, this is the so-called "walk ten thousand miles, read ten thousand volumes of books," the hills and valleys in the chest, the wonderful creation of nature.
(8) landscape painting sketching techniques - repeat the method of taste: this method is to stay in this mountain and this water, linger, repeatedly look at the taste, so that the image of the landscape is completely familiar with the chest, so that the line sitting, sleeping and eating, always forget. Shi Tao's love of Huangshan, Mr. Pan Tianshou's painting Yandang, Mr. Huang Binhong's love to see the night mountain, that is, to get this method of the Samadhi.
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