Traditional Culture Encyclopedia - Traditional customs - Fuchun depicts the mood and feelings of the painter Huang.
Fuchun depicts the mood and feelings of the painter Huang.
Fuchun Shan Jutu is a painting and calligraphy in Yuan Dynasty, painted by Huang Wei Zheng Xian (a useless teacher). It is the representative work of Huang, representing the highest achievement of his life painting, and is called one of the "Top Ten Famous Paintings in China". The longer part is called Useless Teacher Volume, which is now in the National Palace Museum in Taipei. The previous paragraph is called "The Yushan Map", which is now in the Zhejiang Provincial Museum.
At the end of the Ming Dynasty, it was handed over to the collector Wu Hongyu, who loved the painting so much that he even ordered it to be burned and buried before his death, and was rescued from the fire by Wu Hongyu's nephew, but by this time the painting had been burned into two parts. Later painters spoke highly of this painting.
Fuchun Shan Jutu's creative mood is not a simple artistic process or aesthetic process, nor is it a one-sided emotional reflection of political and social background. Instead, religious exploration is integrated into the process of individual experience accumulation, deepening and transformation, thus creating a unique creative style with religious feelings-inner landscape.
Extended data:
Fuchun Shan Jutu had a far-reaching influence on later generations, especially on the tradition of Zhejiang painters. On the basis of adhering to the tradition of Zhejiang School, Zhejiang painters actively adjust and update their own views on art, aesthetics and life, and draw a new look of Zhejiang School's pen and ink by absorbing the nutrition of painting art represented by Fuchun Shan Jutu.
They brought Fuchun Shan Jutu and other Chinese paintings' unique pen and ink and Xuan paper effects to the extreme. "Pen and ink are to Chinese painting, which is equal to the soul to the body. Huang, Lu and other Zhejiang masters are still variants of Fuchun landscape painting. " There is a vigorous artistic layout in magnificence and a solid artistic layout in emptiness, which is the original meaning of Zhejiang landscape.
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