Traditional Culture Encyclopedia - Traditional stories - What aspects should graduation thesis (research on the development characteristics of contemporary meticulous painting) start from? Pray for the great gods.

What aspects should graduation thesis (research on the development characteristics of contemporary meticulous painting) start from? Pray for the great gods.

Abstract: Paying attention to the technique of meticulous painting has become one of the important characteristics of modern meticulous painting creation. The experiment of meticulous painting modeling, line use and color use has greatly enriched the space of artistic creation, and made China meticulous painting have a modern form beyond the ancient tradition. [Keywords:] How to re-recognize and re-understand the performance skills of meticulous painting teaching is an urgent conceptual problem to be solved in the development of contemporary meticulous painting, and it is also of great guiding significance to meticulous painting teaching. As a teacher, we should adapt to the needs of social development, so that students can not only learn professional theories and skills, but also have high artistic accomplishment and become excellent talents with strong adaptability and synchronization with society. Paying attention to the technique of meticulous painting has become one of the important characteristics of modern meticulous painting creation. The experiment of meticulous painting modeling, line use and color use has greatly enriched the space of artistic creation, and made China meticulous painting have a modern form beyond the ancient tradition. First, strengthen your modeling ability. The requirements of meticulous figure painting for modeling ability are basically the same as those of other kinds of figures. The modeling ability of figure painting should include two aspects, one is the ability to sketch objects. The second is subjective modeling ability. The former should be the basis of the latter. The two are unified and cannot be neglected. The above two abilities can reach a certain level through basic training in class. In addition, students should observe all aspects of people's lives and all kinds of images in life, and remember them, study the characteristics of all kinds of images and the laws of body movement, and develop the habit of sketching. Only in this way can we solve the modeling problem of characters in an all-round way. Nowadays, meticulous figure painting is aimed at real people and life. The influence of western art fundamentally changed the shape of figure painting. Face-to-face direct sketch has become the most basic training method of figure painting, which provides great possibilities for learning and expressing people. If we add the traditional starting point of freehand brushwork, I think this is one of the future development directions of figure painting. It is very important to cultivate and train one's sense of modeling in meticulous figure painting. It is necessary to write about consciousness, mind and feelings, and let the form of modeling express emotions and strive for the best. Modeling and composition in meticulous figure painting are the basis of painting ontology. If you want to draw meticulous figure painting, you must cultivate your own modeling concept, modeling consciousness and modeling ability. Of course, this is a long and arduous process, and the key is to cultivate the skills outside the painting. Second, using modern tools to express the beauty of lines as a means of artistic expression, the application of line language is earlier than the use of body language and color language. According to their own understanding of the objective world and real life, the ancient artists in China highly refined and abstracted the "line" that does not exist in the real world as the best tool to express the object, and formed a unique line-based plastic arts technique. Therefore, when creating meticulous figure painting, teachers should first guide students to combine the formal beauty of lines and modeling, so as to fully reflect the aesthetic feeling of meticulous figure painting. 1. Fine brushwork figure painting To solve the problem of shaping physical beauty with lines, we must first solve the problem of shaping physical beauty with lines. The line modeling in meticulous figure painting is called "line drawing", and line drawing is line drawing. Line is one of the characteristics of Chinese painting and meticulous painting. However, the lines of meticulous painting are different from those of Italian painting, and meticulous painting uses thin and even lines. Italian painting uses lines with different thickness and variety. There is a clear difference between the two. Therefore, how to use line modeling in meticulous figure painting teaching. That is, how to teach sketch is one of the key problems. In many students' sketch homework, the fundamental problem is that they can't really understand the organizational structure of modeling lines. Only by not shaping a single line, the organic organization of lines can form a beautiful picture, but this is by no means easy. Although some students are good at sketching, if they are asked to sketch characters or create with lines, they often have no way to start, which shows that they have not really understood the meaning of lines. 2. The application of modern tools in traditional craft teaching. Modern teaching has gradually changed some traditional techniques: for example, drawing lines in meticulous painting, and the use of tools is not limited to drawing lines with a brush. The independence of lines in modern meticulous painting is weakening, especially in heavy color painting and thick painting. Lines only exist in the picture as consciousness. Therefore, the slight change of line thickness is of little significance, so sometimes pen and ink lines are used. Because it is rigid, symmetrical and powerful, it changes naturally, and there is no thickness change at the turning point, so the purification result of the lines enhances the decorative interest of the lines. Sometimes the ink can be diluted into several shades and then poured into straight pens with different thicknesses, and the straight pens can be divided into dozens of specifications with different shades for line making to meet the needs of large scenes with complex pictures and multi-level changes. In the line design of the picture, it can be thick before and thin after, heavy before and light after, and thick before and light after. Using this method, it is easier to arrange the thickness of the lines in the whole picture with a pen, and it is easier to control the layout of the lines. In addition, this kind of pen is very effective in drawing "iron line painting" and "nail head and mouse tail painting" and has certain aesthetic interest. The traditional line drawing method is outline plus pen drawing. In modern teaching, line drawing requires an accurate grasp of the organizational structure of an object, its possible turning point, tendency, strength change in a certain perspective situation, and the ups and downs and vanishing points of the contours of various structures, so that lines can accurately describe the length and width of an object. Third, the use of modern people's color feelings to use color In addition to the above-mentioned line modeling, the use of color in meticulous painting is also very important. Compared with ink painting, the use of color in meticulous painting is sometimes the key to the success or failure of the picture. A line is poorly organized, but a well-colored meticulous painting can often make up for the effect of the picture. If the color is not used well, there is no good sense of color and harmony, it is impossible to complete a good meticulous painting. Any painting material has its own characteristics and limitations. It can be said that restriction produces characteristics, and it can also be said that to have characteristics, it will be restricted. The color of Chinese painting is pure, calm and elegant. Although not as rich as western painting, it has its own charm and characteristics. Mo Yun is full of ink. The ink of Chinese painting is not pure black, and the diluted ink is not pure gray. The relationship between ink and color has a cultural feature and philosophical thought. In the 2 1 century, the development of Chinese painting is facing many new challenges. The schema of Chinese painting can no longer meet people's growing aesthetic requirements. Chinese painting needs to innovate and expand in many aspects, such as aesthetic paradigm, form composition, ink color expression, etc., in order to realize the complementarity of Chinese painting ink color, promote the transformation of Chinese painting color to modernity, and create the brilliance of Chinese painting color in the period, which can be reflected in the following aspects: First, explore and carry forward traditional cultural resources. The innovation of Chinese painting is a new aesthetic paradigm and the establishment of aesthetic concepts. At the same time, it involves the rediscovery, recognition and promotion of traditional cultural resources. In the history of art, the application of color has a unique style and a specific cultural orientation, which can be absorbed and integrated into the innovation of modern Chinese painting. Under the fusion of modern aesthetic concepts, the traditional form of Chinese painting will be upgraded to modern form. Secondly, the introduction of various western color materials and the integration and innovation of western color experience. Drawing lessons from western painting pigments, such as watercolor, gouache and even oil pastels, we can boldly integrate into the innovation of China's meticulous painting. As long as we don't lose the overall writing style of China's meticulous painting and the spiritual connotation of China's meticulous painting, we can boldly explore, enhance the expressive force of color and gradually establish a new concept of color. Color boldly absorbs the scientific preparation of western artistic colors, objectively understands the inherent color, light source color, environmental color and their relationship of objects, grasps the brightness and purity of colors and the contrast between cold and warm, makes scientific analysis and research, and reasonably integrates into the innovation of China meticulous painting. Because there are not many levels of traditional Chinese colors, the production method of meticulous painting can't make this limited color change too much. But it is precisely because of the coloring method and basic spirit of this material that it has a unique aesthetic effect. Therefore, modern people's understanding and ability to color have improved, and meticulous brushwork must constantly pursue the richness of materials and new breakthroughs in color application. In a word, the development of technical factors in meticulous painting has greatly enriched and promoted the artistic expression of modern meticulous painting; Not only flashed on the surface organization of the picture, but also penetrated into the image of modeling and the new concept of meticulous painting; It not only shows the artist's artistic personality, but also assists the lyricism of the object; At the same time, it also gives China meticulous painting a broad space for development and gives birth to vigorous vitality.