When did China Opera first originate? When was a relatively complete art form of traditional Chinese opera formed? What art forms are integrated?

China's classical opera theory has gone through a long historical period from germination to formation, development and end. Look at it,

The development history of China's classical opera theory can be roughly divided into eight periods:

Germination period-from pre-Qin to Tang Dynasty

Germination period-song and Jin dynasties

Maturity-Yuan Dynasty to Early Ming Dynasty

Development period-Ming Jialong years

Prosperity-Wanli Period of Ming Dynasty

Integration period-early Qing dynasty

Turning Point-Mid-Qing Dynasty

Late-modern

The embryonic stage-the development of drama theory from pre-Qin to Tang Dynasty is in line with the development process of drama art itself. First of all,

The Qin Dynasty to the Tang Dynasty was the embryonic period of China's ancient operas. During this period, various artistic factors that constitute China's traditional drama developed in their own ways.

At the same time, they merged with each other and gradually developed into a comprehensive opera art. Similarly, during this period, art critics

The record and comment on various artistic factors of traditional Chinese opera is the bud of China's classical Chinese opera theory, and it is also the form of later Chinese opera theory.

Have a certain influence.

The embryonic period-Song Jin Song Jin period, after the development and integration of various performing arts, ancient China was formed.

The rudiments of China's traditional operas are Song Zaju and Jin Zaju. With the emergence of zaju and primitive, a new art form-art criticism appeared.

Scholars have also discussed and discussed their origins, formal reasons, artistic characteristics and development.

It constitutes the embryonic form of classical theory.

Maturity-Yuan Dynasty to early Ming Dynasty is the first golden age after the formal formation of China ancient opera, whether it is

A large number of outstanding opera writers and works have emerged in both southern and northern operas. At the same time, in folk and opera performances.

The activity is very active. The formal formation and prosperity of China opera also promoted the establishment of China's theory of opera.

Development period-After the silence in the early Ming Dynasty during the reign of Jialong in the Ming Dynasty, ancient operas developed into Jiajing and Qin Long periods in the Ming Dynasty.

It tends to be active again, which also makes the mature drama theory in Yuan Dynasty have new development, not only the number of drama works increases.

A lot, and the theoretical components are greatly enhanced.

Prosperity period-Wanli period of Ming Dynasty is another period in the history of China ancient opera after the prosperity of Yuan Zaju.

The golden age. The prosperity of opera creation and performance also promotes the development and prosperity of opera theory. In this period

In the past few years, a large number of opera works have appeared, and music theorists are active in their thoughts, and some problems in opera creation have also started.

Discuss it. At the same time, the research scope of Qu theorists has been greatly expanded compared with the predecessors. Drama theory appeared in this period.

On Qulv, the first systematic and complete monograph in history.

Integration period-after the maturity, development, prosperity and in-depth development of classical opera theory in the early Qing Dynasty, it reached the early Qing Dynasty.

I have accumulated rich theories and materials for many years. In the early Qing Dynasty, theorists comprehensively summarized and perfected the previous theories, such as Ben.

The comments on Li Yu's Suiyuan and Jin Shengtan's The West Chamber were formed in a period and have systematic and profound characteristics.

Sign.

The turning point & the middle of Qing Dynasty, accompanied by two changes in the whole music scene, namely, from script creation to

The center has shifted to stage performance, from the center of Yabu to the center of Flower Department, and drama theory has also appeared.

A major turning point. First of all, stage performance became the focus of drama theorists in this period, and a large number of drama works appeared.

A paper on musical performance. Second, there are many works about flowers.

The late period-modern times is an era in which old and new cultures alternate. Similarly, in the drama theory of this period, it is also

To embody this feature, on the one hand, it is a summary of traditional drama theory, on the other hand, it is the creation and establishment of new drama theory.

On research methods.