Traditional Culture Encyclopedia - Traditional customs - Facial makeup in English
Facial makeup in English
Facial makeup English introduction:
Facial makeup is a traditional Chinese opera performer's face painting, used for stage performance of cosmetic plastic arts. Facial makeup varies from profession to profession.
Facial makeup is a traditional Chinese opera performer's face painting, used for stage performance of cosmetic plastic arts. Facial makeup varies from profession to profession.
"Sheng" and "Dan" facial makeup is simple, slightly grease powder, called "handsome dress", "plain face" and "clean face".
The "clean line" and "scandal" facial paintings are more complex, especially the "clean line", are re-painted, complex patterns, so called " face". face".
The "clean line" and "scandal" facial paintings are more complex, especially the "clean line", are re-painted, complex patterns, so called " face". ", "plain face", "clean face". The "net line" and "ugly line" facial painting is more complex, especially the net, are heavily applied oil paint, complex patterns, so called "flower face".
Facial makeup in opera mainly refers to clean face painting. Ugly, because it plays a theatrical role, rubs a small piece of white powder on the bridge of the nose, commonly known as "flower face". bridge of the nose, commonly known as Xiaohua Face.
Facial makeup in opera mainly refers to clean face painting. The "clown", who plays a theater role, puts a small piece of white powder on the bridge of the nose, commonly known as Xiaohua Face.
Expanded Information
1. Characteristics of face painting
(1) The contradictory unity of beauty and ugliness.
(2) The close relationship with the character of the role.
(3) The pattern is programmed. The art of Chinese Peking Opera face painting is a very favorite art category among the majority of opera enthusiasts, which is popular both at home and abroad, and has been recognized as one of the logos of traditional Chinese culture.
2. The origin of face painting
The development of face painting is inseparable from the development of Chinese opera. It originated from the historical "generation face". According to the Old Book of Tang, around the period of the North and South Dynasties, there was the emergence of "Dai Mian", that is, "Masked Song and Dance", which should be the ancestor of face painting.
Guizhou "Nuo opera" mask is the living fossil of the face. With the development of opera, wearing masks is not conducive to the performance of actors and actresses face, artists directly with pigment in the face of painting, makeup, and gradually formed face.
Baidu Encyclopedia - face painting
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