With the return of Great Sage and the fire of prodigy, is there any hope for China traditional culture to go abroad with these two IPS?

In fact, for most people, they still attach great importance to traditional culture. Just like the return of the Great Sage and the prodigy, the box office proves people's demand and recognition of traditional culture, which is enough to prove the domestic people's cognition and necessity of the development of traditional culture. In fact, the arrival of a prodigy and the return of the Great Sage are the concentrated expression of the traditional cultural characteristics of China, which is also more conducive to the development of traditional culture in China.

With the release of prodigy and the return of Great Sage, China's traditional culture may be accepted by more people in China. Of course, not only that, but also as a way for ships to go abroad and let more foreigners know about China culture. This is also a kind of inheritance of China's traditional culture, and it is also very helpful for the development and growth of its own culture. In fact, for the development of culture, it is more important to have the broad support of the domestic people, if you don't support it yourself.

I believe that for the Great Sage and the child prodigy, the original intention of the producer is to protect and inherit the traditional culture, hoping to be accepted by more people in Shu Ren. In this way, even the contribution to national culture is an effective way to help China traditional culture go abroad.

If there is no corresponding media, then the spread of culture is naturally very difficult. Therefore, the development of China's cultural tradition is still thanks to the film themes such as the arrival of a prodigy and the return of the Great Sage.