Traditional Culture Encyclopedia - Traditional festivals - Finding The Milu King: The Magic Reel

Finding The Milu King: The Magic Reel

Chinese Name

Milu King

English Name

Finding The Milu King:The Magic Reel

Dialogue Language

Mandarin Chinese

Alias

Milu Legend/Milu King's Treasure

Country

Continental China

Movie Type

Animation

Time of Release

Time of Release

The movie is released in China. Mainland China

Film Genre

Animation

Release Date

September 29, 2009

Film Company

CTV Interactive

Director

Guo Weijiao

Screenwriter

Zhang Zhiyi, Wang Shengwei

Supporting Voiceover

Director

Li Yang, Ge You

Dubbed by. p>Li Yang, Ge You

Produced by

Beijing Zhongshi Interactive Science and Technology Development Co.

Distribution

China Film Group Corporation Film Distribution and Screening Branch

Beijing Aichi Xingyue Film Culture Development Co.

[Edit Paragraph]Synopsis

Elk, humans, and monsters **** live in a vibrant world, but the struggle between these three has continued since ancient times, and the search for the mysterious "Elk King" is the main focus. The story centers on the search for the mysterious "Elk King," and unfolds a fantastic and thrilling adventure.

Princess Yau, the elk princess, is transformed into a beautiful maiden by eating fairy grass and possessing the "lost leg" technique. In the process of searching for the king of the elk, she meets a handsome, kind-hearted human prince. However, in order to find the Elk King, humans and monsters have launched a cruel and unceasing attack on the natural world, killing many small animals and destroying the balance of nature.

The brave Princess Yau and the kind-hearted human prince do not hesitate to fight against the evil forces in order to preserve the world and nature. With bloodshed and sacrifice, accompanied by uncompromising love, Princess Yau and the human prince finally defeated the enemies who destroyed nature and searched for the king of the moose. It was a place filled with love, and Princess Yau transformed back into a moose in order to save the prince who was about to die in battle. After defeating the devil, the human prince also turned into a moose, and Princess Yau and the lovely moose **** together to the vast forest ......

[Edit Paragraph]Character Introduction

Princess Yau

Cute, that is, cute and clever means, is the Q that people usually love to say. The Elk King" in the elk little princess yao yao gathered the essence of the Cute characters. First of all is the looks, cherry mouth and big eyes, smiling willow brow, plus a silver short hair, can be called the features of the Oriental people and Barbie's perfect fusion of exquisite. In terms of personality, Princess You You has brought the beauty of classical girl's shyness and modern girl's lovely eloquence. When she meets Prince Chan, the shyness of bowing her head, the coyness of asking questions and not answering them, the naivety and naturalness of trying new things, and the bravery and sense of responsibility in the face of the disaster of the Elk family ...... The traditional shyness and the naivety and bravery required by modern aesthetics are all cohesively integrated into the body of this little girl. In fact, in China's ACG (Anime and Comic Game) industry, the animation image is mostly in favor of animal anthropomorphism. And in the few character-based ACG works, female characters generally "love to go" the traditional style, that is, all dressed up in ancient costumes, such as the "Immortal Sword" in the beauty of the sister. But in the same empty ancient time and space background, You You jumped out of the ancient costume modeling, more only to a simple white one piece dress appearance, pure and natural, without modification, can not help but let a person from the bottom of the heart exclaimed "Cute! "

Prince's long dress appearance is pure and natural.

Prince Chan

Modern idol dramas and even anime will be the prince as a teenage girl must kill, no matter what cheesy plot once this killer will be able to pass the world. Prince Chan in "Elk King" is obviously both a prince and a knight, in addition to his handsome appearance, he also has the chivalrous style of helping the world. He is an ancient donkey, and his greatest hobby is traveling and fighting. He was like a backpacker putting the world at his feet. In martial arts novels, Prince Chan is a chivalrous man, dashing and uninhibited but full of tenderness. When he meets the tender Princess Elk, he immediately feels compassion for her and does not hesitate to fight against the evil forces to save the lives of the people. However, despite being inspired by the ancient Chinese "Classic of the Mountains and Seas", Prince Can has the qualities of a modern anime character. He is handsome, cool, and tender, capturing the hearts of young girls in an unseen way. Of course, the prince also has a very important trait: kindness. The Chinese believe that a good heart is a beautiful face, so in fairy tales, the prince is always kind and falls in love with a kind princess. In the end, when Prince Can willingly gave up his human identity for his beloved Princess Moose and turned into a moose, I believe that thousands of girls under the big screen will certainly be a hundred steel into a tenderness, a thousand tenderness are into the eyes of the spring water, as when the "Titanic" in the Prince Jack and Rose Princess of the final goodbye.

Elder Elk

Counting the various ways of animation, in addition to the role of setting up, in addition to the two factions, the good Prince and Princess, a hidden in the depths of the story, but always involved in the development of the film characters, by the "Elder" role deservedly. The Elders have become a synonym for "wise, holy, invisible, supreme kingdoms, and national treasures" in many anime. All of the disasters in their place, always with the "soft to conquer the hard" way to calmly resolve.

From the appearance, the Elder often have more than normal looks, eyebrows, beard are very long, but very inconspicuous, old with a heavy sense of vicissitudes, with people can not see the edge of the deep. He always appeared at the tip of the conflict, either foreseeing the future and passing away like a god, or making the responsible war entanglements resolved in the simplest way possible. Throughout he has always been the spiritual leader. For example, Elder Elk in The Elk King is a representative of this type of anime image, not only as the purveyor of the spirit of the entire movie, but also as the embodiment of the Chinese wise man. The elk, known as the "four unimaginables" by the Chinese, has a magical ability to bring spring back to the earth. It was once only owned by the royal family and was a symbol of royal power. It has had a profound impact on traditional Chinese culture, and can be seen everywhere in ancient history and literature. Folk culture even honors it as if it were a god, and it is even said that Yandi, one of the "Three Emperors" in ancient times, is its descendant. From this we can see that the Elder Elk in "King of the Elk" deserves to be the highest representative of the Chinese animation wise man.

State Master

A bronze mask, a black robe with a raven feather shawl, long thin fingers, left and right at any time out of a beautiful snake, the modern aesthetic mood of the role of the ancient sorcerer image. But the master of the country is not a real sorcerer, he is just a crow spirit with a sorcerer's skin. In traditional Chinese culture, the crow is a symbol of darkness, misfortune and evil. Therefore, the Master of the Kingdom has already defined his villainous status from his innate identity. He, while hiding in the palace under the cover of his human identity, is even more ambitious to fight for the hegemony of the world. At the same time, he is also the embodiment of sinister villainy. He circles between humans and monsters, trying to find the key to the three worlds' struggle for supremacy - the secret of the Elk Kingdom. Although the Master of the Kingdom is powerful enough and devious enough, he has a fatal inborn weakness - "seeing the light and dying". In a battle with Prince Chan, the Master of the Kingdom finally perishes under the light of nature. The Snake Spirit, a beautiful snake that haunts the Master, is another villain in the movie. In fact, the image is quite familiar. If you search your memory carefully, you will find that this beautiful snake has a very similar appearance to the "indestructible" Snake Spirit in the classic Chinese animated film "Hulu Brothers" from your childhood. But although it has the same ruthlessness, dark and cunning, but the former has obviously lost the latter has the kind of "only my unique" feminist color, more as the image of the master of a subsidiary accompaniment. Or, to put it another way, the Snake Spirit is an extension of the Master's antithesis

Ma Bole

Bluebird and Ma Bole are basically the most likable characters in "King of the Moose," and their off-the-wall gagging qualities are hard to not love. Bluebird is, as the name suggests, covered in sky blue and full of adorable colors. Especially since it's dubbed with a child's voice, and when it appears with Elk Princess Yau Yau, it seems like an angel. Pikachu's pink expression was synonymous with kawaii for an era, and the Bluebird definitely takes that route. Most of all, it also has a very cute quality: it is determined to follow the path of loyalty and protect its master, and will not be swayed by enemies' threats. This character trait is a bit of a melodrama, but it's still a killer for the very caring Pink Princess.

And Maburaku has more of a no-nonsense coloring in "King of the Elk," as he's one of the more lovable ones in the human camp, and treats his horse like his life depended on it. A horseman himself, he is named Maburaku because he is more fanatical about the Thousand Mile Horse. He is overjoyed to find the evil seahorse transformed into a thousand-horse and worships it as a god, and all sorts of unexpected things happen in the process, which is comparable to Star's misguided and absurd experiences on the big screen. What's cute about Ma Bo Le is that he's funny without realizing it, and he's still serious about his situation even when the atmosphere is at the threshold of hilarity. Once again, he proves that he and Mr. Sing have the same kind of inanity.

Bluebird

The best compliment a comedy movie can get is "what the hell is going on, it's too nonsensical". Therefore, when Hollywood animated films with American humor to China, immediately by countless children's age line above the crowd like. The Lion King, as the leader of animated blockbusters, became popular all over the world, and the hilarious duo of Timon and Pumbaa became the reference template for future animated films. These two adorable little guys, although nonsensical, but at times swelled with a kind and full of dreams, positive, optimistic care of our lovely Simba children, "King of the Moose" in the bluebird is also the same as them.

After that, Hollywood continued its own American nonsense, "Ice Age" gags, often disliked but wise otter, "Finding Nemo" in the super offline Dory, "Shrek" in the nagging degree of the donkey Tangie comparable to the degree of menopausal women, "Mulan" "a little boy" of the big! Flea ...... Finally, the box office proved that these nonsensical animals with human qualities have a strong appeal to men, women and children of all ages, regardless of national boundaries. Animal nonsensical qualities, than the human nonsensical up as if much more lovely, in addition to the United States of America Chaplin and China's Stephen Chow, it seems that there is no more than these animal nonsensical more than the spread of the strength of the character and the breadth of the.

[Edit]Behind the Scenes

China's Leading Animation Technology

"King of the Moose" focuses on three major breakthroughs in the deformation technology of 3D modeling, video motion data acquisition, processing and synthesis research as well as group animation division and control technology. With more exquisite three-dimensional modeling technology, the ability to use complex lens and large-scale rendering system to lay the foundation for the creation of high-quality animated films. In particular, the addition of "people" overcame the limitations of animation films, which are mostly anthropomorphic animals, and the modeling of characters' body movements, expression delineation and description of language dialogues have greatly increased the difficulty of the film's creation, and at the same time, greatly expanding the creative vision, and adding new elements for the development of science and art. The judges believed that compared with the world's mainstream animation dominated by the United States, King Elk has fully reached the technical level of the world's mainstream movies.

☆Imaginative Processing of Chinese Elements

King of the Moose tells a story with Chinese characteristics using technology that rivals that of Hollywood. Taken entirely from the "Classic of Mountains and Seas" and absorbing a lot of elements from Chinese myths and folklore, this movie tells a human-animal love (the romance between a moose princess and a human prince) from the perspective of deeper national aesthetics, such as imagery and mood. The visual elements of the film are drawn from the treasure trove of traditional Chinese paintings and animation, and the character images, scene designs, and even the accessories, costumes, and props all have a strong Chinese flavor. And ultimately, the theme of the film also reflects the Chinese people's concept of harmony between humans, nature and animals, and the unity of heaven and mankind in the world of great benevolence and great love.

Chinese beasts will go global

The elk, known to the Chinese as the "four unimaginable" beast, has the magical ability to bring spring back to the earth. It was once only owned by royalty and was a symbol of royal power. It has had a profound impact on traditional Chinese culture, and can be seen everywhere in ancient history and literature. Folk culture even honors it as a deity, and even says that one of the ancient "Three Emperors", Emperor Yan, is its descendant. The Legend of the Elk" is a CG 3D animation movie based on China's "national treasure" animal elk, which was formulated as a tribute film for the 60th anniversary of the founding of the PRC in 2009 by the State Film Bureau, and will also participate in the competition for the 2009 Chinese Movie Huabiao Award and Golden Rooster Award. At present, "King of Elk" has successfully signed the European movie and DVD rights, and will represent Chinese elements to the world.

[Edit]Theme Song

The theme song of the movie, "Yoyo My Heart", is sung by the popular singer of the 2009 Happy Girls' Singing Voice, Yu Kewei.

Lyrics:

Your heart is listening carefully

Your voice is coming from the wind

Your heart is breathing softly

Your breath is floating in the air

Your heart is still remembering

Or maybe it is God's will to let you and me meet

Your heart is no longer in doubt

Your insistence brings me courage. I've got the courage

My heart has followed you far away

Following your footsteps

My heart no longer cries for others

Because without you, my heart

Runs to the ends of the earth

Believe in miracles, the world will be full of them

I'll light up my life with my love

Come on, I'll talk to you. Let the wind tell our legend

Let the clouds tell our story

Let us never part

Let heaven and earth remember us forever

Once together, we've always been together, we've always been together, we've always been together, we've always been together, we've always been together, we've always been together, we've always been together, we've always been together. morphing technology, video motion data acquisition, processing and synthesis research, and group animation division and control technology to achieve a major breakthrough. With more exquisite 3D modeling technology, complex lens ability and large-scale rendering system to lay the foundation for the creation of high-quality animated films. In particular, the addition of "people" overcame the limitations of animation films, which are mostly anthropomorphic animals, and the modeling of characters' body movements, expression delineation and description of language dialogues have greatly increased the difficulty of the film's creation, and at the same time, greatly expanding the creative vision, and adding new elements for the development of science and art. The judges believe that compared with the world's mainstream animation dominated by the United States, "Elk King" has fully reached the technical level of the world's mainstream movies.

In addition to technical innovation, "King of Elk" also insists on innovation in the form of animation and content theme, and strives to absorb the nutrition of traditional Chinese culture, produce works of art adapted to the appreciation tastes of modern audiences, and promote the revival of Chinese animation.

In the styling and environment design, King Elk references a large number of symbolic elements of traditional national culture, and processes and enhances them, avoiding direct application and facsimile, but rather, from the perspective of deeper national aesthetics, such as imagery and mood, it blends these elements into the film and television language of modern movies, realizing the innovation of form and vocabulary.

In the creation of the theme content, "King of Elk" absorbed a large number of Chinese myths, folklore elements, and at the same time to dig and refine, discard those feudal anachronistic dregs and representations, to retain the cultural essence of the Chinese people since ancient times has been the endless reproduction of the development of the embodiment of peace and justice, embodiment of the human and the concept of harmony with the natural and animal **** existence, embodiment of the warmth of selfless friendship, embodiment of teamwork, embodiment of selfless friendship, embodiment of the warmth of the team, embodied the spirit of peace and justice. It embodies the warmth of selfless friendship, and the great love of the world, which is the unity of heaven and mankind. The film seeks to spread these deep philosophical concepts and cultural traditions of the Chinese nation to the world through our movies, witnessing our ideals of peaceful development and harmonious ****survival.

In this year's Huabiao Awards, "King of the Elk" competed for the Outstanding Animated Film Award together with "Maranatha", "Shining Red Star - The Little Warrior", "Happy Running", "Naughty Boy Ma Xiaotou", and "Pleasant Goat and Big Big Wolf's Cow's Beefy Spirit". In the end, "King of the Moose" won the first place with "Happy Running", "Naughty Boy and Horse Jump" and "Pleasant Goat and Big Big Wolf's Bull's Breath". Judging experts evaluated the "King of the Elk" well-produced, exquisite artistic performance, profound thought, is China's rare three-dimensional animation masterpiece in recent years.

Previously, "King of the Elk" has successfully signed the European film and DVD rights, the film was also selected by the Central Propaganda Department, the State Administration of Radio, Film and Television as the only three-dimensional animation film to the 60th anniversary of the founding of China in the tribute film.

Films of interest to the Chinese government

The Legend of the Elk, a CG 3D animation film based on the Chinese "national treasure" elk, has been selected by the State Administration of Film as a tribute film for the 60th anniversary of the founding of the People's Republic of China in 2009, and it will also be in the running for the 2009 Chinese Film Huabiao Award and the Golden Rooster Award.

Chinese beasts

The elk, known as the "four unlike" by the Chinese, has a magical ability to bring spring back to the earth. It was once only owned by royalty and was a symbol of royal power. It has had a profound impact on traditional Chinese culture, and can be seen everywhere in ancient history and literature. Folk culture is even more revered as a god, and even legend has it that one of the ancient "Three Emperors", Emperor Yan, is its descendant.

Nature and life in the eyes of the Chinese

The film incorporates the unique worldview of the Chinese, with elk, humans, monsters and plants*** forming a vibrant world. This is because in the eyes of the ancient Chinese, the world is "yin and yang" two qi transportation, mountains, rivers, plants and animals, including human beings, are all equal life, **** with the composition of nature.

A story with Chinese characteristics

This movie tells a story with Chinese characteristics, in which a human boy and a moose girl fall in love, and **** together they overcome the enemies destroying the nature, and in the end, the boy also turns into a moose, and together with the herd of deer, they

run to the vast forest. In traditional Chinese love stories, the most touching ones are almost always about people and animals falling in love.

Chinese visual elements

The visual elements of the film are drawn from the treasure trove of traditional Chinese paintings and traditional animation, with strong Chinese flavors in the character images, scene designs, and even in the costumes and props.

China's Leading Animation Technology

The Institute of Automation of the Chinese Academy of Sciences provided strong technical support for the film, including video motion data acquisition, processing and synthesis technology, flexible object modeling and its dynamics technology, 3D model deformation technology, micro-particle control and modeling technology, group animation division and control technology. Including skeletal joints and shapes of the script control using skeletal dynamics model and programming technology to solve the 2D/3D animation of the stretching and extrusion control; in addition to the use of skeleton + mesh deformation technology research to change the previous expression animation only mesh deformation control brought about by the distortion problem.

Research on Video Motion Data Acquisition, Processing and Synthesis: Using the image analysis and processing technology, the character motion with blue background in the ordinary digital video camera is extracted, animated and converted into format, and synthesized with the modeling in the animation.

Group Animation Division and Control Technology: Research on the technology to solve the problem of precise foreground and gradual blurring of background in large scenes (such as galloping horses and marching troops), which makes the system simple in design, faster in rendering and good in effect.

"Elk King" led the National Day animated film family entertainment into the mainstream of consumption

"Elk King" led the animated film, four days exceeded 5 million. According to Mr. Chen, the person in charge of publicity of Wanda Cinema Line, the theater in the first half of the holiday will be tilted to the adult market, because most of the family audience take their children out to travel; the second half of the family back, the theater will certainly increase the scheduling of animated films, "the two days of the family to see the King of the Elk," the audience has increased significantly, and the prime attendance rate of 80%, which is quite a success for A domestic animation is quite successful. "In order to stimulate consumption, many theaters have joined forces with the "Elk King" film, launched a "buy two get one free" activities, only need to buy two parents tickets, you can enjoy the three family entertainment.

"King of Elk" is based on the "Classic of Mountains and Seas" and absorbs a lot of elements of Chinese myths and folklore, telling the story of the three major races of mankind, monsters and elk, Elk Princess YoYo turns into a young girl because of eating fairy grass, and in the process of searching for the king of the elk, she and the human prince begin a romantic love affair. This by the "Kung Fu Panda" technical team to participate in the production of domestic 3D animation, had "spring, summer, autumn and winter seasons of flowers" stunning Cannes sold European distribution rights, last month and beat the "Maranatha" selected for the 60th anniversary of the founding of the country's dedication to the film. In Wanda Cinemas Mr. Chen, in addition to the beautiful picture of the "eyes of the environment", magnificent and realistic scene special effects, cute and funny animal images, tearful love between man and beast, "King of the Elk" the biggest breakthrough in the "family entertainment" function, "Pleasant Goat", the "family entertainment" function, the "family entertainment" function, the "family entertainment" function. "Pleasant Goat" is actually children's entertainment, accompanied by parents is difficult to see in; "King of the Elk" and Disney animation is more like, young and old, the main appeal is the innermost childishness of each person."