Old songs for erhu

Old Songs Suitable for Erhu Playing:

1, "Two Springs Reflecting the Moon"?

"Two Springs Reflecting the Moon", a famous erhu song, is a masterpiece of Chinese folk musician Hua Yanjun (Ah Bing). The work was recorded in the early 1950s by the musician Mr. Yang Yinliu, based on Bing's performance, and made into a record that soon became popular throughout the country.

This piece of music is the thoughts and feelings of a blind artist who has experienced the sorrows and pains of the world from beginning to end. The work demonstrates unique folk playing techniques and styles, as well as an unparalleled depth of meaning, which demonstrates the unique charm of the Chinese erhu art, and broadens the expressive power of the erhu art, which has been awarded the "20th Century Chinese Music Classics Award". It has been awarded the "Award for Chinese Music Classics of the 20th Century".

2. "Horse Racing"?

"Racing Horses" is an erhu solo piece composed by Huang Haihuai, which is a new work in the fourth "Shanghai Spring" erhu solo competition in 1964. The piece is popular for its majestic momentum, warm breath and unrestrained melody. Whether it's a vigorous racer or a galloping horse, the erhu's melody expresses it beautifully.

3, "Burial of Flowers"?

The "Burying Flowers" is an ancient poem recited by Lin Daiyu, the heroine of the novel "Dream of Red Mansions," the twenty-seventh installment of which was written by Cao Xueqin, a literati of the Qing Dynasty.

4. "Bright Line"?

The instrumental piece "Bright March" is an erhu solo piece composed by Liu Tianhua in the spring of 1931, and it is an uplifting marching piece. The piece is magnificent, with a bright and firm melody and an elastic rhythm.

5, "Birds in the Empty Mountain"?

The Bird's Voice in the Empty Mountain is an erhu solo piece composed by Liu Tianhua, the first draft of which was written in 1918 and finalized ten years later. The title is taken from a poem by Wang Wei of the Tang Dynasty: "I don't see anyone on the empty mountains, but I hear the sound of people's voices." In this piece, Liu Tianhua creatively used the three-stringed opera-style modal approach to depict the beautiful scenery of deep mountains and valleys, with hundreds of birds calling and crying, and it is an extremely imaginative piece of work, which was awarded the "Chinese 20th Century Music Classics Award" by the Association for the Promotion of Chinese National Culture in 1993.