Sichuan Qingyin is also known as what

Sichuan Qingyin was once known as "Singing Xiaoqu", and was also known as "Singing Yueqin" because it was accompanied by Yueqin or Pipa, "Pipa". It was formed in the late Ming and early Qing dynasties, and has been passed down in the Han area of Sichuan Province for a long time, with a history of more than 300 years so far. Sichuan Qingyin is performed by an actor who sings with a sandalwood board, accompanied by a zither player or a small orchestra, and sometimes also as an accompanist. In addition to the single tune body singing, Sichuan Qingyin also has "moon tune", "back work", "horse head tune" and other joint tune body singing. Formation of plate changes in the body of the "Han tune" and "anti-Xi Pi", which has many out-of-province folk songs, such as "Wuxi Jing", "Macheng Song "Wuxi Jing", "Macheng Song", "Wuchang Tune", "Border Tune", "Fengyang Tune", "Shaan Wugian ", "Tanya Tune", "Sizhou Tune", "Northeast Wind", etc. It also absorbed Sichuan folk songs such as "Counting Toads", "Green Leaves", "Ten Fans", etc. It also added the singing styles of Sichuan Opera. It also absorbs Sichuan folk songs such as "Counting Toads", "Green Leaves", "Ten Fans", etc. It also adds Sichuan Opera's "Anti-Xi Pi", "Seven and a Half Words", etc., as well as the Sichuan yangqin's own "Moon Tune", "Tablet "Moon Tune", "Flat Plate", "Half Moon", "Pallet", etc., *** counting more than two hundred tunes. The reserved repertoire of Sichuan Qingyin reaches more than a hundred kinds, among which there are traditional works such as "Nuns Going Down the Mountain", "Zhaojun Going Out of the Frontiers", "Guanwang Temple", "Broken Bridge", "Sifan", "Sorrowful Autumn", and "Capturing the Three Langs Alive", etc., and there are also "Tenant Bitterness", "Double Visiting Sisters", "Little Husbands", etc., which are generated under the influence of the new culture after the May Fourth Incident.