First seven grade under oral communication, opera stage

Nowadays, when foreign guests come to our big China, the first thing they do is to name the Peking Opera, which is very praiseworthy. After visiting a part of "Big China", they always have to take a look at Yu Opera, Kun Opera, Yue Opera, etc., as well as a variety of folk dramas. The reason is that they portray the traces of history on the river, allowing people to know more about Chinese history, Chinese style and Chinese culture.

It represents the long history and unique flavor of China. Hundreds of years of vicissitudes of life in the above formed a brand, a hundred years of change make it add a color. People find bright mirrors in it, find the systems of ancient societies in it, enjoy the culture and wisdom, and immerse themselves in another world.

They have condensed how much hard sweat of our ancient people. They are the crystallization of the wisdom of the ancient people. Therefore, we should prove to the people of the world: China is a civilized country, the hard work of the ancient people of China under to you that the Chinese culture can not be ignored! We should all know: there is a country in the world called China, where there have been many hard-working ancient Chinese, they use their most sincere heart and heroes of the great or sad stories into a great and wonderful Chinese Opera - Chinese traditional theater!

The demise of a nation begins with its culture, and if we abandon our roots, what is the difference between a skeleton and a skeleton

Pure culture cannot be mixed with any impurities. If the theater disappears one day, it can only be said to be the failure of society! We can't measure culture by the laws of the market!

Don't lose the fundamentals, don't lose the tradition. Traditional theater is a national art, is the blood of the forefathers, but also counts as a root of the national culture. No nation should have their own roots, tree tree in the root, the development of the nation is also in the root, no root of the nation is not the development of the long term, this is what we are proud of, we have roots. Time is developing, but the tree is growing also can not go to the root, they are not contradictory, so do not need to develop emerging and remove the tradition.

It represents our country's long history, unique flavor. Hundred years of vicissitudes in the above formed a brand, a hundred years of change make it add a color. People find bright mirrors in it, find the system of ancient society in it, enjoy the culture and wisdom, and immerse themselves in another world.

Traditional Chinese opera to stay ！！！！

Qinghai local opera music to sit and sing song art "flat string" music as the main tone, in the formation of the Qinghai local opera style music, widely absorbed the Qinghai-Huangshui Huangshi folk tunes, songs, social fires, rice-planting songs, and other music, and borrowed from other domestic theater before they can be constantly enriched and perfected.

With the in-depth introduction of different plays of different sizes, the music of Qinghai Pingxian Opera lacked expressiveness and infectiousness in the performance of the play, and was unable to meet the actual needs of the play and scene. In the face of this problem, the composer absorbed a lot of the successful experience of Qinghai Huangshi folk tunes, lampshade play, shadow play, Meidu, Xianxiao, Daoxiang and other musicians and other types of theater mainly in the form of plate cavity, and combined with the unique material of Qinghai local music, stage practice and exploration, creation and development of the music of flat-stringed music of the guide plate (size) stacks of boards, scattered boards and other boards, and has its own unique board head and line strings, forming a unique musical art style, the music of the Pingxin opera. It has also developed its own unique style of music and art. From the 1960s, the Pingxin opera "Civet Cat for Prince", "Broken Bridge", "Wang Zhaojun", to the mid-1970s, the local model theater famous singing, and then to the 80s, "Moon on the Spring River", "Fake Son-in-Law Rides the Dragon", "Six Catties of the Governor", "Sisters and Queens", "Sister Faye", "The Imperial Relatives", "Gaddan and Monk", "Inside and Outside of the Big Walls", "Son-in-law who demands life", "Auntie Qiu Chopping Down the Tree", "Yellow Water Dust Record" and other plays, especially in 1989, the opera has become one of the most famous plays in China. In particular, the flat-stringed opera performed by the training course of Shanxi Art School in 1989 and the plays produced in the 1990s, such as "Mid-Autumn Moon" and "Coquettish County Officials," have made distinctive breakthroughs in the form of opera music and have a strong sense of the times.

It can be said that this period of flat-string opera music in the experience of several generations of music workers hard work, has completed the initial exploration and practice, the consolidation of the middle of the historic turn, and gradually tend to improve and mature, has been the national opera circles as well as the majority of the audience's affirmation.

With the deepening of reform and opening up and the gradual formation of the market economy, Qinghai Pingxian Opera is also facing the challenges and opportunities of the severe tide of cultural and artistic reform. In the face of reality, how to make the Qinghai Pingxian opera this new type of theater to get rid of the difficulties, cater to the market, out of a market economy needs, with a unique development of their own theater road, is an important issue in front of the industry. Over the years of creative performance practice has proved that the immaturity of the play, singing, reading, doing, playing and musicians singing can not be standardized, has seriously hampered the development of Qinghai local theater.

In view of the problems of the local opera itself and the new situation of the development of ideas, as well as the stage-by-stage results achieved by the music creators, the author believes that the local opera music in Qinghai should be the first to start from the title and positioning. What kind of title can truly represent the name of Qinghai local opera? What kind of opera music can represent the majority of Huanghe region and even the audience of the agricultural and pastoral areas. I think that Qinghai local theater can be named "Qinghai Huangshi Huangshi opera" or "Qinghai drama", the main tone of its music should be the Qinghai "Yue strings", also known as the Qinghai Meidu tone. Practice has proved that, Meidu tune high and exciting, like running clouds and water, melodious, easy to understand, in Qinghai and even the northwest region in the field of opera in the field of high visibility, the performance market base is also relatively good. With the title and the main tone of the music, there is a direction; with the main direction of the music, there is a new idea of creation. Qinghai local opera music should inherit and carry forward the research and creative experience of the older generation of musicians in music and singing, and on the basis of "Qinghai Meidu Tunes", inject a large number of new musical expression methods; add new artistic performance mechanisms in local opera music, in order to cater to the needs of the literary and artistic system under the conditions of the market economy, and to meet the cultural and spiritual needs of the modern audience. The first is to add new artistic performance mechanisms to the music of local operas in order to meet the needs of the cultural and artistic system under the conditions of market economy and to satisfy the cultural and spiritual needs of modern audiences.

First of all, the thing can't be lost, the thing is gone, we can't talk about getting out of the trouble. Then is the heritage of the actors and cultural quality, practitioners of life is not wide or cultural quality is not high, the audience will not recognize. After that, the performance must be civilianization, not as a "museum art" for up, must let the traditional things into the new connotation, let the ancient art and the current life has a new crossroads, can be collided with the audience's point of view of the spark, to find a kind of integration with the perspective of modern life. Finally, the relevant policy support, this depends on how the government guidance and support.

The vitality of anything is in innovation, the vitality of opera is in creation, and Beijing opera is no exception. The most important thing in Peking Opera is of course the creation of scripts, especially the plot, characters, lyrics and singing. The market is very inclusive. As long as one perseveres and works hard, one will not be eliminated by the market. Take the comedy as an example, in the case of the popularization of television, after efforts, re-entered the garden, teahouse, etc., re-entered the people's side, re-acquired another renaissance.

The fourth one really can't be thought of