The symbolism of the white moonlight and vermilion sand mole

White Moonlight and Vermilion Mole, from Eileen Chang's Red Rose and White Rose: "Perhaps every man has had two such women, at least two. Married red roses, over time, the red became a touch of mosquito blood on the wall, white or "bed before the moonlight"; married white roses, white is a grain of rice on the clothes sticky, red is the mouth of the heart of a vermilion sand mole.

Red Rose and White Rose by Eileen Chang uses delicate strokes to depict the hidden psychology and emotions of ordinary people, and reveals the tragedy of women's lives in the patriarchal society under the fusion of tradition and modernity, which is difficult to get rid of.